"We're constantly striving to strike a balance between work that respects academic rules of composition, established visual codes and good readability, with something more spontaneous, adventurous, playful, even naive."
At the official launch last November, the current culture minister Rachida Dati described the imperative behind the programme as not just celebrating an uncommon visionary but the "burning relevance" of his legacy: "a commitment to continuing to nurture this demanding idea of what culture is".
The foundation's collection is exceptionally large, encompassing more than 10,000 items-including thousands of drawings, over 400 sculptures, 100 paintings, a whole collection of decorative objets d'art, prints, everything that was in the studio, all the archives. Most of the collection has never been exhibited.
Naked mermaids and prancing horses, silk carrots and unshelled peanuts, gilded elephant trunks, drums and masks are just a few of the buttons. The V&A's lavish spring show is a weird and wonderful tumble down the rabbit hole that is Schiaparelli, fashion's house of surrealism.
One day during his first term, Donald Trump summoned a top aide to discuss a new idea. Trump called me down to the Oval Office,' John Bolton, national security adviser in 2018, told the Guardian. He said a prominent businessman had just suggested the US buy Greenland ' The US president's friend Ronald Lauder, heir to the Estee Lauder cosmetics fortune, is now making deals in the island. Guardian investigations correspondent Tom Burgis explored the reasons behind Trump and Lauder's fixation with Greenland. Read more
Cubism and Reality is his return to the works by Georges Braque, Pablo Picasso and Juan Gris that define early Cubism. The book has many strands but turns around a highly informed reconstruction of the processes by which their interactions with reality resulted in physical works of art, what Green terms "material things to be looked at". The revolutionary works discussed remain visually difficult; as he acknowledges, they are "most often only slowly penetrated by looking, imagining, reflecting and looking again".
On Franklin Street in Brooklyn's Greenpoint neighborhood, one non-commercial gallery fosters 'a small, stubbornly human space for friction.' Friction—the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way—is at the heart of artists Pap Souleye Fall and Char Jeré's current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.
The longer we wait, the more difficult it will become to remedy the damage. Since 2019, state funding had all but dried up, forcing the foundation to auction works to raise funds to continue the restoration of both the iconic building and its many site-specific works.
Before he was a filmmaker, David Lynch was a painter and, if you're familiar with his esoteric filmmaking practice - peppered as it is with some of cinema's most indelible imagery - it all makes a lot of sense. A year after the auteur's passing, a newly opened show at Pace Gallery's Berlin space, Die Tankestelle, foregrounds Lynch's career-spanning fine art practice and its inextricable link to his cinematic oeuvre.
Originally from Dallas and now based in New York City, I approach photography as an exercise in atmosphere, trust, and control. Trained in the discipline of film and later in fashion photography, I work with both natural and artificial light to construct images that feel cinematic and psychologically charged. Moving fluidly between studio and location, I transform spaces into environments that heighten mood and presence.
An exhibition of Wifredo Lam is about as safe a bet as the Museum of Modern Art can place and still plausibly say that it's a bet on expanding the canon. The Cuban artist is one of the most famous painters of the 20th century, featured in almost every single key show about Surrealism. MoMA acquired his famous painting The Jungle in 1946, a few years after he made it.
MADRID - The most famous portrait of Maruja Mallo depicts the artist covered from head to toe in seaweed. She is crowned and draped with long, rope-like strands of kelp, her arms raised triumphantly like an all-powerful marine goddess. This unconventional photograph, snapped in 1945 by the poet Pablo Neruda on a Chilean beach, was no doubt carefully orchestrated by the Spanish artist, who viewed herself as an extension of her unique work, where female energy is a conduit for natural and even cosmic forces.
As an editor, you learn to pay attention to the nuances of language. How we phrase something can speak volumes about our perspectives. Some words are fine in one context, but in another they might be detrimental. "Victim" is an example - who wants "victimhood" to encompass their whole person? And possessives are a minefield of power relationships; for instance, a person experiencing mistreatment at the hands of a partner should be defined by neither the treatment nor the tormenter
From figures with multiple legs and noodles for arms to frolicking trees, Paco Pomet summons the absurd. Known for his uncanny oil paintings rendered mostly in monochrome and enlivened by colorful details of overly stretchy limbs or celestial objects, a sense of nostalgia greets surreal scenarios. The artist often derives his imagery from vintage black-and-white photographs, adding an absurd dimension to history.
Cezanne Fondation Beyeler, Basel, 25 January-25 May Paul Cezanne (1839-1906) represented a powerful inspiration for the artists who came after him; as Pablo Picasso famously put it, he was "the father of us all". Now, an ambitious exhibition focusing on the French artist's later works, when he was at the height of his powers, will open at Basel's Fondation Beyeler in January.
Alg Eventual is an Ohiobased audio/visual new media artist creating glitch art, digital collages and abstract mixed media works with a reference to the roots of the early 2000s. His works feature scanner experiments, layered textures and titles like Exterior, Interwind, Articulation, Overthinking and Everything leads back to you, blending digital manipulation with tactile, fragmented aesthetics. More: Instagram
Why the volte-face? Because it is now widely recognised in the art world that it was as much Moss who influenced Mondrian as the other way round, at least when it came to the double or parallel lines he started using in the 1930s to add tension to his harmonious abstract paintings, one of which hammered last May for $48m.