VOID stands for Video Object and Interaction Deletion. It's a VLM (vision-language model) that can not only erase objects from a scene but can also inpaint how remaining objects in the scene should behave without the influence of whatever was excised.
The UK digital entertainment sector hit £13.5 billion in revenue in 2025, reflecting a 7.1% year-over-year growth, significantly outpacing the general economy's growth rate of 1.3%.
Upload any picture or video, and Musubi uses artificial intelligence to extract the most important part and hover it in space as a 3D image within the frame. That could be a video of a child's first steps or a snapshot of a birthday party. The image will be displayed in 3D form, viewable in all its holographic glory across nearly 170 degrees.
The higher bitrate streaming option will let subscribers with an Xbox Series X or S, Xbox One X or Xbox One play their games at a higher resolution, provided the game and their display supports it. Microsoft previously only offered 1440p streams on select Fire TVs, LG TVs, Samsung TVs, web browsers and the Xbox PC app.
Traits I look for in a large TV include good brightness and contrast, advanced local dimming (read: good backlighting) to reduce light bleed from bright objects on dark backgrounds, accuracy to the director's intent, and impressive color saturation, especially for HDR (High Dynamic Range) content.
At some point, the industry stopped arguing about whether content drives commerce and started living in the reality where the two are indistinguishable. "Content, commerce and technology are really coming forward in a special way and recognition that there aren't disparate separate systems any longer," says Cara Pratt, president of global retail and media at Circana. "There really is one connected, cohesive, intelligent ecosystem that is fueling discovery, fueling conversion and purchase."
Publishers' adoption of generative AI is reducing the friction between content and format, making it easier for the same story to appear as shorter summaries, audio, or video, often in real time. To some publishers, a text article may soon be more of a vehicle for original reporting, not a final product. That information could become no longer available strictly in a static piece of content, but transformed into different shapes and formats, based on a reader's signals and preferences.
In today's hectic and fast-paced world, technology has made it possible to be in multiple places at once and greatly increased our productivity. However, missing out on a limited-time showing or live broadcast can still cause anger and frustration. There's a simple and obvious solution in the form of DVRs or Digital Video Recorders, so you can enjoy all the thrill of watching your favorite sports team without the annoying commercials.
I won't bury the lede: the is one of the brightest projectors I've tested, and that's one of the prime concerns with replacing a TV for a projector. The Horizon S Max also includes my favorite design element from the JMGO N-series of projectors, making it easy to plug in, set up, and play. Also: How to watch the 2026 Winter Olympics: Streaming options, schedule, and times I'm also fond of the sleek and portable form factor.
The ConnectAir lets you cast from any USB-C device to any screen. It's a compact, plug-and-play device with no need for an app, driver, or Wi-Fi. Simply plug the USB-C transmitter into your laptop, tablet, or phone, and plug the HDMI receiver into your TV, monitor, or projector screen to start sharing. The HDMI receiver simply requires access to a USB-A port for power.
But that's unlikely to put a hold on M&A activity among major TV and streaming companies. The first question becomes what do WBD's spurned suitors do in response? Paramount and Comcast's NBCUniversal are unlikely to pair up given the U.S. Federal Communications Commission's broadcast ownership rules (and the U.S. government's antagonistic relationship toward Comcast). But there are (much) smaller targets on the market: A+E Global Media, AMC Networks, Lionsgate, Starz, etc.
In order to 'modernise' what we have seen is the TV industry has taken its content, stuck it on a server, and, well, that's it. There's no masking the obvious - It looks like it wishes it didn't have to change. What else could they have done? Have any large TV companies embraced the world outside their own nation? Have any got stuck into interactive formats? Embraced shorter content? New types of ads or funding?
