On Ash Wednesday, 2026, two Roman Catholic priests and a religious sister entered an Immigration and Customs Enforcement facility in Broadview, Illinois, to celebrate Mass with detainees inside. It might seem like a simple, routine event: a religious service to mark the start of Lent. But the Mass represented a legal win for the Coalition for Spiritual and Public Leadership, based in Chicago.
They had to learn how to read drawings upside down, because they weren't allowed to sit next to the white clients. So I was incorporating things like the half doorway to symbolize their struggle. The tower is a nod to five Black architects, trailblazers whose creations sometimes went unnoticed or overlooked.
According to a new report from the LA Times, 10 former employees of Baca's nonprofit, the Social and Public Art Resource Center (SPARC), allege that she misused funds from a $5 million Mellon Foundation grant in 2021. The funding was specifically to be administered over three years for the expansion of "The Great Wall" mural, a portion of which went on view at Jeffrey Deitch gallery in Los Angeles last Saturday, February 20.
The only thing most people know about epiphytes, if they know about them at all, is that they're rootless. That's not quite true - they develop highly specialized root systems adapted to wherever they land. In Epiphytic Elucidations at Patel Brown Gallery, Calgary-based artist Marigold Santos takes this fact as more than a metaphor. The exhibition uses epiphytes - plants that grow on other plants without harming them - as a framework for the expansive ways diasporas form through material labor.
We're just a week away from Frieze LA, when East Coast dealers and local artists alike descend upon the Santa Monica Airport, but this isn't Renée Reizman's first rodeo. Since the critic and artist moved to the area almost 15 years ago, she's witnessed blue-chip New York galleries set up shop and sideline the irreverent, DIY spaces that shape the local art scene. Without these spaces, Reizman writes, she would not have discovered what art can be outside of the white cube.