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#ben-lerner
Writing
fromThe New Yorker
16 hours ago

He Wrote a Book About Interviewing. Here's His Interview.

Ben Lerner's 'Transcription' explores memory, language, and technology through the lens of a writer's relationship with his mentor.
Writing
fromVulture
2 days ago

Ben Lerner's Big Feelings

Ben Lerner's new book, Transcription, explores the complexities of authorial voice and the nature of interviews through a unique narrative structure.
Writing
fromThe New Yorker
6 days ago

The Ample Rewards of Ben Lerner's Slender New Novel

An interview with Ben Lerner reveals complexities of memory and influence in art and literature.
Roam Research
fromThe New Yorker
2 weeks ago

Letters from Our Readers

Clear-air turbulence over Southeast Asia caused dramatic altitude changes in both modern commercial flights and World War II transport planes, with historical flights experiencing far more severe drops than contemporary incidents.
Women
fromThe New Yorker
3 weeks ago

The Feminist Visionary Who Lost the Plot

Elizabeth Cady Stanton's experience of discrimination at the 1840 World Anti-Slavery Convention catalyzed her feminist activism, though her sense of intellectual superiority later contributed to bigoted views.
fromDefector
3 weeks ago

Is Nellie Bowles The Worst Writer In America? | Defector

If you don't read Nellie Bowles every Friday, you are leading a sad, barren, and empty existence. Everything she does is funny and wise. Her columns have the exact spirit of the 70's writers whom I adored and who were so damn funny-and also deeply in the know. She has been described as the lovechild of Tom Wolfe and Joan Didion and the funniest writer in America.
US politics
Books
fromVulture
1 month ago

How Should a White Woman Writer Be?

White women writers from the Dimes Square literary scene are receiving major book launches and media attention, sparking both acclaim and online criticism about nepotism and industry favoritism.
fromThe New Yorker
1 month ago

Briefly Noted Book Reviews

Dilara, the protagonist of this début novel, is consumed by the absence of a stable home in her life. She and her family flee Turkey, where she is from, after a failed coup in 2016. When they end up in Italy, something inexplicable happens: Dilara's bathroom transforms into a cell in an infamous prison on the outskirts of Istanbul.
Books
Europe politics
fromThe New Yorker
2 months ago

The Country That Made Its Own Canon

Sweden released a national culture canon, sparking controversy over national identity as immigration rises and the nationalist Sweden Democrats gain political influence.
fromThe New Yorker
1 year ago

"Me, Lania": A First Lady's Memoir

As a little girl in Slovenia, I had the same dreams as any child: to immigrate to America on a bogus "genius visa," to model acrylic sweaters in a catalogue, and to meet a rich man almost twice my age and enter into a financially advantageous marriage with as little physical contact as possible. I'd have my Barbie doll flirt with a small boulder, asking the boulder, "So, you're separated?" People would warn me, "Dreams don't always come true," to which I'd reply,
Humor
LGBT
fromThe New Yorker
2 months ago

Letters from Our Readers

Late-Victorian 'earnest' served as queer slang; Wilde used coded double entendres; Stephen Fry honors Wilde; Clyde Fitch was a once-prolific, now largely forgotten American playwright.
fromThe New Yorker
2 months ago

Emily Nussbaum on Jane Kramer's "Founding Cadre"

Kramer followed up, notebook in hand. The New Yorker, then led by William Shawn, was averse to polemical swashbuckling; it would never print a phone number as a kicker. But its writers could take their time. Kramer embedded with the Stanton-Anthony Brigade, the "founding cadre" of a set of revolutionary cells devoted to consciousness-raising, or C.R. She sat in as members shared intimate stories, seeking patterns of oppression and strategizing methods of resistance; she watched sisterhood blossom, then break down.
fromThe Atlantic
2 months ago

She Shook Up the Literary World, Then Renounced It

Many editors languish in the margins of history, their contributions largely invisible despite how much they shape whom and how we read. But in recent years, amid a wave of books unearthing overlooked figures, biographers have turned their sights to pioneering book and magazine editors-including Malcolm Cowley of Viking, Judith Jones of Knopf, Bennett Cerf of Random House, and Katharine S. White of The New Yorker -anointing them as the unsung architects of the American literary canon.
Books
fromThe New Yorker
2 months ago

Reading for the New Year: Part Two

Years ago, I wrote a series of articles for my college newspaper about competing in contests for which I was comically unprepared: arm wrestling, archery, Scrabble. The compulsion to fail dramatically continued into my freelance writing career, when I finagled my way into the front corral at the Los Angeles Marathon. (I stuck with the élites for all of two hundred meters.) My inclination was Plimptonian.
Books
Books
fromThe Atlantic
1 month ago

The Fine Balance Required of an 'Authorial Rant'

Lionel Shriver's political provocations increasingly overshadow her fiction; A Better Life reads like an op-ed and renders characters sociologically rather than psychologically.
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