#film-and-documentary-premieres

#film-and-documentary-premieres

In the new film, he plays a hit man named Mike who is attempting to leave the business when he's framed for murder. He's sleeping with loan shark Nick's wife Alice, so Nick tricks him into pulling off one last job.

ROOM FOR DREAMS becomes a living manifesto for utopian optimism, creative courage, and the power of imagination through a multilayered approach where large scale installations, cinematic storytelling, live conversations, and ritual-driven encounters converge.

Cut & Paste Pictures is developing a feature-length documentary chronicling the lifelong friendship between Rise Against guitarist Zach Blair and wrestler Hassan 'MVP' Assad, who will also front an unscripted series about life after prison.

Glander and producer Payson made Boys Go to Jupiter with a tiny team and a $30,000 budget, showcasing the potential of indie filmmaking in animation.

Emma drops an absolute bombshell in the midst of a game where they're asked to reveal the worst thing they've ever done. Soon everyone around her starts to question how well they really know her.

'It's the Easter Beagle, Charlie Brown!' is a great family movie that includes funny callbacks between Linus and Sally about the Great Pumpkin.

"Whenever you manage, through cinema, to cast doubt on the assumed nature of things, you might be approaching something really interesting. And when you have done that once, there's no way back."

Soderbergh has become such a prolific, tirelessly resourceful, and altogether uncategorizable filmmaker that you have to wonder why the mechanics of the break-in still inspire him.

Sam Green's documentary follows his relentless pursuit of the world's oldest person, a journey that reveals deep insights into the nature of time and memory over a decade.

In the film, Bronz's character is commissioned to compose a new national anthem for post-Oct. 7 Israel, and writes a warmongering ballad about destroying Gaza and 'love sanctified in blood.'

In a bustling Boston café, Charlie is instantly smitten with Emma, who is quietly reading a novel. He approaches her, gushing about the book, only to realize she hasn't heard him.

Set on the blossom tree-lined fringes of Hyde Park in London, Herbert Wilcox's black-and-white rom-com blows in like a fresh spring breeze. The film charts the will-they-won't-they romance between Richard (Michael Wilding), a wealthy lord masquerading as a butler, and Judy (Anna Neagle), the niece of the family who employs him.

South by Southwest is not the only annual genre fest out there by any means, but its equal focus on film, music, and tech makes it nearly unmissable for many a genre fan. The Austin-set fest has almost too much to offer, however you slice it: Building one's schedule feels like a perpetual exercise in killing your darlings.

Each year, most films leave the festival without a distributor in place, and we've only seen a handful of sales so far despite Netflix, Neon, Searchlight, Focus, A24, and more all on the ground. Plus, newcomer distribution groups like Row K and Warners' independent label also landed in Utah to make an impression. Alas, many movies still need a home, and below, IndieWire rounds up the ones we think distributors will click with - some more intrepid than others, but all worthy of a hopefully big-screen landing place.

In recent years, there's one word you hear again and again from movie distributors and pundits: event. Making a great movie is nice. But creating a culture-shaking event is what's required in the current boom-bust film landscape. It's something everyone has known for a long time, but in 2026 it seems like studios are really beginning to grasp what it actually means. From Tom Cruise in an auteur-driven comedy to the sequels to Devil Wears Prada and The Social Network