#cultural-connectivity

#cultural-connectivity

Trofimov's move to Germany was a spontaneous decision made after the war began, as he feared for his future and sought a more stable career.

The Korean wave or hallyu that brought the country's culture to the world has now well and truly engulfed Latin America.

The event was once described by The New York Times as 'a cross between a Jewish summer camp in the Catskills and a progressive jazz concert.' Past incarnations have featured Laurie Anderson, Philip Glass, Lou Reed.

The response was in Indonesian but shaped by values that centered individual autonomy over the consensus-building, social harmony and collective family dynamics that tend to matter more in Indonesian social life.

I would squirm in my chair as my new teacher worked their way through the class register, and my stomach would drop as they attempted to say my full name: Priti Ubhayakar.

Espina humorously admitted to oversleeping on a significant news day, stating, 'Breaking news, mi gente! I can't believe it.' His videos celebrated Maduro's fall but also expressed concern about the complexities of the situation.

"I could understand the language somewhat, but I was terrible about speaking it. My accent was terrible. People could not understand me," Deiaco-Smith said.

The first event is a roundtable on "Zhuangzi: Fate, Desires, Transformation" on April 6th at 9:00am Beijing time.

In frightening times, it makes a huge difference not to feel alone. Creating art with others in community enhances agency and strengthens self. Creativity requires an open heart; love enhances hope and diminishes fear.

Keepers of the Steps, the living archive and cultural program at the United Irish Cultural Center dedicated to preserving generations of Bay Area Irish dancers, teachers, and families. Through stories, images, and lived experience, we'll reflect on how dance carries lineage, identity, and community forward.

She said she stood in her new kitchen, which had radiant floor heating and a view of the fjord, and cried because the bread smelled wrong. She'd moved from São Paulo for a man she'd met at a data science conference. The apartment was beautiful. The healthcare was extraordinary. The man was kind. And the bread smelled wrong, and that wrongness cracked open something in her she hadn't known was load-bearing.

This weekend sees the start of the 23rd San Francisco Greek Film Festival, which since 2004 has provided a local showcase for new screen work from the "cradle of Western civilization" still most associated with its contributions to arts and ideas in the ancient world. This latest edition brings together eight fictive features, sixteen documentaries of various length, and nine narrative shorts.

Bregman claims, 'Today the whole of Europe risks turning into one big Venice, a beautiful open-air museum. A great destination for Chinese and American tourists. A place to admire what was once the centre of the world.' This statement encapsulates the concern that Europe is losing its cultural significance.

Communities make museums and museums make communities. Part of the establishment of M+ was a public consultation where people were asked what kind of museums they wanted. The recommendation was not to build lots of little museums, but to create a big museum that was cross-disciplinary, unburdened by labels like "modern" or "contemporary". It was to be a museum plus more, and that was how we became M+.

Distance does not soften the terror. It only deepens my helplessness. In moments like this, I realize that geography is not measured in miles, but in attachment. War rearranges distance. These days I find myself returning to "The Conference of the Birds," the 12th-century poem by Attar of Nishapur, seeking meaning through ancient wisdom about spiritual journeys and transformation.

The US Supreme Court has struck down much of the Trump administration's tariffs on foreign goods, which have been a cornerstone of its trade and foreign policies. Also, Iran prepares for a possible US military strike. And, the International Energy Agency has removed climate change from its list of priorities for the next two years, following threats from the US

The snow day email arrives before dawn, glowing softly on my phone. Even after all these years, that early morning message still feels like a small miracle a quiet signal that the city has agreed to pause. As a child, it felt like winning a secret lottery. As an adult and a school principal, the feeling hasn't left me.

Unlike virtually all other non-European ethnicities, SWANA - or Middle Eastern/North African (MENA), as used in the show - is grouped under "White" on the US census. It's not just the census, though. It's medical forms, college applications, just about anything with a check box for ethnicity. Efforts have been made to change this, with some success. More institutions are adding a separate category on forms - and one might appear on the 2030 census.

While everyone is subject to their individual situations, for many, the process begins with an F-1 student visa, which they hold as they complete a Ph.D. over five to six years. After graduation, they may choose to transition to Optional Practical Training (OPT), which provides a year of work authorization, with a two-year extension for STEM graduates. Some may then transition to a H-1B temporary work visa, which provides for three years of work authorization and is renewable for another three years.

In Arash Nassiri's new moving-image commission, an insect puppet drags itself across an empty marble floor, cast in eerie blue evening light. The scene is diffused through an enormous frosted-glass cubicle, refracting and distorting the images. That sense of distortion pervades the Tehran-born, Berlin-based Nassiri's first institutional solo exhibition, A Bug's Life, which opened last weekend at London's Chisenhale Gallery-and comprises a film set within a sculptural installation.

In this issue of the HBR Executive Agenda, editor at large Adi Ignatius talks to Harvard Business School professor Ranjay Gulati about how leaders can act with clarity amid rising social tension and rapid technological change.

Just before winter break, news broke that the University of North Carolina at Chapel Hill plans to close its centers for African, Asian, European, Middle Eastern, Latin American and Slavic, Eurasian and East European studies. Though UNC administrators said in a statement that decisions on closures are not finalized, they confirmed they are evaluating centers and institutes as part of a budget-cutting effort in response to state and federal funding changes.

H ave you heard Solomon Ray's new album Faithful Soul? It's number one on the gospel charts-and entirely AI generated, just like the musical artist behind it. The idea that a hit Spotify artist might not be human is a satire of the attention economy itself: an ecosystem once based on authenticity and connection now topped by a synthetic voice engineered for maximum uplift. What does "soul" even mean when it's made by software trained on real music?

Meanwhile, signs that the planet's health is worsening are unmistakable. Last year was among the warmest on record globally, with average temperatures far above long-term baselines and heat driving more extreme weather worldwide. In 2025, brutal heatwaves baked much of the Indian subcontinent with temperatures near 48 °C, stressing health systems and agriculture across India and Pakistan. Europe and the Mediterranean faced record wildfires and prolonged heat, forcing tens of thousands to evacuate and worsening drought conditions.

People say it takes a village to do difficult things: raise a child, sustain a community, build a barn. But we don't often talk a lot about what it takes to be a villager. What does it mean to not just be in a community, but to help create one? Priya Parker, author of The Art of Gathering: How We Meet and Why It Matters, says the key is to put yourself out there, even if it's scary.

As if demolishing the East Wing, gutting arts agencies, and slapping his name and face on several federal buildings weren't enough, the US president now wants to do away with a DC building known as the "Sistine Chapel of New Deal art." This week, we reported on a burgeoning campaign to save the Wilbur J. Cohen Federal Building, which houses murals by Ben Shahn, Philip Guston, Seymour Fogel, and other major American artists. We will continue to follow this story.