Close your eyes and picture an apple. Most people see something-a faint, slightly blurry image, less vivid than a real apple. A few, however, will see it as clearly as if it were sitting right in front of them. This ability is called hyperphantasia. Hyperphantasia, literally meaning "beyond imagination," refers to exceptionally vivid mental imagery. It is often described as the opposite of aphantasia, a condition in which people report little or no ability to form mental images.
When I was learning multiplication, my father showed me the "rule of 9." Multiply any number by 9, he said, and then add together the digits of the product, and you will always land on 9. 9 × 2 = 18 → 1 + 8 = 9 9 × 3 = 27 → 2 + 7 = 9 9 × 12 = 108 → 1 + 0 + 8 = 9 Every time, the addition came back to 9. It stimulated my curiosity.
Unfortunately, hypnosis has a negative reputation among the general public, in large part because of how it's been portrayed by the movie and entertainment industry. Also, I was aware that in the late 19th century there were many false positive and negative claims about hypnosis that soured the public on the possibility that hypnosis could be helpful. I did not want to create or add to a 21st-century perception that hypnosis was quackery, and therefore chose to withhold telling about some of the most amazing events that I had encountered with my patients when I first wrote about hypnosis, because these stories might have been too hard to believe.
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Jodorowsky's most recent project is Alejandro Jodorowsky. Art Sin Fin (Taschen), two volumes in which he reviews his career, almost as boundless as it is surreal. Curated by editor and academic Donatien Grau, director of contemporary programs at the Louvre, this monograph is a work of art in itself and a manifesto that captures Jodorowsky's kaleidoscopic, mysterious, and dreamlike creative spirit across all his universes, from film and theater to poetry and comics, by way of philosophy and tarot.
An exhibition of Wifredo Lam is about as safe a bet as the Museum of Modern Art can place and still plausibly say that it's a bet on expanding the canon. The Cuban artist is one of the most famous painters of the 20th century, featured in almost every single key show about Surrealism. MoMA acquired his famous painting The Jungle in 1946, a few years after he made it.
From figures with multiple legs and noodles for arms to frolicking trees, Paco Pomet summons the absurd. Known for his uncanny oil paintings rendered mostly in monochrome and enlivened by colorful details of overly stretchy limbs or celestial objects, a sense of nostalgia greets surreal scenarios. The artist often derives his imagery from vintage black-and-white photographs, adding an absurd dimension to history.
Szilveszter Makó 's enigmatic photographs carry layers of mystery and introspection. Standing inside curious block-like backdrops and lain against two-dimensional fields of color and texture, his subjects seamlessly meld into stories in which every detail carries intention. Taking inspiration from art history, the Milan-based artist references Surrealism and grotesque art through his use of chiaroscuro effects via light exploration and contrasting earth tones.
Disembodied heads, eyes, and hands meet spindly trees, dragonflies, and vibrant blossoms in the folk-art inspired works of Michael McGrath. Based in Rhinebeck, New York, McGrath melds a variety of media-most pieces contain a mixture of graphite, ink, and oil and acrylic paints-into dynamic compositions suffuse with mystery. Recurring symbols and objects lend themself to a distinctive visual language that captures both the wondrous and puzzling.