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Arts
fromwww.npr.org
1 month ago

A new generation revives 'The Muppet Show' and it's as delightful as ever

Kermit returns as host in a faithful 2026 reboot of The Muppet Show, restoring the original theater format, classic characters, and fresh writers and puppeteers.
Television
fromwww.theguardian.com
2 months ago

The Muppet Show: this thrilling return is so great I can't even count how many times I laughed

The Muppet Show returns as a 2026 one-off on Disney+ featuring classic characters, Seth Rogen as executive producer, preserving vaudeville-style chaos and affectionate farce.
Film
fromwww.theguardian.com
1 month ago

Do plans for a new Mummy film signal the end for the multiverse blockbuster franchise?

Brendan Fraser and Rachel Weisz will reprise roles in a new Mummy film, signaling a return to standalone storytelling after Universal's failed Dark Universe.
fromwww.theguardian.com
2 months ago

Crime is the disease. Meet the cure': Sylvester Stallone's self-serious cop movie is ludicrous fun

As the movie opens, the city is being terrorised by a cult calling itself New World, whose members are hell bent on demonstrating their commitment to a survival-of-the-fittest creed by murdering everyone in sight. Their leader, a fearsome killer nicknamed the Night Slasher (Brian Thompson), wields a giant, spiky knife that must be the envy of Black Metal bands everywhere.
Film
fromVulture
1 month ago

It's Time to Raise the Curtain on The Muppet Show Again

hitting a big red reset button, which turns out to be just what the franchise needed. Executive-produced by Seth Rogen, this Muppet Show plays like an episode of the classic variety series, which premiered 50 years ago, right down to the theme song, the practical effects, and Statler and Waldorf heckling about its very faithful rebootiness: "If it ain't broke -" "They are broke! That's why they're doing it!" Har har har!
Television
fromwww.theguardian.com
2 months ago

Endlessly quotable': why Wayne's World is my feelgood movie

Early in 1992's Wayne's World, a bunch of rockers squeeze into an AMC Pacer with custom flames painted on the side. As they drive past the automarts, car washes and beef stands of downtown Chicago, Bohemian Rhapsody plays on the car stereo. The song's operatic verses are used for laughs (the Let me go line becomes a cry for help from a friend who is partied out and might honk in the backseat)
Film
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