#glitch-camp

#glitch-camp

Lachlan Turczan's practice sits in the space between physics, optics, and environmental art, as he works with lasers, water, mist, and custom-built lenses to produce sculptures made entirely from light.

The first event is a roundtable on "Zhuangzi: Fate, Desires, Transformation" on April 6th at 9:00am Beijing time.

The project emphasizes the reactivation of spatial value within existing community structures, transforming building stock into community assets of public significance.

Following its acclaimed world premiere, 'Spectacular: The Art of Jonathan Yeo in Augmented Reality' makes its U.S. debut at SXSW from March 15th-17th, 2026. By blending Yeo's distinctive portraiture style with Snap's cutting-edge technology, the exhibit transforms a selection of his royal, celebrity, and self-portraits into living, responsive installations that invite guests to see beyond the frame.

Her practice uses clay to bring people together with the "therapeutic aspects of tactile making". She first came to ceramics during university, where access to the department allowed her to fall in love with the practice. And so, Ciara is deeply cognisant of the importance of supporting those who struggle to access a ceramics studio due to various social factors.

The contemporary technology museum has emerged as a performative participant in the systems it seeks to document. The architecture of these institutions has become increasingly fluid and bold, often mirroring the velocity and complexity of the systems it houses. They operate as mediators between the human, the ecological, and the technological realms, transforming from encyclopedic warehouses into active educational engines.

The most effective way to change what people do today is to make them experience what tomorrow can look like. They illustrate details backed by data, science, and facts, allowing their imagined futures to no longer stand as theories but as actionable methods. Where forecasting extends from data, speculative design builds from imagination, supported by research.

A circular concrete ring forms a defined boundary, incorporating a landing and three steps that lead into a contained field of refined sand. At the center of this ring rises a tall cone clad in polished mirrored steel. The composition establishes a clear geometric contrast between the horizontal plane of sand and the vertical reflective surface.

The robot repeatedly inscribes text and images onto the glass surface using a marker, then removes them with a sponge. This cyclical action renders visible the process through which present events transition into recorded history, emphasizing the instability and revisability of historical narratives.

On Franklin Street in Brooklyn's Greenpoint neighborhood, one non-commercial gallery fosters 'a small, stubbornly human space for friction.' Friction—the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way—is at the heart of artists Pap Souleye Fall and Char Jeré's current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.

AI-assisted coding is transforming how digital products get built. With the right tools, you can turn a static design into a functional prototype-complete with real data, interactions, and deployment-in a fraction of the time traditional development requires. Designers, PMs, and builders who understand this new workflow can experiment faster, collaborate more effectively with engineers, and bring ideas to life with unprecedented speed.In Vibe Coding Camp, you'll learn the modern AI-powered development stack-Cursor, GitHub, Vercel, Supabase, and Figma MCP-and use them together to build and ship a working web app from scratch.

We started from a very silly place,

As AI systems become more capable, more accessible, and more embedded in everyday workflows, creativity is emerging as one of the most important human skills in AI development and deployment. Not creativity as decoration or aesthetics, but creativity as problem framing, decision-making, and human judgment. In an era where many organizations are using the same models, tools, and platforms, creative thinking is what separates meaningful outcomes from generic ones.

As AI continues to reshape our understanding of reality, ownership, and storytelling, how do artists and technologists navigate this new landscape? Earth Oracle brings together diverse perspectives to discuss the tools, ethics, and potential of our digital future. The evening will begin with a special presentation by artist Delphine Diallo, followed by a panel discussion featuring Clarisse Neu (Google DeepMind) and Patricia Buffa (Adobe).

Alg Eventual is an Ohiobased audio/visual new media artist creating glitch art, digital collages and abstract mixed media works with a reference to the roots of the early 2000s. His works feature scanner experiments, layered textures and titles like Exterior, Interwind, Articulation, Overthinking and Everything leads back to you, blending digital manipulation with tactile, fragmented aesthetics. More: Instagram

A new chapter unfolds for the arts in San Jose as Starting Arts prepares to relocate to two vacant buildings in the North San Pedro District this May. The nonprofit, dedicated to student arts programs, will transform a former courthouse and MMA gym into a vibrant hub called The Shared Arts Center of San Jose. Spanning 25,000 square feet at 99 Notre Dame Avenue and 92 Sharks Way, this space addresses the long-standing need for affordable venues where creative groups can thrive together.

Digital by Nature: The Art of Miguel Chevalier at Kunsthalle München presents the artist's largest solo exhibition in Europe to date, curated by Franziska Stöhr. The exhibition surveys Miguel Chevalier's practice from the early 1980s to the present, tracing his sustained engagement with digital technologies as both tools and subjects of artistic inquiry. Born in 1959 in Mexico City and based in Paris, Chevalier has worked with computers as a creative medium for more than four decades.

Presented with improbable dignity in a golden box is a hanging ornament in the shape of the Trevi Fountain that comes with a "complimentary papal blessing." Its roughly shaped details would be dull if the whole thing weren't drowned in glitter. Under the shop lights, this perfect miniature of late Baroque architecture explodes in shine: a beacon promising a brighter future and a better life.