Meininger, who grew up in Germany but now lives in London, likes making things. So when he saw how much his young sons enjoyed the jungle gym and play forts at the local park, he made an indoor treehouse for them.
When you design your home with intentionality, you are essentially 'hard-coding' healthy behaviors into your daily rhythm. Health outcomes are the result of thousands of micro-decisions—so in his own home, he prioritized spaces like the kitchen, whose open layout makes cooking a pleasure, and the gym, centrally located.
The pavilion is recognized as the first building in Mexico constructed using cross-laminated timber (CLT). This system replaces conventional concrete and steel structures with mass timber, reducing the carbon footprint of the construction process. CLT panels are composed of layered wood elements arranged in alternating directions, creating structural stability while enabling prefabrication and efficient assembly.
Even long after the tell-tale odor of new paint has vanished, traditional paint can off-gas for months, releasing volatile organic compounds (VOCs) that have been linked to organ and nervous system damage, cancer, and infertility.
Photovoltaic (PV) solar energy represents a modular technology that can be manufactured in large-scale facilities, generating economies of scale, while also being adaptable to small-scale applications. From residential rooftop systems to large-scale power generation installations, photovoltaic solar energy has established itself as a cost-effective option for electricity production in many countries around the world.
This corn-based construction material was made by Manufactura, a Mexican sustainable materials company, and it imagines a second life for waste from the most widely produced grain in the world. The project started as an invitation by chef Jorge Armando, the founder of catering brand Taco Kween Berlin, to find ways he could reintegrate waste generated by his taqueria into architecture. A team led by designer Dinorah Schulte created corncretl during a residency last year in Massa Lombarda, Italy.
Most coat hangers exist somewhere between purely functional and aggressively boring. They're the things we grab without thinking, the wire creatures that multiply mysteriously in closets, or the bulky wooden ones that restaurants seem to breed. But every so often, a design comes along that makes you stop and reconsider something as mundane as a place to hang your jacket.
Rather than representing a simple return to the past, this renewed interest reflects a broader reconsideration of how architecture engages with materials, local resources, and environmental conditions.
Researchers at the Norwegian University of Science and Technology and the University of Tokyo have made a prototype of botanical cement made of desert sand and plant-based additives in hopes that it can be used to build houses and roads. Once mixed, the team adds tiny pieces of wood together and presses them all with heat to produce the cement.
What began as a modest brief for a young and growing family soon evolved into a considered renovation that reimagines an existing Barwon Heads home. The original house had endured several unsympathetic alterations over the years, leaving it disjointed and built to a poor standard.
Thermal modification is not a new invention, but its relevance has increased as expectations around performance, sustainability, and predictability have tightened. Developers, architects, and contractors are no longer just asking whether timber looks good or performs well initially. They want to know how it behaves after ten, twenty, or thirty years, and how much risk it introduces into a project once the scaffolding is gone.
When you think about building a house, what materials come to mind? Brick, wood and metal all come to mind; there are also some very distinctive glass houses out there. (Even if their occupants should refrain from throwing stones - though honestly, that's a good tip for indoor living in general.) A group of MIT researchers have come up with a very different way of making buildings, and it's one that also addresses an ongoing waste issue."We've estimated that the world needs about 1 billion new homes by 2050. If we try to make that many homes using wood, we would need to clear-cut the equivalent of the Amazon rainforest three times over," explained AJ Perez, who conducts his research in the MIT Office of Innovation. The title of a paper written by Perez and his colleagues - "Design, Manufacture and Testing of Structural Trusses Using Additively Manufactured Polymer Composites" - gives a sense of the solution that they have in mind.
One of the earliest large-scale examples of composite materials can be found in the Great Wall of China, where stone, clay bricks, and organic fibers such as reeds and willow branches were blended to create a resilient and lasting structure. These early techniques reveal a timeless intuition: distinct materials, when combined thoughtfully, produce properties unattainable by any single element.
It's likely that you've encountered recycled glass countertops without realizing it. They're far from the hippie-style broken-glass mosaic art of yesteryear, instead presenting as sleek, highly polished, professional slabs with intriguing bits of confetti-style color trapped inside. That's the recovered glass bits set into a binding material such as resin, cement, or concrete, and then smoothly polished so that the composite surface feels like stone.
Timber cladding has become a defining feature of contemporary construction across the UK. Once associated mainly with rural housing and architectural one-offs, it is now widely used across residential developments, commercial buildings, education projects, and urban regeneration schemes. Its appeal is often described in visual terms, but appearance alone does not explain its continued growth. Timber offers flexibility in design, a lower embodied carbon profile than many alternatives, and the ability to integrate effectively within modern wall systems when specified correctly.
Architecture Office founder Alexander Mackison and glass artist Juli Bolaños-Durman had something of a creative meet-cute. The two became acquainted while running a lecture series at Custom Lane, a collaborative center for designers and makers in Edinburgh, where they both have studios. They remained friendly, so Alexander eventually learned of Juli's plans to renovate an apartment nearby. "Just through casual conversations, I became integrated into the project," he remembers.
From the large industrial roofs and galleries of the 19th century to the contemporary atriums of museums and public buildings, glass has been a recurring material in shaping large and monumental interior spaces. More than a technological or engineering solution, these horizontal glazed planes introduce a distinct luminous quality: light that comes from above. Unlike lateral daylight entering through façades, zenithal light is more evenly distributed, reduces harsh shadows, and lends spaces a sense of continuity and openness that is difficult to achieve otherwise.
In a balance of aesthetics, performance, and versatility, HIMACS shows a solid surface material of choice for many architects and designers. Taking a further step forward, the entire range of standard HIMACS sinks and basins is now officially SCS certified, containing a minimum of 8% pre-consumer recycled content. This certification enhances the material's technical and visual appeal by providing a more sustainable option without compromising quality or functionality.
Forestone Cabin is a experimental dwelling designed and built by the 2025 cohort of IAAC - Institute of Advanced Architecture of Catalonia's Master in Ecological Architecture and Advanced Construction, as part of the Bio for Piri initiative. Led by the Fundació Catalunya La Pedrera and funded by the Biodiversity Foundation with European Next Generation funds, this initiative promotes regenerative forestry and the sustainable use of local timber from Pyrenean forests, specifically in Alinyà (Lleida).