#printmaking--reproduction

#printmaking--reproduction

"We're constantly striving to strike a balance between work that respects academic rules of composition, established visual codes and good readability, with something more spontaneous, adventurous, playful, even naive."

Hong Kong's particular and seductive Metabolist city planning is an ode to consumption as a great totalizer of culture, and to contemporary art as merely a niche commodity form among many others.

Pratt Shows is an annual series of public exhibitions and presentations by the Institute's graduating class, representing years of research, exploration, and creative inquiry.

Sand Art is a game by Kory Jordan and published by 25th Century Games for two to four players ages 10 and up. It takes about an hour to play, and has you collecting resources and then coloring in a bottle, making art in a bottle out of sand, in case the name didn't give away the plot. Gameplay Overview: Sand Art has you gathering and mixing sand, which is used to fill your bottle.

"I have been reading your book The Lonely City: The Art of Being Alone and I wanted to write and say how very good it is," "I discovered Henry Darger's work about 15 years ago. I am so interested in how you write about him and [Edward] Hopper, [Andy] Warhol and [David] Wojnarowicz."

LG Gallery+ is a new visual curation service for LG TVs - and a brilliant way to make your home more unique and personalized. It lets you express your ever-changing creativity with a massive library of classic art, digital and 3D artwork, scenery, games, and more. With more than 4,500 options to choose from, you can turn your LG TV into a world-class art gallery, a peaceful forest, or an homage to your favorite video game - all in the same day.

On Franklin Street in Brooklyn's Greenpoint neighborhood, one non-commercial gallery fosters 'a small, stubbornly human space for friction.' Friction—the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way—is at the heart of artists Pap Souleye Fall and Char Jeré's current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.

What we found was that errata sheets were not only spaces for corrections but also sites of humor, legal maneuvering, and reinterpretation. With this exhibition, we wanted to share ways in which even small corrections can reshape meaning and authority.

"Drawings at the IFPDA make great sense," said Jenny Gibbs, Executive Director of the IFPDA and IFPDA Foundation. "Museums group them together because both media represent graphic thinking and the transmutation of ideas through line and pressure."

Mornings are best for concentrated work. In the winter, I turn on the heat at 8am and get started around 10am. Summer, I start around 9am. I have two areas in the studio for projects. The large, heavy wood sculptures are carved in the front section of the studio, closest to the roll-up wide door. Smaller sculptures are placed on a hydraulic workbench. Before I start, I focus, connect with the Source, and ask for guidance.

In 2024, I made a vow to never base my art criticism on wall labels. My decision came after reading reactions to that year's Whitney Biennial. "If every label in 'Even Better Than the Real Thing,' the 81st installment of the Whitney Biennial, were peeled off the walls and tossed into the Hudson, what would happen?" asked Jackson Arn in the New Yorker. (He went on to suggest that the overall show would have been much better.)

designed by the Institute for Doctoral Studies in the Visual Arts (IDSVA) and philosopher Giovanbattista Tusa (Visiting Faculty, Independent Study and Dissertation director) for curators, artists, researchers, and cultural practitioners seeking to engage with the living context of the Venice Biennale. Over four days, participants will move through a sequence of philosophical orientations - Rooting, Growing, Branching, and Cultivating Futures- that frame art as a mode of world-disclosure and situated intervention.

If the internet began as a dream of a decentralized network, why would a history of it stick to the center? Mindy Seu takes this idea to heart in A Sexual History of the Internet. A synthesis of artist book, historical study, and performance piece, the project looks to cyberfeminists, sex workers, and others who have shaped online culture from the margins.

I work outside, carving and shaping the stone. Outside my house, I have a table, an extension cord, and tools. It's very cold and I have to wear all my winter clothes. When it's too cold, I do the filing and finishing work inside after I shape it outside. I listen to all kinds of music. I listen to Eminem all the time; his albums are all my favorites. For drawings, I work at Kinngait Studios or at home on my kitchen table.