The Baltimore Museum of Art landed her highly anticipated exhibition, 'Amy Sherald: American Sublime,' after the painter pulled her show from the National Portrait Gallery due to concerns over censorship. The exhibit has been a significant hit at the BMA: It was completely sold out by late February.
Twenty-five years ago, the UK made the bold and generous gesture of making its national museums free to all. Suddenly, anyone from anywhere in the world could gaze at iconic works of art by the greatest artists in history without having to pay a penny.
WolfBrown found that Eugene had an abundance of art; however, the town needed more support from the business sector. The results showed that "we punched above our weight for a community our size," said Kelly Johnson, executive director of the nonprofit Arts & Business Alliance of Eugene, which the city created in 2008 to link the arts and business communities.
Bregman claims, 'Today the whole of Europe risks turning into one big Venice, a beautiful open-air museum. A great destination for Chinese and American tourists. A place to admire what was once the centre of the world.' This statement encapsulates the concern that Europe is losing its cultural significance.
We can find a middle ground. PSU could reduce the size of its planned theater to between 800 and 1,200 seats, clearing the way for the Keller to be remodeled as a mid-size 1,500 to 1,800 seat venue.
The contemporary technology museum has emerged as a performative participant in the systems it seeks to document. The architecture of these institutions has become increasingly fluid and bold, often mirroring the velocity and complexity of the systems it houses. They operate as mediators between the human, the ecological, and the technological realms, transforming from encyclopedic warehouses into active educational engines.
Communities make museums and museums make communities. Part of the establishment of M+ was a public consultation where people were asked what kind of museums they wanted. The recommendation was not to build lots of little museums, but to create a big museum that was cross-disciplinary, unburdened by labels like "modern" or "contemporary". It was to be a museum plus more, and that was how we became M+.
These cuts threaten shovel-ready projects, major employers, and rural and urban communities across the state. And they come at a time when [Oregon] arts funding is already among the lowest in the nation. Legislators had been considering cutting nearly $900,000 in arts and culture funding when the session started on Feb. 2.
A socioeconomic duty on public bodies was included in 2010's Equality Act, but has never been enacted. Now Class Ceiling, a review from Manchester University, co-chaired by the former chief prosecutor Nazir Afzal, is calling for change. It wants class to be made a legally protected characteristic like race and sex (and several others), to address the class crisis in the arts not just in the north-west but across the UK.
On January 15, the National Endowment for the Humanities (NEH) announced $75.1 million for humanities projects across the country. Presented as part of President Donald Trump's January 25, 2025 executive order, "Celebrating America's Birthday," the move is the latest example of how the Trump administration is increasingly using federal funding as a vehicle to achieve its broader goals of reshaping higher education.
In the early 20th century, sociologist Max Weber noted that sweeping industrialization would transform how societies worked. As small, informal operations gave way to large, complex organizations with clearly defined roles and responsibilities, leaders would need to rely less on tradition and charisma, and more on organization and rationality. He also foresaw that jobs would need to be broken down into specialized tasks and governed by a system of hierarchy,
Hyperallergic's monthly Opportunities Listings provide a resource to artists and creatives looking for funding and community support to further their work. Residencies, Workshops, & Fellowships, Center for Craft - 2026 Craft Archive Fellowship Four $5,000 awards will be offered to fellows conducting research on underrepresented craft histories.
While everyone is subject to their individual situations, for many, the process begins with an F-1 student visa, which they hold as they complete a Ph.D. over five to six years. After graduation, they may choose to transition to Optional Practical Training (OPT), which provides a year of work authorization, with a two-year extension for STEM graduates. Some may then transition to a H-1B temporary work visa, which provides for three years of work authorization and is renewable for another three years.
The day after Whitelaw testified, the state economist said that Oregon now has about $300 million more to spend than previously expected. The new revenue forecast does not mean the budget is in the black, however. There are new demands for the available dollars, including $600 million in upgrades to the Moda Center to retain the Portland Trail Blazers, a recently announced $50 million shortfall in Portland Public School funding,
Both of those ideas were torpedoed when I read this article about Daniel Lurie's's 31 hand-picked avatars meant to reshape San Francisco's charter (and we all know that his picks never result in any blunders). I looked at this 31-faced cavalcade of (mostly) capitalists and thought it only slightly less oligarch-ish than his onboarding team from last year. Sure, this one doesn't have Sam Altman, but this one's so nakedly appealing to business interests that it doesn't need Altman.
Artists make California vibrant, innovative and culturally rich, yet our state ranks 35th nationally in per capita arts funding. When the state budget allocates just 53 cents per person to the arts, it's clear how little we're investing in the creative workers who shape the state's identity and economy. California's artists are delivering extraordinary value with minimal investment. Imagine what a stronger commitment to the arts could do for our communities, our economy and our future.
It's impossible to imagine New York City without art, or contemporary art without New York City. This is where you come to see the best of the best, or to take part in making it. This country's international standing is down in the gutter, thanks to Trump, but this city is still a living, rolling dream. Right now, we're waiting to see who's going to be Mayor Mamdani's pick for cultural affairs commissioner. It's an important role that determines where the city's budget priorities will lie and who'll get a seat at the table. Gonzalo Casals, who served as culture commissioner under Mayor de Blasio, and Mauricio Delfín, who co-directs the Culture & Arts Policy Institute with Casals, have some urgent thoughts on the matter. It's a must-read not just for Zohran (send him a link if you're on texting terms), but for everyone who cares about art in this city.
Ireland is creating a scheme that will give artists a weekly income in the hope of reducing their need for alternative work and boosting their creativity. The Basic Income for the Arts (BIA) initiative will provide 325 (283) a week to 2,000 eligible artists based in the Republic of Ireland in three-year cycles. It is the first of its kind in the world, the culture minister, Patrick O'Donovan, said at the launch in Dublin on Tuesday.
As if demolishing the East Wing, gutting arts agencies, and slapping his name and face on several federal buildings weren't enough, the US president now wants to do away with a DC building known as the "Sistine Chapel of New Deal art." This week, we reported on a burgeoning campaign to save the Wilbur J. Cohen Federal Building, which houses murals by Ben Shahn, Philip Guston, Seymour Fogel, and other major American artists. We will continue to follow this story.
When Thomas Jefferson wrote about the "inalienable" rights of man in the US Declaration of Independence 250 years ago, it's possible he lifted the term from the French. And long before it was ever used as an adjective to describe human rights, it defined royal property. To this day, "inalienability" remains a cornerstone of public collections in France-and many other countries-impacting museums and their ability to deaccession, including for purposes of restitution.
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