#heirlooms--antiques

#heirlooms--antiques

Paul Kutchinsky's ambition to create the world's largest jeweled egg was driven by a desire to showcase British craftsmanship on a global stage, competing with the legendary Faberge eggs.

We are delighted to unite these incredible archaeological finds from across the North for our latest exhibition. From Roman silver discovered along Hadrian's Wall to 9th-century gold found by a Newcastle University student, this is a rare opportunity to see these scattered treasures displayed alongside one another.

In the digital world that we're in, you know, negative videos are what goes viral. People are always knocking people down a peg and it's really easy to fall into that. If something bad happens-which, when you own your business, something bad happens every day- it's easy to circle in despair. But my challenge is to look for the positive and figure out how to pivot, and if something isn't working then figure out a different way to get it done.

Glass demands immediacy. Working at temperatures above 2,000°F leaves little room for overthinking, so the process becomes a kind of live dialogue between material, colour and chance. That same immediacy informs what I'm drawn to as a collector: works that carry a decisive gesture, a tactile presence, and the feeling that they could only exist in one form.

We really try to be cutting-edge, but it has to have a feeling that is comfortable. Our biggest goal is for somebody to walk into our warehouse and say, 'Oh, my God. I want to live here.'

The exquisite, jewel-encrusted boxes were badly damaged in 2024, after they were among seven treasures stolen from Paris's Musée Cognacq-Jay by a gang of axe-wielding thieves. The perpetrators broke into the temporary exhibition, titled "Luxe de Poche," or "Pocket Luxury," on November 20, making off with goods that were, at the time, reported to be worth more than €1 million.

When you reach a certain age, one of the things you notice at the turn of the year is the "stuff" you have accumulated. Old newspapers, documents and books jostle with the detritus of life, from pieces of dead coral from Barbados to an old label that never made it onto a bottle of Guinness. I have spent the last decade preaching to my adult children, telling them to stop buying things.

This short captures Tim Bovard, the staff taxidermist for the Natural History Museum of Los Angeles County, as he reflects on over five decades spent perfecting his craft. Sparked by a childhood fascination with the museum's dioramas that never faded, Bovard has devoted his career to shaping what he calls the 'illusion of life' - a process that requires both scientific precision and imaginative interpretation.

My father kept manuals for products we hadn't owned in years, filed alphabetically in a cabinet. When I asked why, he looked at me like I'd suggested burning money. "What if we need to look something up?" The concept of finding any manual online in seconds just doesn't compute for a generation that had to rely on these paper lifelines.

The Stasi, the secret police, were legendary for their data files. Their work was based on instilling fear, and they induced stunningly amazing numbers of East Germans into informing on their neighbors. Something along the lines of 1 in 6 East Germans were informants, whether out of fear or out of approval of what the East German government was doing.

Picture this: you're knee-deep in renovation dust, crowbar in hand, when something unexpected tumbles from behind century-old plaster. A yellowed envelope? A strange metal box? That moment when your heart skips because you realize you might have just found something extraordinary. For some lucky homeowners, these discoveries turn out to be worth thousands of dollars, transforming a simple home improvement project into an unexpected treasure hunt.

If you spot a Griswold pan with a 13 on it, for example, know that not a lot of these pans were made due to negative connotations and associations with bad luck. Dating back to the early 1900s, these babies can fetch several thousand dollars. In addition to the Griswold 13, the 20 is also a rarity to find. Griswold isn't the only label that is a solid grab.

It's important to state that I am the most insufferably sentimental person I know. There are old birthday cards collecting dust in my jam-packed cupboards, stuffed toys their colours long-faded sitting in my bedroom despite their prime cuddling years over, while gifts handmade by friends I no longer talk to take up real estate on my cluttered shelves. You couldn't pay me to part with any of them.

As someone who loves vintage things, you can find me at my local thrift store regularly. I enjoy stocking my closet with secondhand finds and finding gifts or unexpected storage gems instead of buying them new. The thrill of the hunt is ultimately what keeps me going back time after time. Whether I have 10 minutes or an hour to peruse, flipping through clothing racks and scouring the shelves always brings me joy,

Furniture made from mycelium or algae can decompose in five years, sure, but a well-made antique armoire outlives empires because no one throws it away. Columns takes that logic seriously. Handcrafted in solid oak, natural leather, and horsehair, the pieces are built to last a thousand years, which sounds like marketing hyperbole until you look at the joinery, the hand stitching, and the material choices. This is furniture designed to be inherited, repaired, and remembered.

When my grandmother passed away three years ago, I watched my family transform into people I barely recognized. The woman who'd been my biggest supporter left behind more than just her handwritten letters that I still keep. She left a family suddenly wrestling over who got her wedding china, her favorite armchair, and even who deserved to keep the voicemail messages she'd left on their phones. The money part? That was straightforward.

There is a yearning for things that have emotion behind them and a story behind them, and sort of that little bit of whimsy and discovery that you find with vintage pieces,

The snippet carries the phrase "Fathers of the Senate!" which is nowhere found in surviving Washington documents. The expression is borrowed from ancient Roman Senate-specifically the Latin patres conscripti , or "Conscript Fathers"-and quite possibly wasn't the patrician tone Washington intended to set for a young republic. It is unknown why or how it was used in this case as the manuscript from which the fragment was cut is long lost.

The traditional museum experience, pausing in front of an object, and absorbing its history visually or by reading its description, has long shaped how collectors and others relate to cultural treasures. Yet, over the last few decades, digital technology has quietly rewritten many of those rules, changing not only how collections are exhibited but also how they are documented, preserved, and even inherited.

A gold ring with a deep-blue, oval setting - decorated with fine spirals of filigree and tiny granulated beads - has been recovered from medieval deposits in Tønsberg, a historic town in southeastern Norway. The ring was found during an excavation in the modern town centre, where archaeologists have been investigating layers of urban life preserved beneath today's streets. The discovery was made within the protected archaeological area known as Tønsberg Medieval Town.

For some eminently wealthy individuals, amassing a first-class art collection is an ideal way to spend their money. And while some high-profile art collectors end up donating their collections to museums or other cultural institutions, others take a different approach, reselling their art after a certain amount of time. Which brings us to this week, when billionaire David I. Koch's collection of Western art hit the auction block at Christie's, setting a number of records in the process.