#artifact-weapons

#artifact-weapons

The Helmet of Cotofenesti, a priceless gold artefact from Romania, was stolen in January 2025 during a robbery at the Drents Museum in the Netherlands.

The designation prohibits the sites from being targeted or used for military purposes, with violations potentially constituting serious breaches of the 1954 Hague Convention and grounds for criminal responsibility.

"It doesn't matter what [story] you want to tell-maps help bring it to life, they help you connect to spaces. And it has to be interactive. You have to be able to read, to click."

The axe was the most important find in the group and would have been highly valued in the Neolithic community. Experiments with fiddle bows have found that it takes more than a day of work to manufacture an axe like this one.

The corrective fluid analysed using light infrared photography revealed a mixture of huntite and calcite, while images made using a 3D digital microscope show that there also are flecks of yellow orpiment, probably to make it blend in better with the fresh papyrus, which would have originally been pale cream in colour.

The most serious confirmed damage to date has been to Tehran's Golestan palace, dating back to the 14th century, and the 17th-century Chehel Sotoon palace in Isfahan. Judging from videos and public statements, neither historic building was hit by a missile directly but the shock wave from nearby blasts and possibly some missile debris, shattered glass and brought down tiles and masonry.

This project demonstrates the combined power of science, the study of human remains and historical research to discover new information about the six mortuary chests and their occupants which would not have been available to us a generation ago.

Nine meters (30 feet) beneath the waves, they found it: a vast, man-made stone wall, averaging 20 meters (66 feet) wide and two meters (6.6 feet) tall. The structure consists of some 60 massive granite monoliths, set directly onto the bedrock in pairs at regular intervals. Smaller slabs and packing stones fill in the gaps, locking the whole into a single, deliberate construction. With an estimated total mass of around 3,300 tons, this is the largest underwater structure ever discovered in France.

Treasures unearthed by hundreds of archaeologists so far during work on the controversial planned HS2 train line have been shown exclusively to the BBC. The 450,000 objects, which are being held in a secret warehouse, include a possible Roman gladiator's tag, a hand axe that may be more than 40,000 years old and 19th Century gold dentures. It is an "unprecedented" amount and array of items, which will yield new insights into Britain's past, says the Centre for British Archaeology.

Researchers have found traces of what appears to be plant-derived poison on tiny stone arrowheads from South Africa dated to 60,000 years ago. The finding pushes back the origin of this revolutionary hunting technology by tens of thousands of years. Scientists have long been fascinated by the development of poisoned hunting weapons. For one thing, they would have seriously leveled up our ancestors' foraging game.

An ancient Egyptian papyrus held by the British Museum has been cited as possible evidence supporting some of the Bible's most controversial claims about giants. The 3,300-year-old document, known as Anastasi I, has been in the museum's collection since 1839 and has recently resurfaced on the Associates for Biblical Research, renewing interest in its possible links to biblical accounts. The papyrus describes encounters with the Shosu people, said to stand 'four cubits or five cubits' tall, up to eight feet in height.

Making poisoned arrows is about as hard as following a "complex cooking recipe", says study co-author Marlize Lombard, an archaeologist at the University of Johannesburg in South Africa. "You have to add to it the danger of the poison, and planning to work with it without getting poisoned yourself, then you have to hunt and track the prey animal under difficult and dangerous conditions sometimes for a day or two."

Seven were the strings of the lyre (unless there happened to be eight or nine), seven were the gates of Thebes, and seven were the "wandering stars" in the night sky (if you count the sun and moon). The identity of the wonders was less important than the length of their list, and indeed, additions and changes were proposed since the beginning.

King Nebuchadnezzar II himself 'speaks' in the text, proudly describing how he restored an old, crumbling stepped temple tower in the city of Kish that was dedicated to the Mesopotamian god and goddess of war, Zababa and Ishtar. He explained that earlier kings had built and fixed the ziggurat before, but it had fallen into disrepair again from age and rain.

His investigation began after identifying recurring giant T-shapes, three-level indents, and step pyramids carved into ancient stones worldwide. 'These specific symbols that are built in different size proportions, and the symbols are found in ancient stones around the world, are not supposed to exist; no cultures are supposed to have any cross-platform,' LaCroix explained. The symbols appear in locations ranging from Turkey's Van region to South America and Cambodia.

It is approximately 10 by 13 feet in dimension and features two main sections consisting of a central hexagonal panel bordered on each side with five square panels and one rectangle. The space between the squares is filled with triangular panels. Each panel contains different geometric and abstract botanical designs. The hexagonal panel in the center contains a Solomon's Knot (two interlocked ovals). The square panels contain flowers with four pointed petals. The triangular panels contain small solid triangles.

as the gods were understood as the true monarchs and the king as simply their steward. In order to maintain his authority, the king needed to court the goodwill of the gods, and although they made their approval clear through military victories, bountiful harvests, and prosperous trade, events such as the Akitu festival provided an annual opportunity for the divine to continue its relationship with the ruling house or withdraw its favor.