#ricardo-ruiz

#ricardo-ruiz

Abraham Vazquez has this lusty, powerful, aching voice. This song is about loss, and you feel it with every inch of intensity that he's performing.

Cezar Berje's visual approach is a mix of chaos-vibrant colours, symbols, and new age psychedelia. His illustrations often suggest universes within universes, with each part of the image telling its own story through symbols and references.

In Cabranes, Asturias, Atelier Poem has realized the Taller Agropoetico for Foresta Collective—a space that integrates agricultural practice with pedagogy.

It makes me feel proud, simply because of the specific time we're in right now. It definitely takes a lot of courage for kids my age to represent their culture. Anthony Benitez, an 18-year-old violin student born in the United States to Mexican immigrants, expressed how the academy provides a meaningful outlet for cultural expression amid punitive immigration enforcement affecting Latino and immigrant families across the country.

Singular Archive is a cultural custodian safeguarding the world's rarest liquids. This is not a spirits brand, but an artistic endeavor in which the liquid is a part of the work itself.

Homeowner Richard Segovia said the decision to remove Chavez's image came quickly. Segovia, who described himself as a longtime advocate for women and a supporter of young artists, said he contacted the muralist he works with immediately after a New York Times investigation detailed the allegations. UFW cofounder Dolores Huerta claims to be a survivor of Chavez's alleged abuse.

We don't eat batteries. They take away the water; they take away life. This pronouncement, in Spanish, appears in a photograph that the artist Tomás Saraceno sent via WhatsApp last month from Salinas Grandes, a high-altitude salt flat in northern Argentina. There, in one of the world's largest lithium reserves, the artist is working alongside 11 Indigenous communities to build El Santuario del Agua (The Water Sanctuary), a monumental work about the global energy transition.

The project was undertaken by the collaborative team of Laboratorio Regional de Arquitectura, Taller | Mauricio Rocha, and Samuele Xompero after the demolition of the building that once housed the National Union of Cacao Producers, and which had suffered severe structural damage. The building's architecture incorporates the formal memory of its predecessor, but with a new program dedicated to showcasing the transformation of cacao into chocolate.

RootStudio proposes an alternative, where the waiting period becomes a spatial condition worthy of design attention. Each intervention is organized around a continuous roof supported by a rhythmic structural frame. The canopy provides shade and shelter from rain while defining a perimeter for waiting without enclosing it. The architecture reads as a measured gesture within an intense urban setting.

Traveller check into hotels for easy access to historical Mayan sites and the cenotes beyond, with ambles through colourful squares and late, balmy nights digesting feasts over tequila tipples. Between cultural excursions and natural wonders, however, there's much to be said for the artisans in these parts. From crafted perfumes to handmade chocolates, these are the gifts and trinkets to make space for in your luggage.

Spirits brand Clase Azul México will soon open a brand-new home in the city's Polanco area on Feb. 17, offering guided tastings, rotating art installations, private events, and more. The new address, dubbed "Casa de Los Leones," or House of the Lions, was built in a historic mansion where original elements like stained glassed windows were preserved, juxtaposed with contemporary design.

As an artist, having the freedom to create without boundaries is incredibly rare. That's why I reference the Sistine Chapel-not to compare myself to Michelangelo, but to evoke that moment in history when an artist was entrusted with complete creative freedom to interpret humanity as it was understood at the time,

OSCAR MURILLO (b. 1986, La Paila, Colombia) has developed a multifaceted and challenging practice that spans painting, collaborative projects, video, sound and installation. Through each body of work, the artist probes ideas of collectivity and shared culture, demonstrating a commitment to the power of material presence alongside complex meditations on contemporary society. A focus on the social dimension that sits on the border between performance and events is also central to Murillo's practice.

In her manifesto, Borderlands/La Frontera, Anzaldúa presents what she calls a new mestiza consciousness, which advocates for ambiguity and moves "toward a more whole perspective, one that includes rather than excludes." Groundbreaking when it was published in 1987, this theory pushed queer, feminist, and cultural scholars to consider how identity is both fluid and informed by several overlapping factors. It also helped to lay the groundwork for branches of study like ecofeminism,

"The new venue has allowed us to develop the experience of the fair-it lends itself to being more of a destination," Brett W. Schultz, the co-founder and director of Material, tells The Art Newspaper. The fair features over 70 exhibitors this year, with an especially strong contingent of Mexico City galleries that, like Material, have been around for a little over a decade.

Taking over the colourful Casa Gilardi, Luis Barragán's last commissioned residence, built for the advertising executive Francisco Gilardi in the mid-1970s, the German artist Gregor Hildebrandt transforms the house's stylish rooms with an ever-expanding exhibition of his enigmatic works across various media. Known for transforming outmoded analogue recording media-including audio cassettes, VHS tapes and vinyl records-into paintings, sculptures and large-scale installations, the Berlin-based artist's conceptual works explore themes of memory, nostalgia and the physical representation of intangible sound and sight.

Regina Silveira has spent the better part of three decades considering the relationship between media and meaning, particularly as it relates to Latin America. First presented in 1997, "To Be Continued..." features 100 black-and-white reproductions of photos, newspaper clippings, propaganda, advertisements, and more. Silveira nests each image into an oversized puzzle piece, which cuts off faces and scenes to leave fragments of pop culture icons, flora and fauna, and even the occasional mugshot spliced next to one another.

From figures with multiple legs and noodles for arms to frolicking trees, Paco Pomet summons the absurd. Known for his uncanny oil paintings rendered mostly in monochrome and enlivened by colorful details of overly stretchy limbs or celestial objects, a sense of nostalgia greets surreal scenarios. The artist often derives his imagery from vintage black-and-white photographs, adding an absurd dimension to history.

This is the site of the Florida state historical marker commemorating Arthur Lee McDuffie, a Black insurance broker and former US Marine whose 1979 beating death at the hands of Miami police ignited one of the most consequential uprisings in the city's history. A plaque unveiled in February 2024 at the site of his attack finally acknowledged the violence that fractured McDuffie's skull and the community-wide outrage that followed.

One of the aspects that most fascinated me was realizing how nature already provides ready and extremely evocative forms. A branch, a trunk, or a tangle of shrubs can spontaneously suggest figures, presences, animals, or movements.