#universal-music-group

#universal-music-group

Meta has agreed to 'substantially reduce' its references to PG-13 and include a rather remarkable disclaimer: 'There are lots of differences between social media and movies.'

The Korean wave or hallyu that brought the country's culture to the world has now well and truly engulfed Latin America.

The initiative aspires to create 'a new blueprint for artist launches moving forward.' This partnership integrates fan interaction, live broadcast distribution, and platform-native amplification.

R&B in the 21st century has been in a constant state of flux, tugged between safe traditionalism and blurry attempts at progression. For the last decade-plus that "progression" has seen R&B music become more indebted to trap records and the moody atmospherics of alternative bands like Radiohead, Coldplay, or My Bloody Valentine.

I do not turn to celebrities for trenchant political takes or honestly really expect them to know what's actually going on in the news. However, I also think that most good art engages with the world in which it's being created, and now that we're in good-art-naming season (aka awards season), ignoring that world is privileged at best and evil at worst.

Of the $43.9 billion that advertisers in the U.S. are expected to spend on creator marketing in 2026, most of that money - 55% - will go towards ads amplifying the creators' content, not to the actual creation and posting of content by the creators themselves. And that spend is only increasing as creator content becomes a more popular choice for ad creative and paid amplification provides brands with the analytics to be able to more effectively gauge the impact of creators' content.

The only song here that really matters. Written just hours after the murder of Alex Pretti in Minneapolis and released a few days later, Springsteen names names (looking at you, Stephen Miller and Kristi Noem) and speaks bold, specific truth. With a title that recalls his own impactful Streets of Philadelphia, a melody reminiscent of Bob Dylan, and an urgency not felt since Neil Young's Ohio, it may not be groundbreaking musically, but Streets of Minneapolis is exactly what we need right now.

The new index will be released semi-annually, and will be derived from polling of nearly 60 independent artists, managers, and music lawyers. "The Index's goal is to increase transparency in a historically opaque market and share insights and perspectives, which we hope will empower music creators to make the best financial and catalog management decisions for themselves," Duetti CEO Lior Tibon says.

Musicboard, an app for music discovery and recommendations, has been struggling, according to its users. Over the past several months, users said the app experienced outages, the website went offline, and the Android app disappeared from the Play Store. This has concerned its devoted, if small, user base. (The app has been downloaded around 462,000 times to date, according to market intelligence provider Appfigures.) On Reddit, users have been recommending alternatives and offering each other support as they wait for any update.

The 2026 Grammy Awards are underway in Los Angeles. Darren Criss is currently hosting the annual Premiere Ceremony at the Peacock Theater, where the majority of the 96 Grammy categories are being announced prior to the main telecast. The primetime portion starts at 8 p.m. Eastern Standard Time and is being hosted by Trevor Noah. It's the comedian's sixth and final time at the helm.

A MARTINEZ, HOST: As we finish this year, let's listen to some of the musicians we lost in 2025. Sam Moore was half the R&B powerhouse Sam & Dave. He sang on smashes such as "Hold On, I'm Comin'," "I Thank You" and this one. (SOUNDBITE OF SONG, "SOUL MAN") SAM AND DAVE: (Singing) I'm a soul man. I'm a soul man. MICHEL MARTIN, HOST: We also lost the guitarist on that song, Steve Cropper. He defined the sound of Memphis soul with the Stax Records House Band. He appeared on hits by Otis Redding, Booker T. & The M.G.'s and Wilson Pickett.