#aanhpi-theatre

#aanhpi-theatre

On May 2, 2025, arts and cultural organizations across the country received notifications that grants and funding promised by the National Endowment for the Arts were being rescinded. This was part of a larger initiative by the Trump Administration to dismantle not just the NEA, but also other arts advocacy programs including the National Endowment for the Humanities and the Institute for Museum and Library Services.

MarcAurele knew he had to strike while the iron was red-hot, so he got to writing, and in just three short weeks he was bringing the show to life, complete with a number that explored the inherent musicality of that bike scene and another that featured a chorus lauding 'gay hockey players with big butts' as if they were singing a church hymn.

Under the ABS challenge system, a team begins each game with two challenges. If a player gets an umpire's call overturned, their team retains the challenge. In effect, this means a team has unlimited challenges until they get two wrong.

The final show I review below got me looks that made me feel like a fish in a bowl. First, the private security at the door had two Valiant rent-a-cops who scowling at me-and only me-with that same 'Give me an excuse!' glare I've gotten from real cops all my life.

These water-women are beings of transformation, embodying sensuality, cosmic energy, and the transmission of matrilineal knowledge.

People all saw that there is something new is being attempted here that you've just got to see. I think that is its own reward. In an era where New York's storied Met Opera has faced layoffs, pay cuts, postponed productions, and a controversial financial agreement with Saudi Arabia, forward-thinking artistic direction becomes essential for survival.

While Howard's case is full of nuance, Ogilvie initially only sees him as an overweight patient who might be better served by the medical facilities at the zoo. It's a breathtakingly callous statement, especially when made within earshot of the patient, yet to many larger-bodied people, it's a very real concern.

I didn't know who I was as a writer. I didn't know my voice or style. I was trying to be whatever writer I loved at the moment. You have to find authenticity, find your own voice. Marie's class gave me the ability to be a storyteller.

Volti and Left Coast meet in a bold and dramatic new work by Chris Castro for storyteller and musicians, which delves into the ancient and universal human explanations for our beginnings. The human relationship to our environment forms a through-line from romantic to experimental musical sensibilities.

In a full house at the 1,025-seat Toni Rembe Theater, there was an eruption of gasps and shrieks. The grown man to my right reflexively gripped the arm of my seat, sheepishly muttering an apology. In a distant aisle, I spotted one person get up and run out of the theater, their friend trailing closely behind.

The jais are taking our children away,

Jackie Smook has spent years crafting characters and props for "Dilly's World," her whimsical web series and touring theatrical show about a girl confronting big issues with the help of some puppet friends. Her life's work was stolen early Monday when thieves swiped a shipping box containing many of her puppets from outside her Beachwood Canyon apartment. Among the missing are Angus the bassist, Phyllis the mail-delivering puppet, Holstein, who was holding an intricate saxophone prop, and Dumont, who had a television stand.

Lucy Liu knew the instant she watched Lawrence Shou's open-call audition video that the neophyte East Bay actor would be the perfect choice to portray her troubled cinematic son in the wrenching Rosemead, inspired by a real-life Southern California tragedy. The 23-year-old Shou, a lifelong Fremont resident, won out over hundreds of others eager to play 17-year-old Joe, a troubled San Gabriel Valley area high school student with schizophrenia whose distraught mom Irene (Liu, in a transformative performance) is dying of cancer.

From Super Bowl fun to the return of a beloved conductor and the Odo akland Interfaith Gospel Choir, there is a lot to see and hear in the Bay Area this weekend and beyond. A stroke of luck for Swims fans Teddy Swims is set to headline the Super Bowl LX Tailgate Concert presented by NetApp the NFL's top pregame party at Levi's Stadium in Santa Clara on Feb. 8.

Last February, master of ceremonies Dennis Bowen (a Seneca elder) welcomed the reigning champion into the 2025 World Championship Hoop Dance Contest arena at the Heard Museum in Phoenix, Arizona. Thousands of spectators joined them to watch more than 100 dancers compete across the two-day event. Bowen announced Josiah Enriquez's (Pueblo of Pojoaque, Navajo, Isleta) accomplishments as a top place finisher several years running in the teen division and as the surprise winner in an unprecedented tiebreaking round in the adult division the year before.

Two years ago, the annual Under the Radar festival (which showcases international, experimental and multidisciplinary theater) was unexpectedly canceled by the Public Theater, its longtime presenter, due to financial issues. In response, the festival was quickly reconceived as a citywide effort involving several other theater companies, allowing it to move forward. The festival, now in its 21st edition, returns this month with productions at theaters across the city from Jan. 7 to 25.

Worries, fears, hang-ups, and desires are translated through highly skilled puppetry, as interview scenes cast puppet couples talking about their sex lives. Written by Mark Down of Blind Summit, a cohort of exceptional makers and puppeteers expanding the definition of a puppet, this collaboration with the UK's National Survey of Sexual Attitudes and Lifestyles pulls from real-life conversations to get puppets talking dirty.

When Zindzi Okenyo takes the Sydney Theatre Company (STC) stage in June for John Patrick Shanley's Tony award-winning play Doubt the role played by Viola Davis in the film it will be a particularly special moment: her fourth main-stage role playing a black woman in a 20-year theatre career. I'm really excited about it, I haven't had a black role for so long, she says.