A vision lay before him: Fleet Street blanketed with snow, silent, empty, pure white, and, at the end of it, the huge and majestic form of Saint Paul's Cathedral. It was a spellbinding moment: the great thoroughfare temporarily devoid of carts and carriages, the cathedral looming blurrily out of the still-falling snowflakes a real-life snow globe.
I wanted to write a book about how the smartphone changed the world, but the more I researched, the clearer it became that phones were actually the latest step in this evolution of storytelling technology that stretches all the way back to prehistoric times.
Plato's choice of this word is deliberate. He is not describing neutral carriers. He is describing people whose job is manufacturing a convincing reality for an audience that cannot see behind the curtain. Here is what matters clinically: the conjurers are not necessarily villains. They may be devoted parents, conscientious teachers, or well-meaning community leaders.
All of us live in an age where we're bombarded by social media and artificial intelligence - when striving to be your authentic self becomes an increasingly difficult task. Yet, even if it has somehow become a common goal, it is unclear how many of us can truly define the "authenticity" that we say we are pursuing.
Like us, you may feel paralyzed in the face of the relentless images of violence we see every day. Suffering children, military occupations, the devastated neighborhoods, the cries of parents mourning their dead-these scenes haunt us. Whether it is happening in Palestine or Minneapolis, we are witnesses to suffering, and that witnessing takes a heavy toll. Clearly, the devastating situations in the West Bank and Gaza and in Minneapolis differ
His investigation began after identifying recurring giant T-shapes, three-level indents, and step pyramids carved into ancient stones worldwide. 'These specific symbols that are built in different size proportions, and the symbols are found in ancient stones around the world, are not supposed to exist; no cultures are supposed to have any cross-platform,' LaCroix explained. The symbols appear in locations ranging from Turkey's Van region to South America and Cambodia.
Peter Drucker saw this symbiosis first. He realized that the new industrial order would depend on a worker who produced ideas instead of widgets. The knowledge worker became the engine of prosperity, and management became the social technology that synchronized millions of minds. The modern firm was as much an invention as the transistor it depended on. Three decades later, Tom Peters caught the next wave.
Anticolonialism, Ontology, and Semiotics draws upon Africana anticolonial philosophy-especially the work of Frantz Fanon and two of his most influential interpreters, Eldridge Cleaver and Sylvia Wynter-to develop a basic analytical model for doing anticolonial political theory. I wanted to show that there is something distinctive, something special, to be found in this tradition of thought that has not been fully appreciated by philosophers and theorists in other fields.
What should you do when a friend shares a dream with you, and you immediately see vital meanings in it that your friend doesn't seem to see? If you are someone who is a naturally insightful dreamer and/or has studied methods of dream interpretation, you may suddenly find yourself in these awkward positions of unequal knowledge and awareness. What's your best approach in responding?
As AI systems become more capable, more accessible, and more embedded in everyday workflows, creativity is emerging as one of the most important human skills in AI development and deployment. Not creativity as decoration or aesthetics, but creativity as problem framing, decision-making, and human judgment. In an era where many organizations are using the same models, tools, and platforms, creative thinking is what separates meaningful outcomes from generic ones.
February 2026 issue.When I was a child I was terrifiedof the space between One and Zero vast as the ages before my birthstrait as my death-late at night I heard my parents arguinglovingly in their locked room, the angora cat coming homewith a sparrow in her mouth, and the raindrops on the shinglescounting themselves-how to sleep, how to cross the empty placebetween the name "sparrow" and that limp thing crying,adamant, creating me with its cry
Take the sur­prise some have expressed in recent years upon find­ing out that the expres­sion to "pic­ture" some­thing in one's head isn't just a fig­ure of speech. You mean that peo­ple "pic­tur­ing an apple," say, haven't been just think­ing about an apple, but actu­al­ly see­ing one in their heads? The inabil­i­ty to do that has a name: aphan­ta­sia, from the Greek word phan­ta­sia, "image," and prefix - a, "with­out."
When I was 8 or 9 years old, my uncle and aunt gave me a copy of D'Aulaires' Book of Greek Myths, a standard-bearer for children's folklore that was originally published in 1962. I was immediately dazzled by the book: D'Aulaires' was my first exposure to Greek mythology, and I marveled at its vibrant cosmology, its richly illustrated tales of deities whose omnipotence was matched only by their strikingly human, self-indulgent caprice.
For the first time, speech has been decoupled from consequence. We now live alongside AI systems that converse knowledgeably and persuasively-deploying claims about the world, explanations, advice, encouragement, apologies, and promises-while bearing no vulnerability for what they say. Millions of people already rely on chatbots powered by large language models, and have integrated these synthetic interlocutors into their personal and professional lives. An LLM's words shape our beliefs, decisions, and actions, yet no speaker stands behind them.
The timing could not be better: We have much to learn in this moment from a movement that was both explicitly antifascist and radically hopeful - and from how the not-so-antifascist Dalí broke from it. But Dreamworlds presents precious little of the historical and political context - for example, the birth of the movement out of the grotesque terrors of World War I - that would help viewers grasp the relevance of what's in front of them.
Are heroes real, or are they simply stories we tell ourselves? Either heroes are objectively real-brave people who perform extraordinary acts of courage and sacrifice-or heroism is merely in our heads, a social construction shaped by culture, media, and wishful thinking. This debate shows up everywhere: in classrooms, in popular culture, and even among scholars who study heroism for a living.
Many philosophers strike me as like Polish apparatchiks in 1983-they turn up to work and do what they did yesterday just because they don't know what else to do, not because they seriously believe in the system they are maintaining. I think it's not been fully appreciated how much of a blow it is to the confidence of the field's youth that scientific ambitions are increasingly abandoned as untenable.