#surrounded

#surrounded

Viewpoints are structures designed for observing the landscape from elevated positions. They act as devices that organize the gaze and establish a direct relationship between the body and the territory.

The contemporary technology museum has emerged as a performative participant in the systems it seeks to document. The architecture of these institutions has become increasingly fluid and bold, often mirroring the velocity and complexity of the systems it houses. They operate as mediators between the human, the ecological, and the technological realms, transforming from encyclopedic warehouses into active educational engines.

The design of Forest Toilet A emphasizes the importance of integrating architecture with the natural environment, ensuring that the structure complements the existing landscape rather than disrupts it.

Decades of research in environmental psychology and building science reveal that indoor conditions can profoundly affect human health and behavior. Lighting influences circadian rhythms and sleep patterns. Air quality impacts cognitive performance and respiratory health. Temperature and acoustics shape comfort and concentration.

While the data shows 80% of people live within walking distance of green or blue spaces such as a river, park or woodland, it also reveals a disparity between rural and poorer urban areas. In some areas of local authorities, fewer than 20% of residents live close to these spaces, according to data released by the Department for Environment, Food and Rural Affairs on Wednesday.

Instead of functioning as decorative greenery, the courtyard organizes circulation, gathering spaces, and planting into a three-dimensional landscape where residents can move, pause, and interact. The site presented several typical urban challenges. Tall buildings restricted sunlight and views, while circulation routes occupied much of the available ground area, making open space feel narrow and shaded.

My family had Slide Show Night when I was growing up. Not every Saturday, but a whole bunch of Saturdays. Either my sister or I would be in charge of setting up the projector, the screen, and loading the carousel. During the show, there'd be a few landscapes or skylines taken during vacations, but almost all the shots were up close. Like most dads, mine wasn't a professional photographer, but he did a good job of capturing memory triggers: faces, gestures, and decorations.

After quite impulsively tackling a frame-by-frame sequence of an animated figure merging into a mountainscape using paint on paper a few years ago, the artist started her journey into analogue animation and it's "a rabbit hole I never want to leave", she says. "This sense of continuous, boundaryless flow underpins both my life and my work. In animation, I have found the most compelling way to interpret the world being in constant motion."

The body is a shifting landscape transformed by surfaces and sensations. Each look captures a different tactile world: the heat of blood, the cool weight of metal, the yielding drift of water. The result is a sculptural study of how the elements carve, shield, and release the self. The materials we embody become the emotions we carry, and the body becomes a materialised exhibition of our emotions, from the pulse of Blood to the discipline of Metal to the surrender of Water.

Though they're individually tiny, parking spots quietly play a dominant role in shaping urban landscapes. Most US cities dedicate at least 25% of their developable land to them. Some, even more. That land usage doesn't only determine the way a city looks. It also means covering large swathes of urban areas in heat-absorbing asphalt, which contributes to making summers hotter and heightens the risk of flooding since it prevents drainage during storms and heavy rainfall.

Tenger City is an urban planning proposal by Sydney-based practice Squareone Atelier, awarded as a Top 3 Winner in the Hunnu City International Urban Planning Competition 2025. The project proposes a new satellite city located approximately 52 kilometers south of Ulaanbaatar, , with phased development planned between 2025 and 2045. The proposal forms part of Mongolia's broader Ulaanbaatar 2040 Masterplan and the national Vision 2050 framework, which aim to support decentralization, resilience, and long-term urban growth.

The brutal crackdown in Iran, ICE in Minneapolis, Russian aistrikes in Kyiv and heavy rain in Gaza the past seven days as captured by the world's leading photojournalists

In Indra's Net of pearls and jewels, every gem reflects every other, a shimmering image of interdependence. This ancient Vedic metaphor for connection across the cosmos also illuminates what the environmental philosopher Glenn Albrecht first proposed in 2014as 'theSymbiocene': the era after the Anthropocene, in which human technologies take their cues from living systems and work in partnership rather than through dominance.

A Gothic cathedral can take centuries to complete. A world exposition pavilion may stand for six months. A ritual structure in Kolkata rises and vanishes within five days. Yet each draws pilgrimage, shapes collective memory, and reorganizes urban life. If heritage has long been defined by what endures, architecture repeatedly shows that cultural authority can also belong to what gathers people.

There are snakes living in London trees Just a short slither away from London Zoo and Camden, an estimated 40 snakes are living in the trees on Regent's Canal. Aesculapian snakes are native to continental Europe and it remains unclear how they came to be living in the heart of London. Shy and harmless to humans, the snakes play a role in the food chain, helping to keep down the numbers of rats and mice in the capital city.

The pool doesn't sit beside the house. It doesn't occupy the backyard. It runs straight through the middle of the living space, dark-tiled and creek-like, with stepping stones crossing it at the entry. This is the organizing principle of Holocene House: water as hallway, water as climate control, water as the thing everything else revolves around.

Jane Jacobs was also one of the voices that challenged this predominantly rationalist logic, arguing that truly vibrant streets are those capable of sustaining the diversity of everyday life, its informal exchanges, and the forms of care and natural surveillance that emerge from them. What these authors share is a fundamental insight: streets are not merely infrastructures for circulation, but social ecosystems, shaped by the relationships, uses, and encounters that take place within them.

Beneath the visible surface of cities lies an invisible architecture. Subways, tunnels, water systems, data cables, and bunkers form a dense network that sustains urban life while remaining largely unseen. The ground beneath our feet is not a void but a complex territory that holds the infrastructures, memories, and anxieties of our age. In recent years, as land becomes scarce and climate pressures intensify, architects and urbanists have turned their gaze downward, rediscovering the subterranean as both a physical and conceptual frontier.

Picture yourself standing on a small platform in the middle of a Quebec forest, balancing on what feels like an oversized bird perch. The moment your weight settles, something magical happens. A bird call rings out, blending seamlessly into an ethereal soundtrack that seems to rise from the forest itself. Welcome to Human Perches, the latest installation from Montreal design studio Daily tous les jours that's making us rethink how we experience nature.

Life doesn't pause for grief or fear. You might be going through something devastating but you're still packing lunches, still driving your kids to baseball practice, still showing up to work. One minute I find myself prepping for a whole home presentation and the next minute I'm checking the news, hoping and praying that no one has been killed on the streets today.