#tandem-pictures

#tandem-pictures

Glander and producer Payson made Boys Go to Jupiter with a tiny team and a $30,000 budget, showcasing the potential of indie filmmaking in animation.

Elizabeth brings exactly the kind of experience we need as we build Blink49's Brand Studio. She has a proven track record of creating smart partnerships, navigating the media landscape, and developing programs that connect brand ambition with culturally impactful, premium storytelling.

Emma drops an absolute bombshell in the midst of a game where they're asked to reveal the worst thing they've ever done. Soon everyone around her starts to question how well they really know her.

Soderbergh has become such a prolific, tirelessly resourceful, and altogether uncategorizable filmmaker that you have to wonder why the mechanics of the break-in still inspire him.

Los Angeles is home to more than a dozen one-of-a-kind cinemas that operate on their own terms. Some of these theaters have been around for 100 years, and in classic LA fashion some of them are owned by living LA legends-think Quentin Tarantino and Kyle Ng. Kristen Stewart recently announced she's also jumping into the mix with her purchase of Los Angeles's Highland Theatre.

We have run out of options for creating more production space," said Frederick Huntsberry, Paramount's chief operating officer. The internal expansion would create nearly 7,300 jobs during construction and accommodate 5,500 permanent workers at the studio.

For the last two weeks, my Instagram feed has been overflowing with Valentine's Day images-lush photo shoots of good-looking couples surrounded by rose bouquets, drinking champagne, and nibbling on chocolate dipped strawberries in cozy rooms that are the essence of romance. But wait, stop the carousel! These rooms look familiar. Welcome to my very own House of Love-at least as art directed and styled to perfection for 1-800-Flowers' latest Valentine's campaign.

Jordan Lage is an award-winning actor, writer, director and founding member of the Atlantic Theater Company, which celebrates its 41st anniversary this year. He studied acting at New York University under the tutelage of playwright David Mamet and actor William H. Macy and then taught acting and playwriting at the Atlantic Theater Acting School for nearly 30 years. Best known for his work performing the plays of David Mamet's, he

"By launching a service that operates without meaningful safeguards against infringement, ByteDance is disregarding well-established copyright law that protects the rights of creators and underpins millions of American jobs. ByteDance should immediately cease its infringing activity," Charles Rivkin, chairman and CEO of the MPA, said in a statement Tuesday.

George Lucas should have died. It was 1962; the 17-year-old had just crashed his yellow Autobianchi convertible into a walnut tree, in Modesto, California. The car rolled, bounced and came to rest - it was "beyond mangled, flipped upside down and twisted like a crushed Coke can against the tree". When the teenager woke in hospital two weeks later, his heart having nearly stopped, he had a new philosophy: "Maybe there's a reason I survived this accident that nobody should have survived."

I want to make tiny little movies that then don't seem tiny.

Albert Cheng, who heads the AI Studios initiative, emphasized that the goal is to support creative teams, not to replace them. The focus is on improving efficiency and reducing costs while ensuring that intellectual property is protected and AI-generated content isn't absorbed into other AI models. One example used is Amazon's "House of David" series, which featured 350 AI-generated shots in season two.

I love this movie. I love these people. I love the man who made this movie. I love everyone who I haven't met and is. And I love Tom Lizard. - Piper Curda, voice of Mabel, expressing her enthusiasm for the film and its cast and crew at the world premiere.

In a big studio-backed awards season, it's rare to see much overlap between the Film Independent Spirit Awards and the Oscars. A west coast cousin of sorts to the Gotham Awards, the Indie Spirits often celebrate the movies that the Academy skipped over with its nominations. The ceremony itself is also more fun (there's some day-drinking involved) than the more staid guild awards that dot the homestretch ahead of the similarly serious Academy Awards.

"I'm not sure I like the way you talk to my son."

Last week, he opened a $230-million movie and television studio on the edge of the Arts District in downtown Los Angeles nestled alongside the dramatic new Sixth Street Bridge. The state-of-the-art complex has five sound stages, offices and other proper movie studio features such as a mill, commissary and base camp. "We just had all the major networks, all the major streaming platforms walk through this facility and they can't believe how nice it is," said Wainright, managing partner of East End Studios.

Though Tattle TV - a UK-based streaming platform created by filmmakers Philip McGoldrick and Marina Elderton - features a reality dating series about dog-owners and a modern drama about a female MMA fighter, the company's latest debut is a vertically-oriented edit of Alfred Hitchcock's silent film The Lodger: A Story of the London Fog. Similar to other microdrama apps, Tattle TV splits all of its content into short segments that can be purchased individually using an in-app currency (Tattle Coins).

Anderson's One Battle After Another continues a resurgence of VistaVision that now includes The Brutalist and Yorgos Lanthimos' Poor Things and Bugonia. The format, which uses 8-perf 35mm traveling through the camera horizontally rather than vertically to create a larger negative, gained popularity as a non-anamorphic widescreen alternative in the mid-1950s. It was used for everything from Biblical epics ( The Ten Commandments) to musicals ( White Christmas) to Alfred Hitchcock thrillers ( Vertigo and North by Northwest).

I was so disgusted. Like, no, you can't have a murder in this sea of people already dying - that's not right, not fair. We can't let this go.

It's nice that you are asking about props, because they're not really acknowledged, says Jode Mann, a TV prop master in Los Angeles. When Mann worked on the children's comedy show Pee-wee's Playhouse in the 1980s, she got a call from its star, Paul Reubens, who said he was nominating her for an Emmy. It was only after Mann told her mother and promised to thank her if she won that Reubens called back to say he couldn't nominate her because there's no category for you.

I was a struggling filmmaker. I was trying to find myself and it wasn't happening. I was ready to give up on filmmaking as I was about to turn 30. I didn't feel like I could do this to myself, my family and friends any longer. I was living in South Austin making the minimum amount of money, eating peanut butter and jelly sandwiches, and making bad art. But then Sundance gave me my career with this $3 short film that we submitted to the festival on a lark.