April's lineup at the Brooklyn Museum includes programs around 'Seydou Keïta: A Tactile Lens,' designed for accessibility and interactivity, featuring stroller tours for caregivers and infants.
More than 500,000 tickets have been sold in record time, with all 11 concerts expected to be sold out, turning the Iberdrola Music venue into a tribute to Latin music.
Volti and Left Coast meet in a bold and dramatic new work by Chris Castro for storyteller and musicians, which delves into the ancient and universal human explanations for our beginnings. The human relationship to our environment forms a through-line from romantic to experimental musical sensibilities.
Tickets go on sale at 10 am unless otherwise noted. MUSIC An Acoustic Evening with Trey Anastasio Arlene Schnitzer Concert Hall (Tues May 26) Angine de Poitrine Aladdin Theater (Fri Aug 21) Bleachers Forever Tour Hayden Homes Amphitheater (Sun Sept 20)
The wildly talented Bérubé has played violin with everyone from Stevie Wonder to Death Cab for Cutie. From touring nationally with the Broadway musical Hamilton to touring the world, Bérubé is in search of new experiences and challenges.
What happens when you discover at a very young age a passion for writing and language but discover not soon after that the world often has other plans? That's kind of what Jacob Ming-Trent addresses in his new solo show, "How Shakespeare Saved My Life," getting its world premiere at Berkeley Repertory Theatre. As Ming-Trent, who is Black, puts it, "America tried to take my life, and somehow a five-hundred-year-old white dude saved it."
A band called Ad Nauseam is dead set on keeping grunge alive in Portland, but no local venue will return their calls to play a show. Like the most iconic grunge acts, Ad Nauseam has deep PNW roots. They deliver sludgy, whining guitar licks and haunting, sandpapery vocals. They've even got an angsty tune called "Scab Pimple" for goodness sake. So why can't they land a gig? Well, it might be because all four band members are between the ages of 10 and 16.