#historic-burial-sites

#historic-burial-sites

The footage captured by Trevor Grassi shows dozens of square shafts carved into bedrock, many extending deep underground but primarily filled with sand, raising new questions about what may lie beneath the surface.

The significant number of ancestors held in UK museums is extremely distressing and symbolic of the colonial origins of these collections. We hope that the responses gathered by The Guardian will be shared with the relevant communities to support them in bringing their ancestors home.

This project demonstrates the combined power of science, the study of human remains and historical research to discover new information about the six mortuary chests and their occupants which would not have been available to us a generation ago.

The corrective fluid analysed using light infrared photography revealed a mixture of huntite and calcite, while images made using a 3D digital microscope show that there also are flecks of yellow orpiment, probably to make it blend in better with the fresh papyrus, which would have originally been pale cream in colour.

The coffins are elaborately painted in vivid polychrome. They were stacked in layers and carefully arranged so the 22 coffins fit into the constricted space. They were placed in 10 horizontal rows and the lids separated from the body of the coffin to maximize the limited space. There are no personal names on most of the coffins, but there are titles. The most common title found in the coffin is Singer of Amun or Chantress of Amun.

The excavation ultimately unearthed 34 burials, 15 of them belonging to children between two and ten years old when they died. The graves are clustered in groups, probably reflecting family nuclei. Most the grave types are earthen pits covered with roof tiles angled against each other.

An ancient Egyptian papyrus held by the British Museum has been cited as possible evidence supporting some of the Bible's most controversial claims about giants. The 3,300-year-old document, known as Anastasi I, has been in the museum's collection since 1839 and has recently resurfaced on the Associates for Biblical Research, renewing interest in its possible links to biblical accounts. The papyrus describes encounters with the Shosu people, said to stand 'four cubits or five cubits' tall, up to eight feet in height.

Archaeologists in Mexico have uncovered a 1,400-year-old tomb in the Central Valleys of Oaxaca that had been lost to history. The stone structure, built by the Zapotec culture, known as Be'ena'a, or 'The Cloud People', is adorned with sculptures, murals and carved symbols that suggest ritual significance. The Zapotec believed their ancestors descended from the clouds and that, in death, their souls returned to the heavens as spirits.

Nine meters (30 feet) beneath the waves, they found it: a vast, man-made stone wall, averaging 20 meters (66 feet) wide and two meters (6.6 feet) tall. The structure consists of some 60 massive granite monoliths, set directly onto the bedrock in pairs at regular intervals. Smaller slabs and packing stones fill in the gaps, locking the whole into a single, deliberate construction. With an estimated total mass of around 3,300 tons, this is the largest underwater structure ever discovered in France.

Seven were the strings of the lyre (unless there happened to be eight or nine), seven were the gates of Thebes, and seven were the "wandering stars" in the night sky (if you count the sun and moon). The identity of the wonders was less important than the length of their list, and indeed, additions and changes were proposed since the beginning.

Excavations carried out in 2025 by the Arctic University Museum of Norway revealed that the artefacts came from a boat burial. The grave contained the skeleton of a woman placed inside a boat measuring about 5.5 metres in length. She had been buried together with a dog, suggesting the animal may have been an important companion in life.

Her team's analysis of the residue samples contained beeswax, plant oils, animal fats, bitumen, and resins from coniferous trees such as pines and larches, as well as vanilla-scented coumarin (found in cinnamon and pea plants) and benzoic acid (common in fragrant resins and gums derived from trees and shrubs). The resulting fragrance combined a "strong pine-like woody scent of the confers," per Huber, mixed in with "a sweeter undertone of the beeswax" and "the strong smoky scent of the bitumen."

For two centuries, from the mid-1600s to the mid-1800s, free and enslaved New Yorkers of African descent were buried at the Harlem African Burial Ground. Over time, the history of this site was lost - erased by the subsequent redevelopment of the land. Today, the Harlem African Burial Ground project is a community-driven vision to honor and memorialize this historic site with a new outdoor memorial and indoor cultural education center, while also addressing affordable housing and jobs needs in the East Harlem community.

Both of the cyst graves feature funerary markers reused as building material. One of them contains the partially preserved tombstone of Legio I Italica centurion Gaius Valerius Verecundus was engraved with a wreath of which only traces remain and an inscription that describes him as having been heavily pressed by fate.

His investigation began after identifying recurring giant T-shapes, three-level indents, and step pyramids carved into ancient stones worldwide. 'These specific symbols that are built in different size proportions, and the symbols are found in ancient stones around the world, are not supposed to exist; no cultures are supposed to have any cross-platform,' LaCroix explained. The symbols appear in locations ranging from Turkey's Van region to South America and Cambodia.

More than 200 scans from multiple satellites, including Italy's Cosmo-SkyMed and the US-based Capella Space, showed uniform results suggesting massive pillars about 65 feet in diameter wrapped in spirals and plunging nearly 4,000 feet deep. Those pillars appear to end in 260-foot cubic chambers beneath all three pyramids and the Sphinx, which Biondi described as 'huge chambers' measuring roughly 260 feet in length and width.

An monumental early Republican-era funerary complex has been discovered in a suburb of Rome. The excavation of the Via di Pietralata east of Rome also uncovered a stretch of an ancient road, a small cult building and two monumental basins dating back to the 3rd and 2nd centuries B.C. Remains from this early in the Republican era are scarce in the Eternal City, which make these finds very archaeologically significant.

as the gods were understood as the true monarchs and the king as simply their steward. In order to maintain his authority, the king needed to court the goodwill of the gods, and although they made their approval clear through military victories, bountiful harvests, and prosperous trade, events such as the Akitu festival provided an annual opportunity for the divine to continue its relationship with the ruling house or withdraw its favor.

Adjacent to the masonry house is a burial ground in use from the 4th century through the first half of the 6th century. Approximately 60 individual inhumation burials have been unearthed, arranged in rows that are increasingly dense with graves as they approach the dwelling. The deceased were buried in cysts formed by reused tegulae (large clay roof tiles) or by rubble walls that supported wooden planks. They were placed in the graves in supine position facing west, north or south.

The team identified multiple buildings aligned roughly west-east, in several sizes, ranging from about 8 × 7 metres to 14 × 8 metres. Within these structures are rectangular halls-some interpreted as spaces for worship-alongside smaller rooms that may have served devotional or practical functions for the monks. Excavators also noted evidence of plastered wall surfaces and tiled floors, as well as architectural features such as entrances and surviving supports, including beams.