#editorial-cartoon

#editorial-cartoon

Che's joke during Weekend Update suggested that President Trump's theater visit could end badly, drawing a parallel to Lincoln's assassination. The audience reacted with loud cheers and applause.

Preston's reliance on A.I. and his use of unattributed work by another writer was deemed a clear violation of the Times's standards, leading to his dismissal.

Bondi's official DOJ portrait was reportedly spotted in the trash mere minutes after Donald Trump gave her the boot. Just straight to the bin, like last week's takeout and this week's credibility.

"It's an amalgamation of the Chicago neighborhood aesthetic with a Bulls fan, quite literally. It's kind of on the nose, but that's how I juxtapose the elements of my work, with the structure of a home and then a figure who is around or in the home."

On this site birthed in 1963 lays lain layed lies the location original whereabouts around here of the Berkeley Copywriter's Guild, A place where word geeks were often found with their smug understanding of grammar and their tiny worn-down blue pencils marking up all the fun words for boring ones.

"Most people don't stop to observe the crews' work or the infrastructure they uncover," Tentler-Krylov said. "But these unseen things keep the city going."

The findings confirm research that I conducted more than 20 years ago. Under the guise of the Comedy Research Project, Timandra Harkness and I performed a randomised clinical trial to assess whether or not science can be funny.

Kamrooz Aram is everywhere this year, from Mumbai Art Week to the Whitney Biennial, and critic Aruna D'Souza is grateful. She pens a beautiful meditation on his work, reading his abstract paintings as not simply a denunciation of Western modernism nor a reassertion of Islamic visual motifs, but something else entirely - something gestural, exuberant, riotous, and incomparably his own.

Stewart mocked: Who's name is that? Is that your f*cking name? Who's name is that?! Oh, you meant like general sex sh*t like Loveline sh*t. Sorry. You know, honestly, his leering behavior is less commander-in-chief at war and more grandpa who's lost his filter in public.

Maira Kalman painted a vase exploding with flowers, capturing the anticipatory air the season brings. She cited Gustav Mahler's 'Das Lied von der Erde' ('The Song of the Earth') as her inspiration: 'Dark is life. Spring is here. The birds are singing.' What more do we need to know?

"In a time of unprecedented division, escalating conflict, and economic turmoil, President Trump focused on what truly mattered: remodeling the Lincoln bathroom in the White House," reads a bronze plaque affixed to the work.

"I looked at many water towers to get an idea of their variety," Chast said, about her cover for the March 30, 2026, issue.

Kudelka was born in Burnie on the north coast of Tasmania in 1972. After selling his first cartoon at the age of nine, he went on to draw political cartoons for more than 30 years, some 10,000 of which were published. He won Walkley awards for best cartoon in 2008 and 2018, as well as Kennedy, Stanley and News awards. He was the Museum of Australian Democracy's political cartoonist of the year in 2010 and 2019.

On average, the cartoons published on the Instagram account of the French satirical magazine Charlie Hebdo get a few hundred reactions, but a recent drawing by cartoonist Eric Salch has prompted more than 15,000 social media users to express their dismay. It was published as Switzerland observed a national day of mourning to commemorate the victims of the deadly fire in a bar in Crans-Montana on New Year's Eve, which killed 40 people, most of them teenagers.

A crack of thunder, a flash of light, and a sulfurous mist flooded my apartment. Marax, President of Hell, stood before me. Marax entered my summoning circle, eyes burning with unholy fire, and I gave him the stack of homework to flip through while I brushed my teeth. Marax marked up the papers and fleshed out my bullet points into thoughtful feedback before I even got to my molars. Then-three hours of my life, saved!-I banished him back to Hell.

Jason Adam Katzenstein is a cartoonist and a comedy writer whose work has appeared in The New Yorker since 2014.

Memes have become the clearest and most direct language of digital culture: condensed fragments of reality that synthesize the complexity of the present and circulate at the same speed as a society surrendered to hyperstimulation. From the Dancing Baby of the 1990s to the endless templates of X, Instagram, or TikTok, memes have evolved from simple ephemeral jokes to veritable systems for decoding the world, semiotic capsules that allow us to process the political, the social, and the intimate.