#katarzyna-zillmann

#katarzyna-zillmann

Lachlan Turczan's practice sits in the space between physics, optics, and environmental art, as he works with lasers, water, mist, and custom-built lenses to produce sculptures made entirely from light.

The new flagship showroom of Ukrainian brand Gunia Project occupies the ground floor of a late-19th-century building on a historic street near the Golden Gate where old Kyiv once began. After three months of careful searching, the chosen space revealed both clear advantages and notable challenges.

Its name, Dala, refers to the traditional wooden horse, dalahäst, which for centuries has been given during celebrations as a symbol of happiness and festivity. Just like the horse, the restaurant is meant to live by the rhythm of celebration, from everyday fika, through the summer festival of Midsommar, to evening gatherings in the spirit of mingel.

NeSpoon uses paint and the power of contrast to create large-scale lace patterns in a celebration of the craft. Often symmetrical, they appear framed by the outlines of corners and roofs, while windows and doors emphasize the murals' scale. From a distance, the patterns appear flawless, as if they could be printed. Up close, it's clear the lines are sprayed and brushed by hand, emphasizing the handmade.

Perfect Sense is a series of six objects by designer Iga Węglińska that examines the concept of sensory substitution. The project investigates how the brain compensates when access to one sense is reduced, intensifying other sensory modalities and altering perceptual hierarchies.

On Franklin Street in Brooklyn's Greenpoint neighborhood, one non-commercial gallery fosters 'a small, stubbornly human space for friction.' Friction—the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way—is at the heart of artists Pap Souleye Fall and Char Jeré's current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.

LG Gallery+ is a new visual curation service for LG TVs - and a brilliant way to make your home more unique and personalized. It lets you express your ever-changing creativity with a massive library of classic art, digital and 3D artwork, scenery, games, and more. With more than 4,500 options to choose from, you can turn your LG TV into a world-class art gallery, a peaceful forest, or an homage to your favorite video game - all in the same day.

The design team at Znamy Się introduces a glass installation with a ridged, biconvex profile that references the form of the eye's lens. Positioned to interact with natural daylight, the element refracts and distorts incoming sunlight, echoing the optical function of focusing light onto the retina. Through this intervention, light operates not only as illumination but as a shaping device within the space.

Diverse zones allow employees to shift from heads-down work to group sessions with ease. An area for guests, which contains a plant-filled bookshelf, is reminiscent of a living room. The social sector at the heart of the workplace includes a casual dining section and bar. Glass blocks let sunlight filter in and complement the tile backsplash. There's even a room dedicated to deep relaxation, complete with cosmic motifs and a recliner.

Artist Creates Mind-Blowing 3D Visuals on The Border of Cyber Culture and Mythology How To Drive Him Crazy In Bed, In 6 Easy And Ironic Steps "The New Past": Artist Makes Vintage Surreal Collages Crafted From Soviet Books Chris Woodhead Has Found A Way To Cope With The Coronavirus Pandemic: A New Tattoo On His Own Body For Every Day Of The Lockdown Tired Of Seeing Prejudice Against Plus-Sized Women This Artist Turned Them Into Art Artist Draws Food

After quite impulsively tackling a frame-by-frame sequence of an animated figure merging into a mountainscape using paint on paper a few years ago, the artist started her journey into analogue animation and it's "a rabbit hole I never want to leave", she says. "This sense of continuous, boundaryless flow underpins both my life and my work. In animation, I have found the most compelling way to interpret the world being in constant motion."

The organicity of the human body we're born inside of is encoded in us. This concept of our organic nature as the source of elemental knowledge, at once direct and mysterious, permeates the textural abstractions exhibited in her survey Magdalena Abakanowicz: The Thread of Existence at Musée Bourdelle.

Printed in both color and black and white, images of dancers and friends took the form of abstract portraits, movement series, and pseudo-stop-motion, featuring local artists including Sophia Ahmed, Muffie Delgado-Connelly, Kenny Frechette, Takahuro Yamamoto, Emily Jones, Allie Hankins, performances by Lu Yim, and others. Layered, dark, and moody self-portraits of Krafcik from 2025 also plastered a dark-painted wall opposite some of the other images.

There had been signs for quite some time, because other directors were being dismissed as well,

Climbing an observation tower involves a lot of steel and concrete just to stand a few dozen meters higher and take in a view. The ritual is familiar, the ascent, the vertigo, the panorama, but the infrastructure demands are massive for what amounts to a few minutes of elevated looking. Michael Jantzen's Telepresence Observation Pavilion asks whether we always need to build big vertical structures to get that feeling, especially when most distant experiences already come through screens and networks.

Behind its seemingly polished framework, To Empty Out emerges as an exhibition beautifully rife with contradictions that overlay serious and playful themes according to Grzybacz, who often sets out to "clash the forces" of gravity and levity through his chosen subjects. Through sublime florals, bawdy scenes, and raw portraits of social life, Grzybacz balances contemplation and observation, navigating between painterly precision and intuitive expression in this deeply personal exhibition.

Galerie Nordenhake Mexico City is pleased to present Zigzags and Curves, an exhibition by Sarah Crowner that brings together her sustained research into geometry, abstraction, and the expanded language of painting. Presented across two sites - the gallery's Mexico City space and Casa Roja in Lomas de Chapultepec-the exhibition takes its title from the fundamental graphic elements that structure Crowner's visual vocabulary: the zigzag and the curve.

Naoto Nakagawa's current show at KAPOW brings together a significant group of new acrylic paintings and intimate watercolors, situating his recent practice within both the Japanese shunga tradition of erotic art and his own six-decade exploration of perception, material culture, and the natural world. On view at KAPOW in Manhattan's Lower East Side through February 22, works across the exhibition resonate with themes that have defined Nakagawa's career since the 1960s - most notably his persistent pairing of man-made objects with organic life.