#african-american-musicians

#african-american-musicians

Karen Batchelor's discovery of her eligibility for the Daughters of the American Revolution was surprising, given the organization's long history of racism and elitism.

Kanya King stated, 'Black music shapes what we listen to, how we speak, how we dress, how we tell our stories and I guess it's defined as Britain's cultural identity but structurally and institutionally is still often treated as m.'

Tiny Desk Radio features a series of home concerts that include performances by Norah Jones, gospel artist Kirk Franklin, and pop sensation Dua Lipa, showcasing their unique musical talents.

Chaka Khan criticized modern female popstars for 'doing any and every damn thing on stage' while trying to sing, suggesting they are compensating for vocal weaknesses.

Many of these posters are the only surviving proof of certain shows, with no recordings of plays, and certain films, having been lost over time. They offer a history of Black Americans trying to counter harmful stereotypes and provide vital and humanizing contributions to a growing Black culture.

If you know anything about the basic origins of Black History Month then you know that we weren't given' anything. The question of who owns and authorizes Black History Month holds particular relevance now, in its centennial year, and at a time when efforts to celebrate, preserve, and acknowledge Black people's past in this country are under attack.

In a way, it was the Sgt. Pepper's of hip-hop. It's a record that changed the way that people thought about putting music together. I'm not a big hip-hop historian; I just know the stuff that I worked on.

Well, I don't think with blues I could get around it. It was in my house since I can remember, you know. My mother's from Monroe, Louisiana. My dad is from somewhere in Texas. And between the both of them, it was a lot of blues in the house. I had a stepdad, too, who was even more into blues. So I couldn't get away from it. And I loved it from the first time I heard it.

Black History Month is a time to acknowledge and celebrate the achievements and courageous acts of people of African descent in the United States and around the world. This year, Black History month celebrates its 100th anniversary. And yet, Black History Month has failed to fully acknowledge or celebrate the contributions of Black LGBTQ+ people. Just as Pride Month remains overwhelmingly white in its representation, Black History Month continues to be deeply homophobic in its omissions.

She remembers walking with her big brothers down a sidewalk fractured by the roots of old oak trees while children played hopscotch on the playground. She remembers going outside and clapping erasers together so that plumes of chalk dust rose above her head. And she remembers being told that she was attending a school that many white parents had taken their children out of just a few years earlier because they didn't want them sitting in class with Negroes.

When Norman Sylvester was 12, long before he garnered the nickname "The Boogie Cat" or shared a stage with B.B. King, he boarded a train in Louisiana and headed west, toward the distant city of Portland, Oregon. He'd lived all his life in the rural South, eating wild muscadine grapes from his family's farm, fishing in the bayou and churning butter at the kitchen table to the tune of his grandmother's gospel singing.

I do not turn to celebrities for trenchant political takes or honestly really expect them to know what's actually going on in the news. However, I also think that most good art engages with the world in which it's being created, and now that we're in good-art-naming season (aka awards season), ignoring that world is privileged at best and evil at worst.

Brendan Carr's FCC is still twisting its panties over the existence of talk shows (don't worry, Netflix wants to make them all video-only "podcasts"). This time, Carr's freak-out was an attempt to stretch the FCC's equal-time rules to apply to talk shows - both late night and daytime. Will we see Trump in the Spirit Tunnel in 2028? Only time will tell.

To be Black in the U.S. has such an expansive meaning that traces back to Europeans deciding who got to be "white." While some people, like the Italians and Irish, earned their way into "white-ness," those with even a drop of Black in their heritage were relegated to the lower rungs of the racial ladder.

Representing a career that spans genre and sound, Usher's ambition both challenges and provokes. Perhaps this is why the Atlanta-born singer continues to occupy popular culture, not only through his Grammy Award-winning recordings, but also across fashion and the fine arts, where he has emerged as a patron and collector. He identifies career as a collage. Evolution does not mean abandoning the past, but layering it, building new meaning atop experience, vulnerability, and history.

Even if you're just a casual jazz fan, you probably recognize "Take the A Train," Duke Ellington's swinging theme song. Or you've heard the melancholy ballad "Lush Life" sung by Nat King Cole, by Linda Ronstadt during her Great American Songbook era, or by Lady Gaga on the album she recorded with Tony Bennett. Both of those - and many other tunes - were written by a gay man, musician, composer, and arranger Billy Strayhorn.

At the turn of the 1960s, when free jazz was making its initial seismic impact, multi-instrumentalist Phil Cohran-he later added the name Kelan-was living in Chicago and playing trumpet for Sun Ra's Arkestra. He contributed to crucial recordings by the band during his tenure, including We Travel the Space Ways, but Cohran was a restless autodidact who never stuck with any one project for long.

The architect of the bestselling jazz album of all time, 1959's Kind of Blue, trumpeter Miles Davis is a towering figure in the history of the genre. Possessed of a piercing tone, innate melodic sensibility and a singularly uncompromising approach on the bandstand, Davis spent his five-decade career presiding over numerous stylistic shifts: bebop to cool jazz, modal jazz, electronic fusion, jazz funk and even hip-hop.

The Recording Academy has announced that this Sunday's Grammy Awards will feature Ms. Lauryn Hill performing during the "In Memoriam" segment in honor of the late D'Angelo and Roberta Flack. Elsewhere, Post Malone, Slash, Duff McKagan, and Chad Smith will pay tribute to the late Ozzy Osbourne, and Reba McEntire will be joined by Brandy Clark and Lukas Nelson to honor "some of the musical icons" who passed away in the last year.

With so much good music being released all the time, it can be hard to determine what to listen to first. Every week, Pitchfork offers a run-down of significant new releases available on streaming services. This week's batch includes new albums from Ari Lennox, Lucinda Williams, and Cat Power. Subscribe to Pitchfork's New Music Friday newsletter to get our recommendations in your inbox every week.

The staff of Pitchfork listens to a lot of new music. A lot of it. On any given day our writers, editors, and contributors go through an imposing number of new releases, giving recommendations to each other and discovering new favorites along the way. Each Monday, with our Pitchfork Selects playlist, we're sharing what our writers are playing obsessively and highlighting some of the Pitchfork staff's favorite new music.