The original intent of pilotis was to create a sense of lightness that would allow circulation and light to flow beneath a structure, but contemporary requirements render thin columns insufficient for large-scale civic projects.
The design team combined the requirements for an accessible bridge and a small pavilion into a single structure, creating a unified architectural gesture that supports both movement and gathering.
The contemporary technology museum has emerged as a performative participant in the systems it seeks to document. The architecture of these institutions has become increasingly fluid and bold, often mirroring the velocity and complexity of the systems it houses. They operate as mediators between the human, the ecological, and the technological realms, transforming from encyclopedic warehouses into active educational engines.
A slender white form hovers above the fields on minimal supports, as if a thin wing had just been lifted by the wind. "Floating" describes both a structural condition - a thin roof suspended above the ground - and a quality of time in this place, where mist drifts, light shifts, and one pauses briefly on the mountain, as in a fleeting moment of respite.
A Victorian drinking fountain has been restored to its original location following conservation, but it is not fully functional and cannot dispense drinking water. The Princes Circus fountain was installed in 1879 to commemorate Queen Victoria's 60th year on the throne, but was originally in a different location. It used to be a bit further north, on the junction of New Oxford Street and Shaftesbury Avenue, opposite Coptic Street. In 2003, it was moved to sit in a fenced-off island space outside the Shaftesbury Theatre.
Cities around the world share a common goal: to become healthier and greener, supported by civic infrastructure that restores ecosystems and strengthens public life. The question is how to reach this. Global climate targets, local building codes, and municipal standards increasingly guide designers and planners toward better choices. Still, many cities struggle to translate these frameworks into everyday, street-level comfort and long-term ecological protection.
As cultural institutions continue to proliferate worldwide in this digital era, the museum itself appears increasingly in need of redefinition. Rather than offering a single model or solution, Architecture for Culture: Rethinking Museums, written by architectural historian and curator Béatrice Grenier, argues for a more contextual and plural understanding of what a museum can be: an institution shaped by its environment, its public, and the specific cultural questions it seeks to address.
Though they're individually tiny, parking spots quietly play a dominant role in shaping urban landscapes. Most US cities dedicate at least 25% of their developable land to them. Some, even more. That land usage doesn't only determine the way a city looks. It also means covering large swathes of urban areas in heat-absorbing asphalt, which contributes to making summers hotter and heightens the risk of flooding since it prevents drainage during storms and heavy rainfall.
Heritage sites constitute complex spatial archives in which architecture, history, and collective memory converge. They encompass a wide spectrum of contexts-from archaeological remains, ancient and historic townscapes, UNESCO-listed landscapes, to early modern civic structures and industrial infrastructures. Yet these environments confront challenges: climate change, urban transformation, disaster, shifting social needs, and the gradual erosion of material fabric. Revitalization and restoration projects respond to these conditions by positioning architectural and spatial practice as an active mediator between preservation and the contemporary topologies.
Leisure spaces are often where different generations cross paths. Without formal programs or assigned roles, they allow people to move, pause, and remain together, each engaging space in their own way. In a built environment increasingly shaped by specialization and separation, these shared spatial grounds have become less common, giving leisure-oriented architecture a renewed relevance. Discussions around public space have repeatedly pointed to the value of openness and flexibility in supporting collective life.
Studio Millspace Text description provided by the architects. Throughout eight months of design and on-site work, we realized that what truly matters is not the completeness of drawings, but the intuition shaped by being present. Around 70% of the layout was defined early on, while the remaining 30% was deliberately left without a set functionallowing light, behaviors, and moods to participate in forming the space.
Jane Jacobs was also one of the voices that challenged this predominantly rationalist logic, arguing that truly vibrant streets are those capable of sustaining the diversity of everyday life, its informal exchanges, and the forms of care and natural surveillance that emerge from them. What these authors share is a fundamental insight: streets are not merely infrastructures for circulation, but social ecosystems, shaped by the relationships, uses, and encounters that take place within them.
The Rijksmuseum is set to expand its public presence beyond its historic walls with the creation of a sculpture garden of international scope, scheduled to open in autumn 2026. Enabled by a €60 million donation from the Don Quixote Foundation, the project will introduce a freely accessible green cultural landscape in Amsterdam, bringing together modern and contemporary sculpture, landscape design, and architectural adaptation. The new outdoor complex, officially titled the Don Quixote Pavilion and Garden at the Rijksmuseum, will present works by artists including Alberto Giacometti, Louise Bourgeois, Alexander Calder, Jean Arp, Roni Horn, and Henry Moore, alongside a rotating program of temporary exhibitions.
Beautiful And Detailed Paintings In Resin By Feif Dong The Illustrator Has Created a Dreamy World that She Travels Through with Her Boyfriend Elspeth McLean Creates Beautiful Hand-Painted Stones This Artist Creates Beautifully Bizarre Backpacks That Look Like Octopus, Spiders, And Beetles Amazing Surreal And Tribal Backpacks By Konstantin Kofta Saddened By The Empty Streets Of Budapest During Lockdown, This Artist Filled The City With People From Classical Paintings UK Artist Unveils COVID-19 Glass Sculpture, One Million Times The Size Of The Virus
In recent years, food has taken on a renewed role within architecture, not simply as a program or typology, but as a shared spatial practice. Beyond restaurants or dining design, communal eating spaces are increasingly understood as environments where presence, ritual, and time intersect, allowing people to gather, stay, and coexist. In these settings, eating does not just happen within space; it actively shapes it, temporarily transforming ordinary, borrowed, or improvised environments into places of exchange.
But at the end of this month, there's a brand new festival arriving to inject some colour into the financial district. 'Vibrance' will light up Roman ruins, medieval churches and secret gardens across the Square Mile on Thursday January 29 and Friday January 30 from 5.30pm until 8.30pm. Created by Guildhall Production Studio, it brings together more than a dozen artworks and live performances by emerging artists from Guildhall School of Music & Drama.
Sure, those festive holiday lightshave officially burnt out, but that doesn't mean things have to be dark and dreary this winter: the Union Square Partnership (USP) is graciously adding some light and liveliness to the darkest time of the year with its new interactive art installation, "Patterned Behavior" by MASARY Studios, on view every evening (dusk to 10pm) from now through Tuesday, February 17.
"The idea is that intention is not the whole story," says Selene Yap, a co-curator of the Biennale. "Systems can generate a certain kind of afterlife, and there are side effects." While the waterfall impresses, it also has consequences, she adds. The work uncovers how Singapore imports hydropower through transnational infrastructure, including the Vajiralongkorn Dam, whose construction has displaced Thailand's indigenous Karen hill tribe, forcing many to live in floating homes on the reservoir.
