The film was based on the 1974 book of the same name by the Washington Post reporters Bob Woodward and Carl Bernstein about their investigation into the Watergate imbroglio that brought down President Richard Nixon.
Gritz was a highly decorated Vietnam vet who became a right-wing political figure in the late 1980s and early 1990s, including a long-shot presidential run in 1992. In his post-war career, he was most famous for acting as a mediator in the notorious Ruby Ridge standoff in Idaho in 1992.
It's a great story where Conan was 40 years king...and he gets complacent, and he gets forced out of the kingdom, slowly. Then there's conflict, of course, and then he somehow comes back, and then there's all kinds of madness and violence and magic and creatures.
Rosanna Arquette spoke about her time on the film in an interview with the Sunday Times in which she said she's "over" the "use of the N-word," adding that she cannot stand that Tarantino "has been given a hall pass. It's not art, it's just racist and creepy."
During a junket interview with OutNow, Gyllenhaal explained that the punctuation mark was included to represent the "whole lot of energy" that comes out when the historically muted Bride of Frankenstein is finally allowed to speak. That's all well and good, but to viewers the titular exclamation point is less of a metaphor and more of a golden arrow saying, "This movie is going to be crazy."
George Lucas should have died. It was 1962; the 17-year-old had just crashed his yellow Autobianchi convertible into a walnut tree, in Modesto, California. The car rolled, bounced and came to rest - it was "beyond mangled, flipped upside down and twisted like a crushed Coke can against the tree". When the teenager woke in hospital two weeks later, his heart having nearly stopped, he had a new philosophy: "Maybe there's a reason I survived this accident that nobody should have survived."
Using the diary recollections of Coppola's wife, the late Eleanor Coppola, who was also disconsolately aboard and feeling thoroughly shut out of the alpha male chatting and joshing, Fischer shows our three dishevelled deities dizzied and stunned and even weirdly depressed by their staggering global acclaim.
John Rambo's cast will include Yao, who played Bo Chow in Sinners; Quincy Isaiah, who played Magic Johnson in Winning Time and Tayme Thapthimthong, who played Gaitong on the third season of The White Lotus.Those actors will join Noah Centineo, who is set to play the title character. Centineo's filmography includes a leading role in the Netflix series The Recruit, along with supporting roles in everything from Black Adam to Warfare.
The upcoming Star Wars: Starfighter has already attracted its share of big names thanks to director Shawn Levy and star Ryan Gosling. But apparently, they're only the start of the famous figures involved in the work. According to a new report, one of the biggest movie stars alive helped out with a major scene, which is both a testament to the appeal of Star Wars and a sneaky glimpse of what's to come.
Another brick has been laid in One Battle After Another's impenetrable fortress this awards season. Tonight, the film won the Golden Globe for Best Motion Picture - Musical or Comedy, capping off a stellar week for its awards run. The film won four total awawrds, also taking Best Director, Best Screenplay, and Best Supporting Actress - Motion Picture, for Teyana Taylor. If it wasn't already the frontrunner for Best Picture at the Oscars, it would be now.
I'm thrilled with any chance to collaborate with the Harvard Film Archive and to make use of Harvard's collection. I've taught several of Kubrick's films in different courses over the years, but never all of them together and never on the big screen. It is a unique opportunity. The HFA is one of Harvard's treasures. I'm really grateful to them for making this happen.
Boris Karloff stands tall as one of film history's most iconic performers, particularly within the horror genre. Foremost known for portraying some of the most iconic monsters in film history, from his work as Frankenstein's Monster in Frankenstein, Imhotep in The Mummy, or voicing The Grinch himself, Karloff had a few distinctive attributes that made him one of the most memorable stars of the era.
As the movie opens, the city is being terrorised by a cult calling itself New World, whose members are hell bent on demonstrating their commitment to a survival-of-the-fittest creed by murdering everyone in sight. Their leader, a fearsome killer nicknamed the Night Slasher (Brian Thompson), wields a giant, spiky knife that must be the envy of Black Metal bands everywhere.
In fact, I've made a conscious habit of seeking out successful individuals so I can learn from their experiences. But the man often nicknamed the "King of the Hollywood Blockbuster" continues to elude me. And yet, despite never meeting face to face, Spielberg taught me one of the most important lessons of my entire career. It's a lesson I've learned through engaging with his work.
The esteemed film-maker was licking his wounds: his most recent picture, Far from the Madding Crowd, which imbued its 19th-century rural characters with an anachronistic King's Road style and panache, had flopped stateside. Childers approached the date with mixed feelings. He adored Schlesinger's previous movie, the jazzy Darling, starring Julie Christie as a model on the make, and had seen it three times.
A quarter-century later, it's safe to say that those days have come to an end. Not only does the streaming-only Netflix of the twenty-twenties no longer transmit movies on DVD through the mail (a service its younger users have trouble even imagining), it ranks approximately nowhere as a preferred cinephile destination. That has to do with a selection much diminished since the DVD days
