#indigenous-australians

#indigenous-australians

"Once the Declaration of Independence is issued by Congress, then it kind of changes the calculus. Then, both sides are putting pressure on Native people to join one side or the other."

As the rust expands, it weakens the rock and helps break it apart. It's a very red part of the country, it's got that rusty hue, so you get that color getting whipped up with the strong winds.

Like, what the fuck are they doing?' Gaelic football jerseys in Australia! County Coogee, as it's become popularly known, hosts one of the largest Irish populations in Australia. In the most recent census, 19.5% of its residents claimed Irish heritage. When McCaul describes going down Coogee Bay Road and all you hear is bloody Irish accents, he's not joking.

While the Australian government can ensure that opportunities are provided and communicated, we cannot remove the context in which the players are making these incredibly difficult decisions. Burke said the Australian government had done everything possible to make sure the women were provided with the chance for a safe future in Australia.

The gallery's inaugural presentation marked the first time Australian First Nations art had been presented at TEFAF Maastricht, and with sales totaling nearly $1.4 million, further underscored the growing relevance and interest in the category. Building on the momentum of the 2025 presentation, D Lan Galleries will now focus on works dating from the 1970s through today by artists whose practices have shaped the evolution of Australian Indigenous art.

Here dwells the indigenous Tzotzil community which has kept a pastoral way of life against the march of time. Apart from the odd forest ranger and passerby, Ruvalcaba's film focuses almost entirely on the Tzotzil women. Together, they tend herds of sheep which they still shear by hand, and use traditional tools for spinning yarns and natural dye for fabrics.

In a white and sterile office that could belong to any one of the warehouses that dot this industrial strip between Brisbane's airport and horse-racing precinct, a young woman is engrossed in a puzzle. Only this puzzle comprises, perhaps, three different sets, each almost (but not quite) identical to the other and none likely to be completed. Emily Totivan wears blue plastic gloves. She is an archaeology student helping to catalogue artefacts.

It might be only 40 minutes by ferry from Brisbane, but when North Stradbroke Island, or Minjerribah, comes into focus - a soft line of bush, dunes and open water - and you roll off the barge, the city skyline feels like a sci-fi memory. It's no wonder that the locals and in-the-know Brisbanites guard this island with a conspiratorial hush.

To say press freedoms in the U.S. have taken a knock during the first year of Donald Trump's second term would be a gross understatement. Perhaps the most glaring example is the Department of Defense's new policy requiring journalists covering the Pentagon to sign a pledge promising not to use any information that hasn't been explicitly authorized. But the Trump administration's attacks on a free press have also included other tactics, like the effort to dismantle Freedom of Information Act processes across federal departments.

Whether you know Robert Irwin from his thrilling routines on Dancing with the Stars last year, that underwear campaign, or simply his conservation and wildlife work there's one thing you really should know, he's a "proud" LGBTQ+ ally. The son of the late 'Crocodile Hunter' Steve Irwin, Robert has taken after his father in terms of working with animals as well as his good looks and killer charm.

I'm always amazed by the myopic drone that colonisation and everything that's happened in our country was all bad, said Seymour, who is leader of the right-wing ACT Party and a member of the Maori community. The truth is that very few things are completely bad, Seymour had said, according to local online news site Stuff.

When I enter a museum, I'm not looking for what's on the walls, I'm looking at what's behind them.

As we have seen, defending the right of people to speak, even when we deeply disagree with them, is very, very difficult. Many people perhaps most can't manage it. It can feel like a betrayal of self, a betrayal of values, and certainly a betrayal of one's community or cause. Nor is it sensible to expect it of everyone. But we must demand it of the custodians of our culture. This is the way forward.

When Zindzi Okenyo takes the Sydney Theatre Company (STC) stage in June for John Patrick Shanley's Tony award-winning play Doubt the role played by Viola Davis in the film it will be a particularly special moment: her fourth main-stage role playing a black woman in a 20-year theatre career. I'm really excited about it, I haven't had a black role for so long, she says.

As if demolishing the East Wing, gutting arts agencies, and slapping his name and face on several federal buildings weren't enough, the US president now wants to do away with a DC building known as the "Sistine Chapel of New Deal art." This week, we reported on a burgeoning campaign to save the Wilbur J. Cohen Federal Building, which houses murals by Ben Shahn, Philip Guston, Seymour Fogel, and other major American artists. We will continue to follow this story.

A constitutional challenge has been launched against controversial laws in New South Wales that restrict protest actions for up to three months after terrorist incidents, introduced following the December Bondi attack. The groups the Blak Caucus, Palestine Action Group (PAG) and Jews Against the Occupation 48 filed the challenge in the NSW supreme court on Wednesday, arguing in the court summons that the laws are invalid because they impermissibly burden the implied constitutional freedom of communication on government and political matters.