The longer we wait, the more difficult it will become to remedy the damage. Since 2019, state funding had all but dried up, forcing the foundation to auction works to raise funds to continue the restoration of both the iconic building and its many site-specific works.
An artwork is not created when an artist finishes it. It is created when it's visible to an audience and when it becomes discourse. If there's no ecosystem, nothing works. Central Asia is in the midst of an unprecedented investment in such art infrastructure, including new permanent venues, purpose-built museums, and international biennials.
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Their gathering still had to be dispersed, but the enthusiasm that Ored Recordings inspires even among enforcers of the law speaks volumes about the power of what Khalilov and his friend and label co-founder Timur Kodzoko call punk ethnography: the recording of religious chants, laments and displacement songs at family gatherings, local festivals, in people's kitchens, to fight against the erasure of Circassian culture.
Its historic architecture is known for its courtyards, domes, and blue ceramics, typical of its Timurid heritage. The capital of Uzbekistan today, it was absorbed into the Russian Empire in the 19th century, before becoming a Soviet republic. While part of the Soviet Union, the city became an example of modernization, celebrating socialist achievements in Asia. A devastating earthquake in 1966 accelerated this modernization as the city was reconstructed, leading to many of the modernist monuments for which Tashkent is known today.
This dual ambition-questioning their own practice while contributing to a broader cultural discourse-frames each project as an evolving process, not a fixed outcome. The term "workshop" embedded in their name, New Almaty Architects Workshop, reflects this spirit of continuous testing and learning. Interiors become platforms for material research, atmospheric exploration, and critical self-evaluation. In a regional context where architectural discourse remains underrepresented internationally, their work emerges as a sustained effort to articulate identity through built experience.
The Ukrainian-born jewellery artist Aleksandr Dotsenko, who was serving a three-year prison sentence in Russia for allegedly placing anti-war slogans in a supermarket in the Leningrad region, died on 19 February of a heart attack, according to media reports. Dotsenko, who was 65 when he died, was convicted of "public calls for terrorist activities" alongside his wife, the artist Anastasia Dyudyaeva, in July 2024. Dotsenko was sentenced to three years in prison, while Dyudyaeva is serving three-and-a-half years.