A vision lay before him: Fleet Street blanketed with snow, silent, empty, pure white, and, at the end of it, the huge and majestic form of Saint Paul's Cathedral. It was a spellbinding moment: the great thoroughfare temporarily devoid of carts and carriages, the cathedral looming blurrily out of the still-falling snowflakes a real-life snow globe.
Writing was created in response to the need to communicate over long distances in trade and, initially, was focused on the purely practical aspects of record-keeping. Scribes in ancient Mesopotamia recorded what commercial goods had been shipped to which destination, their quantity, purpose, and cost.
If you have to read and reread in order to put together what's happening, then you are a co-creator of that literary experience. She saw this as specifically important for Black literature. Her highest aspiration, as she put it, was to create something at the level of jazz, which she saw as the highest form of Black art.
In this book of moons, I am writing for people for whom the medieval world and its literatures and arts may be unfamiliar. I hope that in telling the stories of medieval moons, I also introduce these readers to the wonderful, mesmerising realm of medieval texts and images. But I also hope that this book may be useful to those with greater familiarity with medieval languages, literatures, and arts.
At first sight, Winslow Homer's " The Brush Harrow," which depicts two young boys, a horse, and a harrow against an arid landscape, evokes a feeling of somber isolation - but it's hard to pinpoint why. During a talk by curator Horace D. Ballard at the Harvard Art Museums on Jan. 29, visitors learned that Homer painted the scene in 1865, as the Civil War was ending, making the emotional underpinnings of the work clearer.
What, you wonder, could possibly have prompted the powers that be to commission an adaptation of a postwar allegory that throws into dreadful relief the impulse to tyranny, the fragility of democracy and the brittleness of our veneer of civilisation in this shining year of 2026? We may never know. Did I mention it takes place on an island in which all normal social rules no longer apply and the inhabitants are protected from any punishment or consequence, no matter what appetites emerge?
The Oxford Artisan Distillery (TOAD) produces its whiskey, gin, vodka and liqueur from heritage wheat and rye varieties rediscovered in the thatch of medieval roofs. It's an example of the extraordinary lengths the distillers go here to create their unique flavours while building a regenerative farming system along the way. Tour the distillery to find out all about the processes involved,
Carved on the walls surrounding her sarcophagus were more than 150 ancient Greek poems in which Bilitis recounted her life, from her childhood in Pamphylia in present-day Turkey to her adventures on the islands of Lesbos and Cyprus, where she would eventually come to rest. Heim diligently copied down this treasure trove of poems, which had not seen the light of day for more than two millennia.
When I first heard of Heated Rivalry, I didn't think much about it. The words Canadian ice-hockey TV series slid into my brain and slipped right back out. But a week later, approximately everyone I'd ever met wanted to talk about it. People kept telling me that it was fun, sweet, and addicting. Most of all, they emphasized that it was really smutty. Every recommendation seemed to come with a warning to not watch with my parents.
Looking to the Middle Ages for answers to the perennial puzzles of life can seem quaint, even artificial, a long reach across centuries marked by violence, hierarchy, and exclusion. And yet medieval culture offers a way of thinking about love that still speaks to the present. If love is most urgently tested in moments of strain and upheaval, then it is in those moments - where care is stressed or obscured - that its meaning comes most clearly into view.
It started with a book launch in 2021. I'd been living in London as a social media journalist when I asked my then-publication's culture editor to send me to one of these exclusive-sounding events, as 1) I'd never been and 2) I just really wanted to be a person who "has a book launch to go to." Thankfully, there was one that exact day-and he put my name on the list for the release of Mary Beard's Emperor of Rome. Huzzah.
This open-access book brings together more than thirty essays on languages and the ways they develop, interact, and influence one another. Its main focus is the Middle East, where Hebrew, Arabic, and Aramaic long existed side by side and often overlapped in everyday use, scholarship, and culture. In line with Geoffrey (Khan)'s commitment to the maximally accessible dissemination of research, this Festschrift has been published in both open-access digital editions and affordable printed formats.
Tonight is the press night for Arcadia's second major London revival at the playwright's home from home, The Old Vic where he made his name with Rosencrantz and Guildenstern are Dead. An extremely witty and intellectually dazzling masterpiece, the play in typical Stoppardian fashion examines man's drive to impose systems of order and disorder on the world, the dialectical tension that exists between art and science, sex, the laws of thermodynamics, chaos theory and landscape gardening amongst many other popular dinner table subjects.
When I was 8 or 9 years old, my uncle and aunt gave me a copy of D'Aulaires' Book of Greek Myths, a standard-bearer for children's folklore that was originally published in 1962. I was immediately dazzled by the book: D'Aulaires' was my first exposure to Greek mythology, and I marveled at its vibrant cosmology, its richly illustrated tales of deities whose omnipotence was matched only by their strikingly human, self-indulgent caprice.
A writer is a kind of magician. Their job is to create living, three-dimensional people out of the ordinary stuff of ink and paper. This is no easy task, because readers can't literally hear, touch, or observe a character. Everything that defines a human being in real life-the physical space they occupy, or how they smell, feel, and sound-is stripped away, replaced by description. But authors have one major, mystical advantage: They can show you what's happening inside of someone's brain.