"I've done a lot of time-dilated travel." This statement encapsulates the essence of Grace's journey, highlighting the profound effects of traveling at speeds approaching light, where time for the traveler slows down significantly compared to those remaining on Earth.
This is a shame, because his best work belongs with the greats of fantasy, horror, and sci-fi. Summer of Night is a tighter, more satisfying version of Stephen King's It. Carrion Comfort is a brick-sized epic about psychic vampires that reads as breezily as a trade paperback. The Terror, which inspired the well-regarded show, is for its first three-quarters a brilliant and non-supernatural speculative take on a real doomed Arctic expedition.
Back in December, when SFWA announced that it was updating its rules for the Nebula Awards. Works written entirely by large language models would not be eligible, while authors who used LLMs "at any point during the writing process" had to disclose that use, allowing award voters to make their own decisions about whether that usage would affect their support.
We spend one-third of our lives asleep. This biological fact is something that, with time and technology, is less and less taken for granted. In many science fiction stories, the future of sleep is cozy and idyllic - an elevated state living within dream world. In others, sleep is more of an evolutionary shackle that gets in the way of productivity. The latter focuses on questions that haunt anyone who feels there are not enough hours in the day. What if we didn't have to sleep?
For playwright Kallan Dana, having Racecar Racecar Racecar produced at Artists Repertory Theatre is a special homecoming. "I feel so lucky to get to come back and do a show there," she says. "The Portland theater scene was such a huge part of my childhood and adolescence." Now living in Brooklyn, Dana grew up in Multnomah Village. Theater was a huge part of her childhood, her parents often took her to Artists Rep shows,
Apple TV+ has become one of the best streaming services for sci-fi, with hits like Pluribus, Severance, Foundation and many more. There are so many shows that it's easy to forget the one that started it all. For All Mankind was the platform's very first attempt at sci-fi and it's finally coming back after two years for season five on March 27. The next season will run for ten episodes on a weekly basis. It concludes on May 29, with new installments dropping each Friday.
For the sheer quantity of its gibbering, jabbering nonsense, this movie deserves some points. That, and the amusing cameo at the end from Keith David as the Simulator, AKA God, who explains to the awestruck mortals that God is an entirely free creator, rather like a self-published novelist, then grows irritated when the mortals think that being self-published is lame: It's not my fault if you don't understand the industry! This is an exhausting indie romp on the subject of time travel,
Charlie Brooker's dystopian anthology series Black Mirror has been making us face the dark side of technology for 15 years now. In 2011, that meant live TV ransoms and capitalist reality shows. But last year, in Season 7, we saw memories brought to life, emotions run on subscription models, and the Hollywood remake machine going very literal. In the age of AI popping up everywhere, Black Mirror isn't going to stop reflecting real life any time soon - but what could possibly be next?
Subsequently, runaway children turned the valley into a fortress, surviving on food they could catch or grow, with occasional forays into the towns below. Riley has heard the rumours, but it is only when she sees a green-clad boy or is it a girl? hovering outside her bedroom window offering directions on how to find Nowhere that she realises this might be her chance to escape and save her little brother from their sadistic guardian.
In 1992, the original Lawnmower Man was way ahead of its time. Loosely based on the Stephen King short story of the same name, the cyberpunk film turned a neurodivergent gardener into a kind of pre- Matrix badass in a virtual world. Starring Jeff Fahey as Jobe and Pierce Brosnan as Dr. Lawrence Angelo, The Lawnmower Man was a haunting, bizarre sci-fi horror movie, which is utterly unlike anything else in cinema history.
What is available is the daydream-a limitless realm of freedom. In this other world, one might be famous or rich, finally catch the attention of their beloved, or simply sit on a beach as a waiter brings them cocktails. They might fly or speak to animals, heroically save a child, tell off their boss with no consequences, win the Super Bowl at the whistle, or travel to another continent, planet, or time period. No one can stop them; no one can even object.