#romantic-songwriting

#romantic-songwriting

But at the same time, there's a very deep sense that love is something that we do, and it is the product of our agency, both with respect to fostering a loving relationship, but also seeing and attending to another person, which is something that we do and not just something that happens to us. In many ways, the song is about that.

Like most writers who can't bring themselves to lay down their pen, Zach Bryan prefers creating to editing. Songs spill out of him, as do recordings. Only three days after delivering With Heaven on Top, the fourth album he's issued through Warner, he released an acoustic version of the same set of 25 songs, adding it on top of the original so the album now runs over two hours and 20 minutes, a length that stays true to his tradition of overabundance.

A magazine sent me to the ATP festival at Pontins in Camber Sands to interview the Beastie Boys of noise, Wolf Eyes. The interview fell to pieces when the band, in a state of great psychic refreshment, all wearing Manowar T-shirts, refused to stop watching a Manowar DVD and signalled they would only answer questions if they related to Manowar. The rest of the day was exemplary one of the best ever walking on the beach, visiting record shops.

The idea for the Opalite music video crash landed into my imagination when I was doing promo for The Life of a Showgirl. I was a guest on one of my favorite shows, @TheGrahamNortonShowOfficial. For those of you who aren't familiar, it's a UK late night show where Graham Norton (the insanely charismatic and lovable host) invites a random group of actors, entertainers, musicians, etc to be on his show and we all sit there and chat like it's a dinner party.