#lena-dunham

#lena-dunham

'In a way, it feels a little bit like it was all a dream-just like it must have felt for Marnie,' Williams reflects on the filming of the episode, emphasizing the surreal quality of Marnie's journey.

"I've never seen anything like it. It was just middle-aged women drinking so heavily, dancing, and screaming until 3 o'clock in the morning every day."

It's also, notably, Lola Tung's first major role since The Summer I Turned Pretty. During a Q&A after the film, she talked about the contrast between the two roles. Dressed in a black lingerie top with a black skirt and a black cape, like she was ready to go into the woods and conduct a sacrifice, she quipped, 'I mean, I don't know, Cousins is pretty dangerous.'

Founded in 2014 as a tongue-in-cheek alternative to the esteemed Whitney Biennial, the Every Woman Biennial has evolved into an intergenerational showcase that mixes emerging talent with established feminist art stars while maintaining the scrappy, activist energy that inspired it in the first place.

In the fourth season of Industry, everyone has a story to sell: a neutered fund or loveless marriage, shamed husbands, a life aimless after retirement, a payment-processing firm hampered by its ties to porn and sex work. These labels seem to indicate mistaken priorities or misplaced trust. But they are just narratives to be refined or redefined. Everything is up for grabs if you tell the right story.

Proud to report this kid is doing a whole lot better & back on her feet. Want to thank our recovery communities & the fans who stood by & were so supportive. Aiming to keep the journey somehow private, but look forward to sharing my experience, strength & hope as makes sense.

A recent tragedy-exploiting television series about John F. Kennedy Jr. and Carolyn Bessette features a character using my name and presents her as me. The choice to portray her as irritating, self-absorbed, whiny and inappropriate was no accident. But a real, living person is not a narrative device. Isn't it textbook misogyny to tear down one woman in order to build up another?

The character 'Daryl Hannah' portrayed in the series is not even a remotely accurate representation of my life, my conduct or my relationship with John. A lot of people are being introduced to the story for the first time, and I think it's fair if they're assuming that the information they're being presented is to be taken at face value.

We were so happy to see Alysa Liu win the gold medal in Milan yesterday. My husband just showed me that in 2019 she skated to my song Don't Rain on My Parade. I'm so proud of her. Don't Rain on my Parade is the song Streisand made famous in the Broadway musical, Funny Girl, and in its 1968 film adaptation, for which she won the Academy Award for best actress.

Probably the threesome was the most standout moment. I remember being like, 'Oh, my mom's going to call me after this one.' The scene was teased in racy promotional ads and immediately sparked protests, with the Parents Television Council expressing concerns about the content.

I just thought, 'This woman feels underserved, under recognized, and needs to be reflected.' Watts created Stripes Beauty to address the gap in menopause-specific beauty products, emphasizing that her mission extends beyond vanity to providing genuine support and recognition for women navigating perimenopause and menopause symptoms.

Imagine a scenario where you've developed some ingenious new widget that costs millions of dollars to design, produce and bring to market. You could have quit numerous times. You probably wanted to, because there's a new season of The Traitors and you have to catch up. But you never surrendered. You persevered, and your brilliant invention is ready for the world. All you have to do now is convince a society besieged by a nonstop cavalcade of crises to care.

After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director for resurrection. But when she visits the original movie's star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.

burdened by loneliness, depression, and the incessant needs of others, pours herself a stiff drink and steps up to the noose she's hung from the rafters of her airy farmhouse. Then the phone rings: her ungrateful brother, making demands. She tries again-another ring, another request, this time from a friend. She plays the piano, doesn't she? Will she join a group of fellow-amateurs for a charity gig? Twice thwarted, Beth sighs, says yes, and gets on with the business of living.

You are leaving work, your suit still damp from the morning's downpour, the skin on your palms peeling. You are clutching two supermarket bags, tins of cream soup and tuna knocking against one another. The rain is hard and your anorak is cheap. You are on your way to Stockbridge, to your parents' house, which only your father inhabits now that your mother is gone.

I've had conversations with people who I've known, loved, and trusted, and still do, who thought, you know, your career would do better if you didn't go outside holding your girlfriend's hand. And I was like, 'So, you want me to live a partial life. And you want me to uphold and perpetuate and sustain a system that excludes people.' And I just can't do that.

Now, Lambert is back with JennaWorld, which aired its final episode on Monday, January 26. It traces businesswoman and "Queen of Porn" Jenna Jameson's life - from growing up in Las Vegas and finding stability working in porn to going all the way to the industry's financial climax and her eventual awkward, messy comedown. Jameson typifies what Lambert calls the female anti-hero.

In an age of misinformation, we should be more careful about who we listen to

Tattooed on Asia Kate Dillon's neck is "einfühlung," the German word for empathy. Not only is it a pretty bad*ss tattoo, it's also a guiding principal for an actor who strives to be a conduit for empathy in all their work, whether they're playing an inmate on Orange Is The New Black, a high-powered enforcer in John Wick: Chapter 3, or a financial analyst in the Showtime drama Billions, where they made history as the first non-binary main character an a mainstream American TV show.

The new Melania Trump documentary, which was executive-produced by Melania Trump, is-try not to be too shocked-basically an advertisement for Melania Trump. It is also a bad one. Or, at least, in the words of our staff writer Lauren Collins, "exceedingly mid," visually slick but also "strangely self-defeating." In the film, the First Lady comes across as brittle and materialistic; her interactions with her son and husband are stiff.