#katie-reid

#katie-reid

Catherine Lacey reads her story 'Rate Your Happiness,' from the April 13, 2026, issue of the magazine, highlighting her narrative style and thematic depth.

"I wonder why I wanted to be famous," she muses now, as we sit across from each other in The Pavilion cafe in Cork.

My earliest independent reading memory is The Story of Ferdinand by Leaf and Lawson. I loved that bull! My favourite book growing up Big books gave me the whirlies so it took a while for them to start landing.

To be a clever, bookish teenage girl is to spend a certain amount of time standing on the sidelines, feeling invisible to boys. There seemed to be a natural division: you could be smart or pretty, but you could not be both.

She wrote 10 books while she was here, and that includes children's books, you know, volumes of poetry. It was a busy and bustling place back then. Lucille and her husband, Fred Clifton, had six kids running around. Neighbors were in and out. Artist friends were over constantly. But Lucille Clifton managed to carve out time and space to write.

At first, I think in the early drafts of Heated Rivalry, Ilya was much more of a jerk. I think he was much meaner. The things he said to Shane were more, I don't know, just meaner. And I think he was maybe more of a stereotypical bad boy, I guess. And then I softened him a bit as I went back and wrote more.

Katie Taylor says she isn't afraid of retirement. She isn't apprehensive about what comes next after she fights for the final time as a professional in Dublin this summer. She isn't fearful of losing her identity when she stops doing something she's devoutly done for 30 years.

Reid, who lives in Nova Scotia, published her first Game Changer book in 2018. It followed a romance between fictional professional hockey player Scott Hunter and barista Kip Grady. A sequel, Heated Rivalry, which centered on hockey rivals Shane Hollander and Ilya Rozanov, followed in 2018. Further novels have appeared since. In a new Instagram post, Reid posted her initial exchange with the TV producer and director.

From the outset, in the novel's prologue, Anna tells us she is determined to account for herself and her life. But we are to expect no ordinary narrative, concerned only with actual events, evidence-based or relying on historical data. No, Anna is interested in the climate of the psyche and the vibrations of the soul. Can it be that the very things we cannot quantify or rationalise are what make life meaningful?

I do think that the three books, as a trilogy, it's Shane who has like the hero's arc. I think, even in The Long Game, it's Shane. As much as the book focuses on Ilya, Shane is the one with that arc, and I do think that continues into this one [Unrivaled].

In 1968, a "good girl" is squeaky clean. She studies hard, follows the rules, gets into college and doesn't embarrass her parents. She doesn't lie or drink or do drugs. She doesn't participate in the Summer of Love or experiment with any of its alternative ways of living. She definitely doesn't have premarital sex, get pregnant and upend everyone's meticulously laid plans for her future.

Trope, POV, backstory, character arc. In the 30 years since I was a student of that benign, pipe-smoking, elbow-patched man of letters Malcolm Bradbury, the private language of creative writing workshops has taken over the world. What writers used to say to small circles of students in an attempt to help them improve their storytelling technique has become a familiar way, often parodic and self-knowing, of interpreting the grand and not-sogrand narratives of our time.

Research has linked reading for pleasure in childhood to a host of positive educational and socioeconomic outcomes. But now 14 years after the Department for Education, in a more innocent time, commissioned a chunky report on the matter—reading books for pleasure is an activity in crisis. The culprit usually blamed for this falling-off is the smartphone and its many short-term distractions; the mere presence of a smartphone in the room, recent research suggests, has an impact on our ability to concentrate.

Out today, Woman Down centers on writer Petra Rose, an author who has writer's block and checks into a remote cabin to finish her next book. Petra, who took a hiatus after fans blamed her for a producer's decision to cut a fan-favorite character out of the film adaptation of her book A Terrible Thing, has "learned the hard way what happens when the internet turns on you," a synopsis states.

Sophia Stewart poses a choice that many biographers struggle with: "what to do with the boring bits."

A girl on the cusp of adolescence gazes down at a book. Her left hand rests against her flushed pink cheeks, while her right clutches the pages, ready to turn to find out what happens next. She has porcelain-like skin and golden hair seemingly full of air, executed in textures that contrast with the scratchy, loose marks that make up her shirt and the book's pages.

You may know the story by now: Rachel Reid began posting what would become Heated Rivalryon the fan-fiction site Archive of Our Own, one chapter at a time. Eventually, the Halifax-based author reportedly removed the posts, reworked the book, submitted it to publishers, and sold it in 2019 to Carina Press, a digital-first imprint at Harlequin. While the first book in her "Game Changers" series found a solid fan base among romance readers, no one expected just how many more would join them.

We are initiated into a world in which historically accurate foodstuffs can be ordered online a half oyster shell, the exposed flesh shining as if with the freshest brine, is 31.25 for a single piece and begin to understand one of the most striking things about this novel: its insistence upon detail, its utter specificity, set against a deliberate lack of specificity regarding the larger details that the reader's mind naturally itches to fill in.

For those unfamiliar with the beloved heroine, Samantha is one of the first three historical characters introduced by American Girl in 1986. Samantha, Swedish immigrant Kirsten and WWII homefront heroine Molly demonstrated courage, compassion and resilience. Along with an 18-inch doll, each 9-year-old character was featured in a series of easy chapter books; kids could follow each fictional story as well as the historical context surrounding it.

You are leaving work, your suit still damp from the morning's downpour, the skin on your palms peeling. You are clutching two supermarket bags, tins of cream soup and tuna knocking against one another. The rain is hard and your anorak is cheap. You are on your way to Stockbridge, to your parents' house, which only your father inhabits now that your mother is gone.

The ghost of a previous lover is always a challenge, particularly if you (mistakenly) believe that she's actually dead. This is the unenviable situation for Lily, the protagonist of O'Farrell's second novel, who is swept off her feet by dashing architect Marcus and in short order moves in with him. Lily takes his assurances that her predecessor Sinead is no longer with us to mark a more permanent absence;

When I came across the idea for this novel a few years ago, I knew it was bigger in scope than anything I'd done before and I accepted that the research alone would be more demanding than anything I'd tackled in the past. When I finally sat down to write Adam and Eve I also realised, by the end of the first draft, that this was going to be my final novel,