#overlooked-performances

#overlooked-performances

There's something powerful that happens when students step onto a stage and the entire community shows up for them. Events like this bring families, staff, and students together in a way that builds pride, connection, and a real sense of belonging.

MarcAurele knew he had to strike while the iron was red-hot, so he got to writing, and in just three short weeks he was bringing the show to life, complete with a number that explored the inherent musicality of that bike scene and another that featured a chorus lauding 'gay hockey players with big butts' as if they were singing a church hymn.

Rowe and Garen Scribner's libretto takes its liberties, setting the action in a world where everything is green and an evil princess has ruled that nothing be eaten but peas.

Under the ABS challenge system, a team begins each game with two challenges. If a player gets an umpire's call overturned, their team retains the challenge. In effect, this means a team has unlimited challenges until they get two wrong.

In that small 30-block zone last year, there were 486 reported crashes, injuring 76 cyclists, 108 pedestrians (one fatally) and 67 motorists, according to city stats. That's more than a crash every day, injuring more than 250 people.

Lily Allen's 'West End Girl' is an excoriating concept album about the failure of her second marriage, filled with vivid details of betrayal and personal turmoil.

In the film, Bronz's character is commissioned to compose a new national anthem for post-Oct. 7 Israel, and writes a warmongering ballad about destroying Gaza and 'love sanctified in blood.'

All but one of the song titles on Body Sound, the debut album from experimental string trio Whitney Johnson, Lia Kohl, and Macie Stewart, line up nicely-a few words, usually two, usually nouns, separated by a vertical line. The straight line in the middle means different things in different disciplines. In computing, it's called a 'pipe' and serves as a conduit. In poetry, it denotes a pause or break. In music, it marks the beginning and end of measures.

Kamrooz Aram is everywhere this year, from Mumbai Art Week to the Whitney Biennial, and critic Aruna D'Souza is grateful. She pens a beautiful meditation on his work, reading his abstract paintings as not simply a denunciation of Western modernism nor a reassertion of Islamic visual motifs, but something else entirely - something gestural, exuberant, riotous, and incomparably his own.

The thing is an almost-four-hour-long continuous explosion - actors dancing, grappling, and hurling furniture; the director present onstage ripping pieces out of the set; paint and blood and flowers and feathers everywhere.

Teatro Fest NYC returned for its 11th year earlier this month, celebrating a history of Latinx identity and performance through 24 unique and original shows.

The 6th edition of Earth 2026 juried awards invites artists worldwide to explore and express the power, beauty, and resilience of our wounded planet as we approach World Earth Day.

The production that just opened at OSF, directed by Marcela Lorca, is the best I have seen. Working with a strong cast and a spectacular movement and design team, this production crackles with vitality and originality.