Cut & Paste Pictures is developing a feature-length documentary chronicling the lifelong friendship between Rise Against guitarist Zach Blair and wrestler Hassan 'MVP' Assad, who will also front an unscripted series about life after prison.
Saad (Mehdi Meskar) is a young Moroccan exile in Quebec who will do anything to save Reza (Aron Archer), his Iranian refugee lover who faces being sent back to his home country. In a desperate move, Saad sets out to seduce a high-ranking spokesperson (played by Alexandre Landry) from the ministry of immigration in a risky gambit that sets off a fateful chain of events.
The Siekopai Nation, which has historically occupied territories along the northern border between Ecuador and Peru, was separated and displaced during the 1941 border war between the two countries, a conflict with consequences that extended into the 1990s. According to Justino Piaguaje, leader of the Siekopai in Ecuador, the nation's original population was close to 20,000 but diseases brought by colonisers, Jesuit missions, conditions of slavery during the rubber boom, and the impacts of the oil industry led to a drastic decline.
Anticolonialism, Ontology, and Semiotics draws upon Africana anticolonial philosophy-especially the work of Frantz Fanon and two of his most influential interpreters, Eldridge Cleaver and Sylvia Wynter-to develop a basic analytical model for doing anticolonial political theory. I wanted to show that there is something distinctive, something special, to be found in this tradition of thought that has not been fully appreciated by philosophers and theorists in other fields.
It's kind of a little local community hang spot as much as it is a retail store. You could buy analog cameras or photo books at the shop. If you're like me, you could browse in order to motivate yourself to dig your old film camera out of the closet. Or you could just hang out, talk art, and make friends.
Provincial decisions affect First Nations' rights, lands and environments, and FOI requests are one of the few mechanisms available to First Nations and the public to understand how those decisions were made. Having access to this information, particularly if it's a decision made by the premier or other cabinet ministers, or just understanding how those decisions came to be, is just part of good governance.
But rather than walk away from his creative calling, Driven said he pivoted - teaching himself videography and landing his first paid job through a Craigslist post filming Caribbean DJ, and DJ Mad Out. "That opportunity introduced him to New York's Caribbean music scene, where he went on to work with artists such as Shaggy, Ding Dong and Kranium," she said. "Those early experiences sharpened Hillmedo's eye for authenticity, capturing Caribbean culture not as spectacle, but as lived reality," she added.
McCullough's videos focus on U.S. and Canadian culture and how they intersect. A sampling of recent videos: "How bad is the PragerU guide to presidents?", "What 2025 permanently added to American culture," "whatever happened to Canada's Online Streaming Act?", and the four presidents that lead America into (and out of) war. His audience is around 80% male, with most of his viewers between the ages of 20 and 35 and about half based in the U.S.
Going back to Renee Good, the idea that there was an ICE agent that was filming while involved in this life-or-death-you know, supposedly for him-situation, right? You're claiming that, but at the same time you're using your phone to document this.
L ast September, nearly 6,500 people-including start-up founders, investors, and researchers-gathered at the Palais des congrès in Montreal for All In, Canada's largest artificial intelligence event. After passing through a security checkpoint, they lounged on plush furniture and posed in front of a luminous "ALL IN" sign. Everyone wore a lanyard with a QR code that could be scanned to connect through an app, a sort of modern-day business card. Kiosks showcased AI companies; smooth jazz flowed and so did coffee.
H ave you heard Solomon Ray's new album Faithful Soul? It's number one on the gospel charts-and entirely AI generated, just like the musical artist behind it. The idea that a hit Spotify artist might not be human is a satire of the attention economy itself: an ecosystem once based on authenticity and connection now topped by a synthetic voice engineered for maximum uplift. What does "soul" even mean when it's made by software trained on real music?