'In this paper a novel optical illusion is described in which purple structures (dots) are perceived as purple at the point of fixation, while the surrounding structures (dots) of the same purple colour are perceived toward a blue hue.'
"Instead of starting with a product that we didn't feel like existed in the marketplace, we started with a mission that we felt like didn't exist, particularly in the beauty space," Cohen said. "We love that young people are turning to brands for not just products, but for the issues that they care about-and also that's what holds us accountable."
Architect-turned-interior designer Anh Ly, founder and CEO of Mim Concept, explains why the color surged in the first place: "Butter yellow had a magic moment because it felt optimistic and comforting, especially during a time when people were craving warmth at home." Now, that emotional pull is also what's working against it. "It fell short on resale since it's a very emotion-specific color. Buyers tend to see it as personal rather than neutral, which makes it harder for them to imagine themselves in the space," Ly adds.
Musée d'Orsay hosted an exhibit last year called "Art is in the Street," which cataloged "the spectacular rise of the illustrated poster in Paris during the second half of the 19th century." The prints were lithographs - drawings made on limestone with greasy pencils, which were then exposed to water and inverted onto sheets of paper. Typically, each color got its own stone. The finished product was a firework of oily yellows and reds.
Your junior designer spins up a prototype in Lovable before lunch. Your PM shows you a "working" MVP built entirely with Cursor within a day. And your CEO forwards you a LinkedIn post about how AI will replace 80% of UI work by 2026. And it seems like anyone can now make an app to solve a specific problem. Has the graphical interface really died, as Jakob Nielsen provocatively suggests?
One predictable pain point with contrast-color() is that it only returns black and white named colors. From a design systems perspective, that's not ideal because you want your colors. You want your harmonious brand and the colors you and your team spent thousands of man hours in meetings deciding on. Those colors. In fact, an earlier version of Safari had color-contrast() (confusing I know, naming is hard) which allowed you to pass in a list of best candidates to choose from. I beleive that proposal got mired in standards discussions, color contrast algorithms, and competing proposals; and contrast-color() is what survived which got simplified down to a binary result.
This year has been volatile for brands. With tariffs taking effect, the job market slowing, and consumer spending barely keeping pace with inflation, it's no surprise that ad spend has slowed in tandem. Amidst economic uncertainty and an onslaught of unanswered questions, brands are increasingly looking for demonstrable ROI in their marketing and design budgets. Some may choose to invest in a costly new campaign or commit to a new brand identity, while others will default to slashing their budgets altogether.
To paraphrase a quote credited to poet and author Maya Angelou, people forget what you say and do, but they never forget how you make them feel. That understanding is becoming increasingly relevant in modern marketing, where differentiation is driven as much by emotional experience as by execution. For agencies, this means thinking beyond deliverables to the full experience clients and audiences have at every touchpoint.