#2025-box-office

#2025-box-office

In the new film, he plays a hit man named Mike who is attempting to leave the business when he's framed for murder. He's sleeping with loan shark Nick's wife Alice, so Nick tricks him into pulling off one last job.

Glander and producer Payson made Boys Go to Jupiter with a tiny team and a $30,000 budget, showcasing the potential of indie filmmaking in animation.

Meta has agreed to 'substantially reduce' its references to PG-13 and include a rather remarkable disclaimer: 'There are lots of differences between social media and movies.'

The UK digital entertainment sector hit £13.5 billion in revenue in 2025, reflecting a 7.1% year-over-year growth, significantly outpacing the general economy's growth rate of 1.3%.

Kayleen Walters, head of Mojang Studios and VP of franchise development for gaming at Microsoft: We wanted to push the story beyond what players experience in-game and do something special for the film, making sure Minecraft not only stayed true to its roots but also created an experience that welcomed new fans into the franchise.

Arrival is a moody sci-fi drama about a linguistics professor, played by Amy Adams, who is tasked with finding a way to communicate with aliens that arrive on Earth.

Senatore cited menu innovation and featured value as contributing to more stable same-store traffic. On the cost side, supply-chain savings are offsetting inflation, allowing BofA to raise its FY26 adjusted EBITDA estimate to $288M from $279M.

Emma drops an absolute bombshell in the midst of a game where they're asked to reveal the worst thing they've ever done. Soon everyone around her starts to question how well they really know her.

Row K Entertainment was conceived as a niche solution to a specific problem: too many indie movies, not enough indie buyers. Launched in August 2025, the fledgling label entered the movie market with a clear pitch.

One Battle After Another dominated the awards race and even threw in some box-office points as well. Seven of the top-ten movies were Best Picture nominees at the Oscars, for what it's worth.

In recent years, there's one word you hear again and again from movie distributors and pundits: event. Making a great movie is nice. But creating a culture-shaking event is what's required in the current boom-bust film landscape. It's something everyone has known for a long time, but in 2026 it seems like studios are really beginning to grasp what it actually means. From Tom Cruise in an auteur-driven comedy to the sequels to Devil Wears Prada and The Social Network