The first single, 'Timebomb,' is moody with distorted piano. Krug describes it as 'a song about a song about a band on tour, or rather, about the failed revision of that song, upon sadly realizing that its original message no longer rings true.'
With Portland sextet Abronia, you sort of have to listen past the spectacle. Forget about the overtly Jodorowsky-Morricone vibes, the tenor sax and the pedal steel guitar, the contralto vocals, the gigantic bass drum, the legend of co-founder Eric Crespo's desert vision. What's really going on here?
I have written before that while women are gloriously surging in academic, social, and career achievement, many young men are flailing. Pop culture pieces as well as academic dissertations are replete with accounts of male aimlessness and resultant disaffection and disengagement. They point out that the growing achievement gap and resultant maturational/responsibility gap between men and women are making young men progressively less and desirable to modern young women.
The Austin-based indie-pop band lived a whole life between 2005 and 2010. Singer, songwriter, and guitarist Ramesh Srivastava had gone off to college in Scotland and brought back UK influences that were still trendy in the wake of Belle & Sebastian and Camera Obscura: the Smiths, Orange Juice, the C86 tape, Sarah Records.
'Cool Job' pulls from meme culture pastiche and 'Temporary Secretary' trope to skewer the fantasy that the right job will save your life. Written mid-burnout, it's an anti-work anthem about corporate rot, identity collapse, and trying to care about meetings that could have been emails while everything else is falling apart.
Inner Magic is the duo of former Chromatics guitarist Adam Miller and former Smashing Pumpkins guitarist Jeff Schroeder. They met in 2024 and bonded over their love of '80s UK indie legends Felt, krautrock and the Vinnie Vincent Invasion, and then decided they should make music together.
The agreement includes a payment of "777 Gorgeous Dollars," a lifetime supply of free passes to Ol' Bernard's Roller Rink & Organ Honkers, and a one-foot plot of Village Lake, "formerly known as Alcohol and Drug Abuse Lake in Richland Country, South Carolina, United States." The contract also states that the label will never ask Pedigo to perform covers of Def Leppard, Dokken, the Doors, Van Halen, or Tank Top Party Lads. Read the full document below.
Paradessence draws its title from a portmanteau of "paradoxical" and "essence," coined by author Alex Shakar. Per Visible Cloaks, the word embodies the oppositional-but-coexisting concepts they're trying to explore with the new album. "Instead of creating pieces that function horizontally as environments, we wanted to conceptualize them as living material changing in space, continually in flux," Doran shared in a press statement.
Green-House will release new album Hinterlands on March 20. The Los Angeles duo of Olive Ardizoni and Michael Flanagan has left their longtime home of Leaving to sign with Ghostly for the follow-up to A Host for All Kinds of Life. Listen to a new song from the record, "Farewell, Little Island," below, and scroll down for the album art.
Shows are in May and Jun, with support from Cloud Nothings; We wouldn't be a band today without them and we couldn't be more excited, they say. They'll also have Anthers, University, fanclubwallet, Liquid Mike and Pure Hex each joining them varying by show, and you can see all dates below. The NYC show is at Music Hall of Williamsburg on May 22. Tickets are on sale now.
Last May, Ty Segall released Possession, a sophisticated set of psychedelic bubblegum that featured a string section, saxophone, and surprisingly sweet melodies. "Live" "at" "the" "BBC," taped about a decade ago, may take recent fans of the L.A.-based garage rocker by surprise. Now in his late 30s, Segall's already released 17 solo albums. The prolific songwriter has a knack for abrupt swings, so no one should be too shocked.
His first albums under his own name, 1995's Earth & Nightfall and 1996's cult classic Ten Days of Blue, were blissful-sounding ambient techno records that took the melodic sensibilities of the local scene to their cosmic extremes. Every beep and blip was in harmony with a lush string line, the rhythms less like breakbeats or programmed drums than trance-inducing hammered dulcimers.
"I was going to produce Fear of Men and instead we made something totally different I think." says Cox. "True collaboration which is my preferred way to work on music". What began as an Italo disco experiment evolved into a goth club anthem, charged and restless. It captures the push and pull of Weiss's themes - devotion as both destruction and release.
Designed by Korean up-and-comer Woojin Yang, Everglow is a handheld mini-keyboard that fits into any bag. The "musical sketchbook" of sorts allows artists to quickly jot down ideas when they're not in front of their instruments or computers. The sleekly-designed device comes with a generative AI-based sound system that allows them to iterate and develop a song on the spot, not just transcribe the initial tune.
A band called Ad Nauseam is dead set on keeping grunge alive in Portland, but no local venue will return their calls to play a show. Like the most iconic grunge acts, Ad Nauseam has deep PNW roots. They deliver sludgy, whining guitar licks and haunting, sandpapery vocals. They've even got an angsty tune called "Scab Pimple" for goodness sake. So why can't they land a gig? Well, it might be because all four band members are between the ages of 10 and 16.
With so much good music being released all the time, it can be hard to determine what to listen to first. Every week, Pitchfork offers a run-down of significant new releases available on streaming services. This week's batch includes new albums from xaviersobased, Shackleton, and Joyce Manor. Subscribe to Pitchfork's New Music Friday newsletter to get our recommendations in your inbox every week.
