#seattle-architecture

#seattle-architecture

Built in 1913, the building calls back to the city's early development, much like the commercial clusters just a block or few long that are nestled in so many neighborhoods.

Nisha, who looked to be about 15 years old, drew a parol - a star-shaped lantern displayed during Christmas - and a Bahay kubo - a traditional Filipino-style house - with a small pencil, as she sat at a table of the Bayanihan Community Center in SoMa.

"I hadn't even seen the inside just like you, but I just felt like one person, DJ equipment, had to fit in there somehow. We knew it could be Pandora's box in there."

Viewpoints are structures designed for observing the landscape from elevated positions. They act as devices that organize the gaze and establish a direct relationship between the body and the territory.

When you design your home with intentionality, you are essentially 'hard-coding' healthy behaviors into your daily rhythm. Health outcomes are the result of thousands of micro-decisions—so in his own home, he prioritized spaces like the kitchen, whose open layout makes cooking a pleasure, and the gym, centrally located.

Built as the Boulevard Inn in 1912, the onetime way station was transformed into a single residence in the 1930s by pioneering Seattle architect Elizabeth Ayer as her personal residence. Today the two-story East Coast-inspired house is reached by way of a private lane and sits on a three-quarter-acre lot obscured by lush landscaping and mature trees.

Géométral is an architectural practice defined by design strategies that are linked to the landscape, which it treats as a primary determinant of form. The studio approaches each project as a small universe that combines program, atmosphere, and spatial narratives. Rather than a single signature style, they focus on crafting moods and situations tailored to each context and user.

"It has been estimated that one million five hundred thousand houses each year for a period of 10 years will be needed to relieve the urgent housing problem of this country. The enormity of such a need cannot even be partially satisfied by building techniques as we have known and used them in the past."

Designed by noted residential architect Roland E. Coate, the home was built in 1926 for Annie Wilson, daughter of pioneering Southern California businessman and politician Benjamin Wilson, for whom Mt. Wilson is named. The gently sloping 1-acre-plus property was once part of the vast holdings of George S. Patton, father of the famed U.S. general.

Inside Climate Pledge Arena, a large-scale media installation titled Turn the Tide transforms two interior walls into an architectural interface combining environmental imagery, and . Designed by Digital Kitchen within the arena by , the installation spans nearly 400 feet across the building's east and west walls. The intervention is integrated into the spatial environment of the arena, which is recognized as the world's first net-zero carbon certified arena.

The Architect Elevator is a metaphor-in reality, the company leadership may be sitting on the same building floor as you; my car metaphors could fill an entire book; and " Architecture is Selling Options " has become the anchor of many architecture keynotes. So, at least my world of architecture is full of metaphors.

Unrivaled in scale, this nearly 18,000-square-foot manor is a masterclass in architectural precision. The exterior's brick and granite facade is defined by four regal balconies featuring exquisite limestone and granite architectural balusters. Inside, the home is a showcase of custom interior detailing, featuring extensive shadowboxes, art niches, and intricate tray ceilings. Vertical proportions are equally impressive: the main level boasts 20-foot ceilings in the living and family rooms, with 10-foot ceilings throughout the rest of the floor.

Seven years of development allowed Openspace Architecture and landscape designer Paul Sangha Creative to thread a 10,000-square-foot single-story home through mature forest without sacrificing the canopy that defines the site's character - a constraint that ultimately generated the building's gently curving plan and its sequence of connected spaces opening to Saanich Inlet views. The design draws from mid-century West Coast Modernism's timber traditions while incorporating Japanese structural principles that extend beyond aesthetic reference.

Schacht, originally born in Germany and educated in Europe, moved to Portland in 1883 after the German government claimed his Hamburg home via eminent domain, and he decided to move as far away as possible. While his work over his four-decade career spanned a variety of architectural styles, it has been noted that after 1900, he was "among the first Arts and Crafts-influenced architects to practice west of the Rocky Mountains."