#y2k-dance-party

#y2k-dance-party

The two-day electronic music event is set to take place September 19-20, 2026, at Randall's Island Park, promising another immersive experience for dance music fans.

Clothing that bears the name of a city near or far has become a closet staple for many consumers in recent years, evolving from impulse purchases to mainstream fashion.

Before achieving fame, John Summit was known as John Schuster, a CPA at Ernst and Young, who made music on the side.

The Day Party will feature big-name DJs such as Mark Farina, Shiny Objects, J Boogie, and Collette back to back with DJ Heather, celebrating three decades of future music.

At raves, the dance floor is present. You go to a usual Lagos party, and there is no dance floor. We barely have spaces to just dance, spaces you can just go to literally have a nice time. Most places you have to make a reservation, or book a table, it is a lot more complicated.

R&B in the 21st century has been in a constant state of flux, tugged between safe traditionalism and blurry attempts at progression. For the last decade-plus that "progression" has seen R&B music become more indebted to trap records and the moody atmospherics of alternative bands like Radiohead, Coldplay, or My Bloody Valentine.

"the one flyer that I think, received the most attention last year was Doomscrolling Live for a small ambient listening night organized in Antwerp by my friends SYSTM. I don't remember how many times people have come up to me and said ' Oh I loved that poster you did with the goblin '," he says. "Doing self-initiated things, local things, things for your friends does pay off."

A group of Gen Zers 200 deep, snaked down Houston Street in hopes of shopping at a pop-up for Rogue, a Y2K-focused vintage retailer operated by the TikTok star. Inside, they browsed racks of vintage picks and vinyl records, but it was the charismatic, acid-green-haired Rogue, who was arguably the biggest draw. She posed for selfies with fans, as she does at all her stores, which are styled like deliberately dishevelled millennial bedrooms, complete with early-2000s ephemera like Britney Spears posters.

Detroit techno, austere and futuristic, grew out of Black/queer culture, sci-fi escapism, and the repetitive language of automobile factories. San Francisco's techno, on the other hand, fused an outdoor hippie aesthetic with ecstatic, UK-derived beats that had crowds mass-hallucinating UFOs on Ocean Beach at dawn. Both shared a deep funkiness, however—remember when people of all shapes and colors once danced wildly?

Every micro-trend is swiftly dubbed ("Italian summer nails" or some such), and the most elaborate looks are often confined to the wearer's own home - all dolled up and nowhere to go. But before some of today's beauty influencers were born (the late '80s and '90s, let's say), full beats were meant to be flaunted in public. In those years, no group burned brighter than the club kids, whose visual rebellion through makeup signaled a sense of freedom against the somber backdrop of the AIDS epidemic.