Elisava's Master's in Graphic Design is ingrained with societal, cultural and critical contributions to the creative industry, going beyond its aesthetic output while fostering self-awareness in creatives.
David Bellion spent over a decade in top-flight football, playing for clubs like Manchester United and Sunderland, before becoming Red Star FC's creative director, focusing on brand development and cultural connections.
While being treated for a serious mental breakdown in 1940, Carrington passed her days by filling sketchbooks with art that reimagined the hospital as an 'underworld' inhabited by strange, hybrid beasts.
The Reina Sofia's new rehang opens, quite pointedly, with a painting of a detained man sitting, head bowed and wrists shackled, as he waits for the arbitrary hand of institutional bureaucracy to decide his fate. The picture, Document No , was painted by Juan Genoves in 1975, the year Francisco Franco died and Spain began its transition to democracy after four decades of dictatorship.
There's this push and pull between feeling unease and discomfort, the nature of the spaces, and why they feel uncomfortable. But there is also tenderness and warmth, people adapting to these spaces and finding ways to make them comfortable.
Fashion is very good at announcing returns, and it is less interested in accounting for what happens in the time in between. Designers disappear, reappear and are soon asked to explain themselves, preferably in the language of growth. London-based designer Nicomede Talavera has done this twice already. His new collection under his eponymous label Nicomede, Sacred Journey, is somewhat of a third arrival, serving as a reminder that stepping away can sharpen a vision, not dilute it.
In 2025 the Prado, which is home to such masterpieces as Velazquez's Las Meninas and Hieronymus Bosch's The Garden of Earthly Delights, was visited by 3,513,402 people, an increase of more than 56,000 from the previous year. Visitor numbers have risen by more than 816,000 over the past decade. While some museum bosses would be toasting such a success, the Prado's director, Miguel Falomir, is treating it with caution. The Prado doesn't need a single visitor more, he told a press conference on Wednesday.
We tell ourselves stories in order to live. For more than 50 years, the French artist Sophie Calle has worked in the space between facts and their retelling, demonstrating how the narratives we share about ourselves are always partial, constructed. Working across photography, text, film and installation, she reveals how fantasy and projection intervene in our best attempts to see and be seen.
In a stunning new photobook, La Isla, Argentinian photographer Matu Buiatti invites us into a profound exploration of intimacy, trust, and the human body, framed through the lens of analogue photography. This 18-month project transcends mere image-making; it is a beautifully crafted dialogue about human connection, where the photograph emerges not as a starting point but as the culmination of shared experiences.
In her manifesto, Borderlands/La Frontera, Anzaldúa presents what she calls a new mestiza consciousness, which advocates for ambiguity and moves "toward a more whole perspective, one that includes rather than excludes." Groundbreaking when it was published in 1987, this theory pushed queer, feminist, and cultural scholars to consider how identity is both fluid and informed by several overlapping factors. It also helped to lay the groundwork for branches of study like ecofeminism,
Regina Silveira has spent the better part of three decades considering the relationship between media and meaning, particularly as it relates to Latin America. First presented in 1997, "To Be Continued..." features 100 black-and-white reproductions of photos, newspaper clippings, propaganda, advertisements, and more. Silveira nests each image into an oversized puzzle piece, which cuts off faces and scenes to leave fragments of pop culture icons, flora and fauna, and even the occasional mugshot spliced next to one another.
From figures with multiple legs and noodles for arms to frolicking trees, Paco Pomet summons the absurd. Known for his uncanny oil paintings rendered mostly in monochrome and enlivened by colorful details of overly stretchy limbs or celestial objects, a sense of nostalgia greets surreal scenarios. The artist often derives his imagery from vintage black-and-white photographs, adding an absurd dimension to history.
Handcrafted Artful Embroideries of Everyday Products by Alicja Kozowska Well of Eternity: Stunning Sci-Fi Concept Artworks of Sung Choi Traveller's Joy The Key To The Countryside Beautiful Shell Adverts From The Mid-1950s These Animal Illustrations Accurately Express Our Monday Blues And Friday Feels Dark, Surreal And Moody Photo Works By Simon Kerola Artist Replaces Jurassic Park Dinosaurs With Those From The Show Dinosaurs "Deathmask Divine": The Superb Dark Paintings of Bahrull Marta
Taking over the colourful Casa Gilardi, Luis Barragán's last commissioned residence, built for the advertising executive Francisco Gilardi in the mid-1970s, the German artist Gregor Hildebrandt transforms the house's stylish rooms with an ever-expanding exhibition of his enigmatic works across various media. Known for transforming outmoded analogue recording media-including audio cassettes, VHS tapes and vinyl records-into paintings, sculptures and large-scale installations, the Berlin-based artist's conceptual works explore themes of memory, nostalgia and the physical representation of intangible sound and sight.
OSCAR MURILLO (b. 1986, La Paila, Colombia) has developed a multifaceted and challenging practice that spans painting, collaborative projects, video, sound and installation. Through each body of work, the artist probes ideas of collectivity and shared culture, demonstrating a commitment to the power of material presence alongside complex meditations on contemporary society. A focus on the social dimension that sits on the border between performance and events is also central to Murillo's practice.