#sumerians

#sumerians

Cuneiform is a system of writing first developed by the ancient Sumerians of Mesopotamia circa 3600/3500 BCE. It is considered the most significant among the many cultural contributions of the Sumerians and the greatest among those of the Sumerian city of Uruk, which further developed and advanced cuneiform circa 3200 BCE and allowed for the creation of literature.

Nine meters (30 feet) beneath the waves, they found it: a vast, man-made stone wall, averaging 20 meters (66 feet) wide and two meters (6.6 feet) tall. The structure consists of some 60 massive granite monoliths, set directly onto the bedrock in pairs at regular intervals. Smaller slabs and packing stones fill in the gaps, locking the whole into a single, deliberate construction. With an estimated total mass of around 3,300 tons, this is the largest underwater structure ever discovered in France.

Seven were the strings of the lyre (unless there happened to be eight or nine), seven were the gates of Thebes, and seven were the "wandering stars" in the night sky (if you count the sun and moon). The identity of the wonders was less important than the length of their list, and indeed, additions and changes were proposed since the beginning.

An ancient Egyptian papyrus held by the British Museum has been cited as possible evidence supporting some of the Bible's most controversial claims about giants. The 3,300-year-old document, known as Anastasi I, has been in the museum's collection since 1839 and has recently resurfaced on the Associates for Biblical Research, renewing interest in its possible links to biblical accounts. The papyrus describes encounters with the Shosu people, said to stand 'four cubits or five cubits' tall, up to eight feet in height.

King Nebuchadnezzar II himself 'speaks' in the text, proudly describing how he restored an old, crumbling stepped temple tower in the city of Kish that was dedicated to the Mesopotamian god and goddess of war, Zababa and Ishtar. He explained that earlier kings had built and fixed the ziggurat before, but it had fallen into disrepair again from age and rain.

as the gods were understood as the true monarchs and the king as simply their steward. In order to maintain his authority, the king needed to court the goodwill of the gods, and although they made their approval clear through military victories, bountiful harvests, and prosperous trade, events such as the Akitu festival provided an annual opportunity for the divine to continue its relationship with the ruling house or withdraw its favor.

It should be noted, however, that the advances of Mesopotamia's Early Dynastic period differed from Egypt's in significant ways, notably in that Mesopotamia - even under the rule of Sargon or later empires - was never the cohesive ethnic or political entity Egypt was, and the kinds of cultural development cited for this era were not as uniform as they were in Egypt.

The foundation of future Mesopotamian advances in scientific/technological progress was laid by the Sumerians, who first explored the practice of the scientific hypothesis, engaged in technological innovation, created the written word, developed mathematics, astronomy, and astrology, and even fashioned the concept of time itself. Some of the most important inventions of the Sumerians were: the wheel the sail the corbeled arch/true arch irrigation and farming implements maps mathematics time and clocks astronomy and astrology medicinal drugs and surgery

Fashion and dress in Mesopotamia - clothing, footwear, and accessories - were not only functional but defined one's social status and developed from a simple loincloth in the Ubaid period (circa 6500-4000 BCE) to brightly colored robes and dresses by the time of the Sassanian Empire (224-651). Styles changed, but the essential form and function remained the same. As in any civilization, the upper class and nobility wore more expensive clothes of higher quality.

His investigation began after identifying recurring giant T-shapes, three-level indents, and step pyramids carved into ancient stones worldwide. 'These specific symbols that are built in different size proportions, and the symbols are found in ancient stones around the world, are not supposed to exist; no cultures are supposed to have any cross-platform,' LaCroix explained. The symbols appear in locations ranging from Turkey's Van region to South America and Cambodia.