#south-heaven-gate-project

#south-heaven-gate-project

The plans call for beams of light right up into the night sky, which means they're directly affecting the night sky and, by design, the skyline view for anyone looking in that direction.

Hu Yuehua's 'Weaving Nature' is a large-scale composition that intricately combines organic forms with human craft traditions, showcasing a vibrant array of indigo and ochre.

Rather than imposing itself on this remote terrain, the resort scatters a constellation of compact, sphere-fronted cabins across the landscape, each one placed with surgical intention over patches of degraded sand where vegetation has long struggled to take root. By positioning guest suites directly atop eroding sand depressions, the architects aim to arrest soil loss and give the steppe a chance to regenerate beneath and around the structures.

The design of Forest Toilet A emphasizes the importance of integrating architecture with the natural environment, ensuring that the structure complements the existing landscape rather than disrupts it.

The project is structured around the concept of 'Abstract Landscape,' drawing from principles in Chinese landscape painting that prioritize spiritual interpretation over literal representation. Rather than replicating historical forms, the design translates landscape qualities into geometric compositions and spatial sequences. Abstract volumes reference the condition of distant mountains and nearby waters, while controlled color contrasts establish a clear visual framework.

The design team combined the requirements for an accessible bridge and a small pavilion into a single structure, creating a unified architectural gesture that supports both movement and gathering.

The project took six years from initial strategy to completion, with the design evolving from form-first to function-driven, and finally to a moderately diversified approach.

Baqiao bridges, including the nearby Shisanba Bridge, typically appear in areas where the difference between river level and embankment is relatively small. Their upstream piers are shaped like tapered spindles with slightly raised tips, creating a distinctive structural profile. Stone slabs span between the piers, forming a bridge deck assembled through interlocking construction methods.

The design by 1Y Architects approaches this silence as material rather than absence. Instead of clearing the debris scattered across the site, the team gathered bricks, concrete fragments, and broken tiles from former factory buildings. These remnants form the structural fabric of the sound museum itself.

Wuzhou Elementary School is a public primary located in central , designed by People's Architecture Office (PAO) to support contemporary educational models that emphasize creativity, exploration, and experiential learning. The project responds to Shenzhen's broader transition from an industrial economy to one oriented toward innovation by reconsidering how architectural space can support evolving modes of education. The school is conceived as a three-dimensional 'Learning Landscape,' replacing conventional classroom-and-corridor arrangements with a continuous field of varied spatial conditions.

The Cloud Tower completes the existing Kingdee software park in Shenzhen's Nanshan neighborhood, which is an emerging tech district. Located on the edge of a green strip, the 211-meter-high tower provides space for offices, conferences, and a restaurant for Kingdee, a leading provider of enterprise management cloud services globally.

Jiaxing High-Speed Rail New Town Cultural Center sits at a key node in the city's water and landscape network, with open waterfronts to the north and west and major roads to the south and east. Conceived as the City Living Room and Eye of the Town, it anchors the community core, surrounded by residences, schools, and the hospital. It aims to provide the public with a high-quality, all-day accessible experience.

Sadec Garden is a small-scale accommodation project newly designed and located in the flower village of Sa ec, ong Thap, Vietnam. The project is approached as a quiet place of temporary stay, where architecture does not seek visual prominence but operates as a background for landscape, light, and local daily life. Rather than pursuing expressive forms, the design adopts an attitude of restraint, focusing on spatial organization, experiential sequence, and a soft relationship between architecture and the riverine context of Sa ec.

Lotus Clubhouse was conceived as a living organism that breathes in harmony with the terrain and surrounding natural environment.

Lu Wenyu-co-founder of Amateur Architecture Studio with Pritzker laureate Wang Shu-has shaped many of the practice's most emblematic works across China, including the Ningbo History Museum and the Xiangshan Campus of the China Academy of Art in Hangzhou. Often working outside the spotlight, her leadership is unmistakable in the discipline of execution and the roles she has assumed: in 2003, together with Wang Shu, she established the Architecture Department at the China Academy of Art,