#shuya-kamikubo

#shuya-kamikubo

Visualizing my inner self through expressions and gestures full of charm and humor has also become an opportunity to deepen my self-love.

The S100X Urushi Edition, also known as The Special One, is a limited edition desktop calculator designed using a century-old Japanese Urushi lacquer technique.

I have virtually no idea what the finished piece will look like until I actually begin working with the wood. As a result, the form often emerges as I carve, and I frequently change my plans midway through the process. Naturally, I keep the many failures a secret.

The Bud­dhis­ti­cal­ly inflect­ed " ichi-go ichi‑e" is just one in the vast library of yoji­juku­go, high­ly con­densed apho­ris­tic expres­sions writ­ten with just four char­ac­ters. (Oth­er coun­tries with Chi­nese-influ­enced lan­guages have their ver­sions, includ­ing sajaseon­geo in Korea and chéngyǔ in Chi­na itself.) It descends, as the sto­ry goes, from a slight­ly longer say­ing favored by the six­teenth-cen­tu­ry tea mas­ter Sen no Rikyū, " ichi-go ni ichi-do " (一期に一度).

Come join us for the clash (more like a love-fest) of two beloved San Jose staple nights! Satori and Atomic have been putting on memorable dance parties in San Jose full of new and classic Goth, Darkwave, New Wave, Electro, Indie and Industrial for decades. For one night only, we unite to play all the bangers until you just can't dance anymore!

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Kintsugi 金継ぎ is known as the Japanese art of putting broken things back together, like broken pottery, using materials mixed with powdered gold and other elements. Instead of hiding damage, this technique celebrates the restoration of an object once viewed as broken, flawed, or imperfect. This same process can be seen as a metaphor for addiction recovery. Even for people with addiction who willingly choose recovery, there's an element of being remade that can't be ignored. Addicts often go through a period of denial.

These clothes are not secondhand, says Yin Xiuzhen, the Beijing-born artist known for creating large-scale installations out of found garments and keepsakes. I prefer to call them used' or worn', she explains. Clothes that have been worn' carry a lot of information like a second skin, imprinted with social meaning. In some of Yin's works the clothes are her own, telling a personal story. In others, the clothes are collected, stained and stretched across towering steel frames resembling planes, trains or organic forms.

The stationery world has long looked to Japan for innovation, and planning enthusiasts know this better than anyone. Japanese design philosophy brings together minimalism, functionality, and thoughtful engineering to create tools that transform mundane tasks into moments of creative joy. These aren't just accessories that sit pretty on your desk. They're carefully crafted instruments that respect your workflow, elevate your planning rituals, and make every stroke of the pen feel intentional.

One of Japan's most recognizable cultural practices - the Japanese tea ceremony, known as chanoyu, or chadō - is being reshaped by tourism, wellness culture and social media. Matcha, the Japanese powdered green tea that is used during the ceremony, has entered the global marketplace. Influencers post highly curated tearoom photos, wellness brands market matcha as a "superfood," and cafés worldwide present whisked green tea as a symbol of mindful living.

Known most for her large-scale artworks created from vast, intricate networks of thread, she developed her unique practice to make tangible the endless speculative configurations of human connections - something to be experienced rather than defined. But by asking her to describe her new exhibition, Threads of Life at the Hayward Gallery, I'm dragging her back into a reductive world of language. "If I wanted to express myself in words, if I could explain in words, I'd rather write," she says. "So I want to build visually, and I want to create visually. What I want to describe is beyond words."

Japanese design has spent centuries perfecting the balance between restraint and richness. These seven gifts embody that philosophy, where every material choice and geometric decision carries intention. From transparent polycarbonate that frames music like sculpture to hand-planted bristles that honor century-old brush-making techniques, each piece reflects the considered craftsmanship that typically commands luxury prices. The precision is palpable, the materials exceptional, yet the cost remains accessible.

The project is structured around a single continuous hanging rail that extends for nearly 100 meters, serving as both the primary display system and the organizing element of the space. In response to the constraints of the site, the design reconsiders the hanging rail as a spatial device rather than a fixed retail fixture. The rail adapts to existing walls, columns, and building services, bending, rising, and shifting in section as needed to navigate obstacles.