#tribal-techno

#tribal-techno

The two-day electronic music event is set to take place September 19-20, 2026, at Randall's Island Park, promising another immersive experience for dance music fans.

The Day Party will feature big-name DJs such as Mark Farina, Shiny Objects, J Boogie, and Collette back to back with DJ Heather, celebrating three decades of future music.

More than 500,000 tickets have been sold in record time, with all 11 concerts expected to be sold out, turning the Iberdrola Music venue into a tribute to Latin music.

Eshu's proverb tells both a story of reparation and of ancestrality by joyfully bending spacetime conventions and accessing subjects from the past with present actions.

Butterfly unfolds across four unique versions of the same song, each exploring different genres and emotional depths while maintaining a cohesive melody and lyrics.

Jesca Hoop has announced a tour in support of her upcoming album Long Wave Home. Dates are with Faun Fables and include NYC's Le Poisson Rouge on June 29.

The Coachella Valley Music and Arts Festival is nearly here and our team is already preparing for a weekend full of sunshine, music and Beliebers.

Before achieving fame, John Summit was known as John Schuster, a CPA at Ernst and Young, who made music on the side.

R&B in the 21st century has been in a constant state of flux, tugged between safe traditionalism and blurry attempts at progression. For the last decade-plus that "progression" has seen R&B music become more indebted to trap records and the moody atmospherics of alternative bands like Radiohead, Coldplay, or My Bloody Valentine.

The album showcases an audacious blend of trap, rock, pop, and experimental elements, all infused with a refreshing emotional honesty.

Oumy is a leading figure in contemporary Senegalese music. Her style, which blends hip-hop, African R&B and global pop, makes her one of the most exciting artists on the country's urban scene. Beyond her music career, she has also been involved in social projects within her community, participating in cultural festivals and campaigns related to the environment and equality.

48 Hills is teaming up with some of SF's best music venues-Regency Ballroom, The Warfield, Great American Music Hall, Brick & Mortar, Monarch, the Midway, Public Works, and more-to get you to some shows throughout the season. This week: some EDM revival and metalcore legends. Stay tuned for more! We have one pair of tickets to each of the shows below to give away, but act fast!

We both live in maybe the most impractical place if you want to be a successful DJ, laughs Alice Marie Jektevik, one half of Article 3, a Sami female DJ collective. Jektevik, 36, and her collaborator, Petra Laiti, 30, reside in a rural village in the far north-east of Norway. But living in Sapmi the region across northern parts of Sweden, Norway, Finland and Russia traditionally lived in by Sami people has proven to be central to their success, providing the inspiration for much of their work.

The work behind "Waiting for You" by Monotronic spanned two years and several geographic mindsets. Its songs were built in the contained spaces of an East Village apartment and the open humidity of Tulum, initially seeming like disparate projects with no clear direction. Only in retrospect did their shared disposition come into focus. This is an album about the slow work of self-knowledge, which here looks less like an epiphany and more like the gradual acceptance of a particular signal,

OKO DJ's music is best measured not in decibels but in candle watts. Sunlight, one suspects, would reduce it to ashes. Her debut album, As Above, So Below, is a seance of a record, a journey into the darkest corners of the night. The Athens-based musician, aka Marine Tordjemann, is host of an NTS Radio show called Twisted Dream Diary, and As Above, So Below, is similarly steeped in dream logic and surrealistic visions. In its collision of bleak sounds and cosmic mysticism, it often feels like a gothic take on new-age spirituality. It might be the post-post-punk equivalent of a European art-house film shot in grainy black and white, framing monologues muttered in French and Greek in dramatically austere trappings. It's a mood piece par excellence.

DJ-Kicks is a series that shaped how I think about DJing and listening. I played the DJ Koze mix an unhealthy number of times, to the point where it basically lives in my DNA now. Those mixes taught me that the best ones aren't about showing off; they're about taking people on a journey. They move, twist and surprise you. They give you goosebumps when you least expect it.