#tribeca-enterprises

#tribeca-enterprises

Glander and producer Payson made Boys Go to Jupiter with a tiny team and a $30,000 budget, showcasing the potential of indie filmmaking in animation.

When the crowds are chanting No Kings,' what I'm really hearing, as we all know, is No Trump,' De Niro said. There have been other presidents who have tested the constitutional limits of their power, but none have been such an existential threat to our freedoms and security NONE except Trump.

So much of the White House has always been a kind of symbolic construction. All the tackiness-I find it endearing. The bald artifice, the kind of striver-ness of it-it's like rooting for early Bethenny.

Soderbergh has become such a prolific, tirelessly resourceful, and altogether uncategorizable filmmaker that you have to wonder why the mechanics of the break-in still inspire him.

Sam Green's documentary follows his relentless pursuit of the world's oldest person, a journey that reveals deep insights into the nature of time and memory over a decade.

In the film, Bronz's character is commissioned to compose a new national anthem for post-Oct. 7 Israel, and writes a warmongering ballad about destroying Gaza and 'love sanctified in blood.'

The Drama is a more localized version of the same thing: If you do something bad (or almost do something bad, or do something bad out of your own control), how mad should people be at you - really?

John Slattery, 63, moved to an apartment on Bank Street in the West Village after marrying the actress Talia Balsam in 1998. At the time, he had established himself as a character actor.

Set mainly in rural Burkina Faso, the director's homeland, the movie was made in the amateur format of 16-mm film, with a low budget, a small crew, and a largely nonprofessional cast, including several of the filmmaker's family members, as befits its family-centered drama: a young woman named Bintou and a young man named Issa want to marry, but another man, Tiga, aggressively pursues Bintou and threatens Issa's life.

He's a ubiquitous face, showing up regularly in all sorts of supporting parts (big ones as well as glorified cameos), but he so rarely gets the chance to carry a feature. In The Only Living Pickpocket in New York, which world premiered at Sundance and is now playing at the Berlin Film Festival, he does exactly that, holding our attention with those sad, watchful eyes and his lanky determination.

"For me the reward has been all of it. Just getting the script done was a type of reward, my crew together was a type of reward, getting everybody to come to New Orleans, getting to share the screenplay, I shared it with Rosemary like I always do, getting good feedback from her. And then showing the movie to audiences, which is the biggest reward I could ask for," Coogler said.

Join us February 22, 2026, at The Roxie Theater for 836M FESTour first mini documentary festival. This inaugural program features two powerful films: Porcelain War and Prime Minister. Together, these documentaries embody our 2026 Metamorphosis theme, celebrating resilience, transformation, and the extraordinary ways humans adapt in pursuit of a better world. 836M Fest Sunday, February 22, 2026 Noon Porcelain War 2:30p Prime Minister Roxie Theater, 3117 16th Street, SF

The New York Comedy Film Festival has announced the full lineup for its inaugural edition, running February 15-22, with screenings and events taking place at venues including Asylum NYC and the Baruch College Performing Arts Center. Spanning a full week, the festival aims to showcase the range of comedic storytelling on screen, from broad laughs to darker, more experimental takes, across features, shorts, series and documentaries.

Your imagination is really the limit when it comes to film. I think that's what's so cool is that it's taking your dreams and it's making them a sort of reality," said Greenberg.

In many ways, David Greaves' inviting and historical documentary, " Once Upon a Time in Harlem," is the stuff of legend. A vital reclamation of a precious history, the film was born from a night in 1972, when his father, William Greaves, invited the living titans of the Harlem Renaissance to Duke Ellington's old flat for a four-hour party filled with fond memories, fierce debates, and copious alcohol.

If in our earliest issues we valorized filmmakers recklessly putting their production budgets on their credit cards, Robinson in a 2009 series on filmmakers and their second jobs preached the necessity of a good side hustle, convincing filmmakers such as Barry Jenkins, Tze Chun, Joe Swanberg and Liza Johnson to reveal the wage labor they undertook before their entertainment industry careers took off.