The library was to hold material relating to women's work, too. This year's centenary is an opportunity to celebrate the institution's unique holdings.
There is a new wave of women who refuse to wait for the AI industry to become "fair" and "equal." They are building their own companies, on their own terms, with a more authentic and purpose-driven design mentality. It's not general-purpose AI; it's gender-purpose AI.
Imagine the pressure. You want to compete at your best, but then before even the game starts you have to decide how you're going to stand, how you're going to look and what you're going to do. I just think that's so unfair. The players were confused about what to do. If they salute and sing the national anthem, they are embraced and endeared by the government. If they do that, the fans, the Iranian people hate them.
In less than seven decades, Barbie's mug went from a strange and scary prototype to a perfectly sculpted, golden-ratio face. Her career opportunities? Endless. Her wardrobe? Infinite. Not to mention the intricate Malibu mansions, drivable cars, sprawling merchandise lines, and a movie-going phenomenon that earned over $1 billion worldwide.
Art, at its very best, reminds me that there is a world out there that I not only belong to but trust - perhaps even love. Sandra Vázquez de la Horra's beeswax-dipped drawings of erupting women, mystical landscapes, and hallucinatory flora in The Awake Volcanoes at the Institute of Contemporary Art, Los Angeles, did just that. Oh, that old mystery of finding oneself reflected in the material fragments of someone else's private imaginary.
Paris' Eiffel Tower features the names of 72 notable scientists - all men. But that is set to change with the addition of another 72 names, this time women who distinguished themselves in the field of science, mathematics or engineering. The city of Paris has revealed the name of 72 women who have distinguished themselves in the scientific field - their names will be written next to those of the 72 men whose names are engraved in gold on the monument.
Historically, architectural culture has been organized around narratives of singular authorship and individual recognition. These frameworks often obscure the collaborative nature of design and marginalize contributors who do not occupy positions of institutional authority. Women architects have long participated in shaping buildings, cities, and architectural discourse, yet their work has frequently been overlooked or attributed to partners, firms, or broader teams.