Anna Holmes defines 'hype aversion' as a reflex against being told what to like, suggesting that popularity can create pressure rather than signal quality. This feeling can lead to a deliberate choice to resist mainstream culture.
The Baltimore Museum of Art landed her highly anticipated exhibition, 'Amy Sherald: American Sublime,' after the painter pulled her show from the National Portrait Gallery due to concerns over censorship. The exhibit has been a significant hit at the BMA: It was completely sold out by late February.
The contemporary technology museum has emerged as a performative participant in the systems it seeks to document. The architecture of these institutions has become increasingly fluid and bold, often mirroring the velocity and complexity of the systems it houses. They operate as mediators between the human, the ecological, and the technological realms, transforming from encyclopedic warehouses into active educational engines.
Bregman claims, 'Today the whole of Europe risks turning into one big Venice, a beautiful open-air museum. A great destination for Chinese and American tourists. A place to admire what was once the centre of the world.' This statement encapsulates the concern that Europe is losing its cultural significance.
Early in his term, the president named himself as the chair of the Kennedy Center's board of trustees after he removed the other members. He named loyal gay staffer Ric Grenell as the head of the Kennedy Center and promised 'NO MORE DRAG SHOWS, OR OTHER ANTI-AMERICAN PROPAGANDA.'
As cultural institutions continue to proliferate worldwide in this digital era, the museum itself appears increasingly in need of redefinition. Rather than offering a single model or solution, Architecture for Culture: Rethinking Museums, written by architectural historian and curator Béatrice Grenier, argues for a more contextual and plural understanding of what a museum can be: an institution shaped by its environment, its public, and the specific cultural questions it seeks to address.
On January 15, the National Endowment for the Humanities (NEH) announced $75.1 million for humanities projects across the country. Presented as part of President Donald Trump's January 25, 2025 executive order, "Celebrating America's Birthday," the move is the latest example of how the Trump administration is increasingly using federal funding as a vehicle to achieve its broader goals of reshaping higher education.
Due to the lack of viable alternative storage options and in light of the significant financial pressures facing the county council, no suitable alternatives were identified. However, the council admits that the works have not been offered to any of the county's museums or galleries.
When unmarked, masked federal agents grabbed an international student and forced her into an SUV on a public street in the spring of 2025, the United States entered into a new era of federal policing. At first, it was alarming - a move more commonly associated with authoritarian dictatorships than a democratically elected government with checks and balances. Now that this tactic, and others like it, have become routine, it is no longer enough to react in alarm.
A short while later, the White House posted the same photo - except that version had been digitally altered to darken Armstrong's skin and rearrange her facial features to make it appear she was sobbing or distraught. The Guardian one of many media outlets to report on this image manipulation, created a handy slider graphic to help viewers see clearly how the photo had been changed.
On 30 May last year, Kim Sajet was working in her office in the grandly porticoed National Portrait Gallery in Washington DC. The gallery is one of the most important branches of the Smithsonian Institution, the complex of national museums that, for almost 200 years, has told the story of the nation. The director's suite, large enough to host a small party, has a grandeur befitting the museum's role as the keeper of portraits of the United States' most significant historical figures.
When Thomas Jefferson wrote about the "inalienable" rights of man in the US Declaration of Independence 250 years ago, it's possible he lifted the term from the French. And long before it was ever used as an adjective to describe human rights, it defined royal property. To this day, "inalienability" remains a cornerstone of public collections in France-and many other countries-impacting museums and their ability to deaccession, including for purposes of restitution.
It's impossible to imagine New York City without art, or contemporary art without New York City. This is where you come to see the best of the best, or to take part in making it. This country's international standing is down in the gutter, thanks to Trump, but this city is still a living, rolling dream. Right now, we're waiting to see who's going to be Mayor Mamdani's pick for cultural affairs commissioner. It's an important role that determines where the city's budget priorities will lie and who'll get a seat at the table. Gonzalo Casals, who served as culture commissioner under Mayor de Blasio, and Mauricio Delfín, who co-directs the Culture & Arts Policy Institute with Casals, have some urgent thoughts on the matter. It's a must-read not just for Zohran (send him a link if you're on texting terms), but for everyone who cares about art in this city.
As if demolishing the East Wing, gutting arts agencies, and slapping his name and face on several federal buildings weren't enough, the US president now wants to do away with a DC building known as the "Sistine Chapel of New Deal art." This week, we reported on a burgeoning campaign to save the Wilbur J. Cohen Federal Building, which houses murals by Ben Shahn, Philip Guston, Seymour Fogel, and other major American artists. We will continue to follow this story.
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