#asian-american-narratives

#asian-american-narratives

"In 'break bad (freddy flexing)' (2021), a slim man's attempt to exert physical strength instead displays his fragility. A gentleness in his eyes suggests truer strength beneath the performance."

"Hong Kong remains one of the most open, dynamic cities in Asia for queer artistic expression. Our concerns are no different from those of our counterparts in other major Asian cities... yet Hong Kong distinguishes itself as a place where international dialogues unfold, different perspectives converge and queer art has found a genuine audience."

Naima dives deep into life goals with a fierce passion, yet she often finds herself buffeted by currents. Sixteen years ago, she had moved to the country for love, only to be mistreated by her Swiss husband. Since her diploma was not recognised in Switzerland, she went from managing a team of 48 to being wholly dependent on her partner.

Join us for a vibrant Trans Day of Visibility Festival at Boeddeker Park in the heart of the Tenderloin and The Transgender District, March 29th 2026. Expect sickening performances, powerful vocals, community vibes.

I'm so excited. The San Francisco Chinese New Year parade is, like, none other. I grew up watching it, and the entire city knows what's happening, because the sound, the cheering, the sights, the smells, the brightness, it's really unparalleled.

Betty leaves behind a powerful legacy for all of us and certainly within the National Park Service. Her thoughtful, introspective musings about the Civil Rights movement and the women's movement and how they intersected are some of the unique moments that I will always treasure...Thanks to Betty we've learned that we can hold multiple conflicting truths at the same time.

I didn't feel included in the Latino community. I always felt left out. Las Comadres has since become a national nonprofit organization. De Hoyos Comstock, petite with a warm smile, describes Las Comadres as a 'Latina culture club.' The current political rhetoric, characterized by the most aggressive immigration enforcement in modern history, is forcing many U.S. citizen Latinos to question whether they belong.

Both plays set out to examine the ugly ways that American capitalism has twisted itself up with the striving of characters of color - characters whose immediate roots stretch beyond the U.S. and whose ambitions within its borders have resulted in a malignant combination of rugged self-reliance and internalized self-hatred.

It's kind of a little local community hang spot as much as it is a retail store. You could buy analog cameras or photo books at the shop. If you're like me, you could browse in order to motivate yourself to dig your old film camera out of the closet. Or you could just hang out, talk art, and make friends.

If you know anything about the basic origins of Black History Month then you know that we weren't given' anything. The question of who owns and authorizes Black History Month holds particular relevance now, in its centennial year, and at a time when efforts to celebrate, preserve, and acknowledge Black people's past in this country are under attack.

As Los Angeles Dodgers fans count down the days until Opening Day 2026, there are plenty of events and activities going on around the city for fans to enjoy with their families, friends or even solo this weekend. There are multiple cultural events happening this weekend that will embrace culture and community with vibrant celebrations for Black History Month, Mardi Gras, and Lunar New Year Pick your favorite events, mark your calendar and make the most of your weekend in LA!

"This coffee's quite special. It's grown in Yunnan, China, and it's processed with a special yeast to give it a peachy, kind of osmanthus-y flavor," he says.

In what seems to be the most uniting moment since Chardonnay was invented, older white Republican women flocked to movie theaters this past weekend to watch Melania, the nearly two-hour-long documentary about the First Lady financed by Jeff Bezos and directed by accused sex pest Brett Ratner. The film allegedly follows her during the 20 days leading up to Trump's second inauguration in 2025, though the trailer basically just showed her wearing sunglasses.

"The object of the Museum is to acquire power," announces a crusty old archaeologist in Penelope Fitzgerald's 1977 satire, The Golden Child. It isn't a goal he respects. He wants the museum where he's settled into semiretirement to genuinely devote itself to educating its visitors. Instead, he correctly charges, its curators act like a pack of Gollums, hoarding "the art and treasures of the earth" for their own self-aggrandizement and pleasure.

I was thirty-eight years old the first time I stopped performing at Chinese New Year dinner. Not dramatically-I didn't stand up and deliver a monologue about authenticity or announce that I was done pretending. I just stopped smiling when I wasn't amused. I stopped nodding when I disagreed. I stopped telling my aunt that her unsolicited career advice was helpful when it wasn't. I stopped pretending that the version of me sitting at that table was the real one.

U.S. president Donald Trump shared a racist video on his Truth Social account in which former American president and first lady Barack and Michelle Obama were depicted as apes. I was unsurprised, yet nonetheless disgusted. U.S. senator Jon Ossoff also found the video unacceptable. He said during a rally in Atlanta that Donald Trump was "posting about the Obamas like a Klansman."

Throughout many immigrant experiences, stories collected from family members can be a starting point for migrants. The memories gleaned from parents, grandparents, aunts, and uncles-who crossed dozens of borders at great risk and with immense pain-can settle into the consciousness of new host communities for decades. For the migrants, these stories and memories represent the first step into a new world and contain lifelines with the potential and promise to build new, resilient identities and a sense of belonging in often hostile environments.

I've spent the last 25 years since I transitioned being spoken by lawmakers, by media, by people who have never met me but feel entitled to decide what my life means. The pressure to explain, justify, or exist as a symbol in somebody else's mythology is constant. It's part of why my film, Becoming a Man in 127 EASY Steps, exists: to narrate a trans life from the inside, rather than explain it to outsiders.